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Persian painter. Known for a large number of painted and varnished (‘lacquered’) bookbindings, penboxes and mirror-cases (see Islamic art, §viii, 10), ‛Ali Ashraf worked in a small floral style with a characteristic motif of pansies or African violets on a black ground. His style, notable for its richness and delicacy, is derived directly from that of his teacher ...

Article

Persian painter. He is known for decorations in the margins of manuscripts, copies of European prints and 17th-century paintings, and wash drawings. His subjects range from floral sprays to nudes, such as the watercolour of a sleeping nymph (1765; Dublin, Chester Beatty Lib., cat. no. 282.VI). He contributed paintings and marginal decorations to a sumptuous album (...

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Persian School, 18th century, male.

Calligrapher, illuminator.

This artist was a pupil of Hasan the Egyptian.

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Nonna S. Stepanyan

Armenian family of artists active from the 17th to the late 19th century in manuscript illumination, church decoration, iconostasis painting, portrait painting and lithography. Naghash Hovnat‘an (1666–1721) was a poet and artist who painted churches in Erevan. In 1720–21 he decorated the cathedral at Ēdjmiadzin; decorative fragments (tempera on dry plaster) have survived, as well as a scene showing King Trdat III (...

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Walter B. Denny

Ottoman calligrapher. Together with his elder brother, the calligrapher Isma‛il Zühdü Efendi (d 1806), he went to Istanbul, where he studied with several masters and obtained his diploma at the age of 12. He rose through the Ottoman civil service and eventually held a number of high government offices. He and his brother are generally recognized as freeing Islamic calligraphy from the style canonized by ...

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Walter B. Denny

Ottoman calligrapher. He studied with his father, Yusuf Efendi, and with the court calligrapher Sayyid Abdallah of Yediküle (d 1731). Achieving some reputation at an early age, Mehmed Rasim became a major court calligrapher in the Tulip period during the reign of Ahmed III (...

Article

Gordon Campbell

Ottoman calligrapher. Born paralysed on the right side of his body and palsied on the left, he was given the nickname ‘Yesari’ (left-handed). He learnt the art of calligraphy from Mehmed Dedezade, gaining his diploma (Turk. icazet) in 1753–4. Appointed calligrapher at the Topkapı Palace in Istanbul by ...