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Article

Michelle Yun

(b New York, NY, Dec 25, 1944).

American sculptor, draftsman and installation artist. Saret received a BArch from Cornell University in Ithaca, NY, in 1966 and subsequently studied at Hunter College in New York under Robert Morris from 1966 to 1968. In the late 1960s his work was classified as part of the “anti-form” movement, which rejected the rigidity of Minimalism in favor of creating non-figurative works that were structured in part by the inherent physical properties of the industrial materials favored by this group.

Saret’s early sculptures from the 1960s and 1970s were primarily crafted from industrial metal wire of varying thickness, though he also sometimes used rubber, wire mesh or other non-art materials. They were often suspended from the ceiling or installed directly on the ground and exuded a weightless, ephemeral quality akin to clouds or gestural drawings rendered three-dimensionally. It was around this time, in 1967, that Saret began his ongoing Gang drawings series. These gestural drawings were initially created as preliminary studies for the sculptures and were produced by the artist spontaneously grabbing a handful, or “gang,” of colored pencils, thereby integrating an element of chance to the process....

Article

Patricia Hills

(b Roxbury, MA, April 14, 1922).

American sculptor, painter, printmaker and teacher. Raised in Roxbury, a suburb of Boston, Wilson was the second of five children of Reginald and Violet Wilson, immigrants from British Guiana (now the Republic of Guyana). He attended the School of the Museum of Fine Arts in Boston with a full scholarship and received a diploma with highest honors in 1945; a BS degree in art education followed in 1947 from Tufts University. With a fellowship from the School of the Museum of Fine Arts, he spent 1947–9 in Paris, where he studied with Fernand Léger. Returning to Boston he taught briefly at the School of the Museum of Fine Arts, married Julie Kowitch and moved to Mexico City with a John Hay Whitney Fellowship. There he became friends with Elizabeth Catlett and her husband Francesco Mora, both active in the graphic workshop organized by leftist artists, the Taller de Gráfica Popular, where he worked. In Mexico he learned the techniques of true fresco, which had been popularized by Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros, and painted the mural, ...