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Margarita González Arredondo

(b Mexico City, June 10, 1940).

Mexican painter, sculptor, illustrator and stage designer. He was self-taught when he took up painting in 1956 with the encouragement of Diego Rivera, but from 1956 to 1960 he studied graphic design with Gordon Jones. During those years he worked in an Abstract Expressionist manner, although he soon incorporated figurative elements and, from c. 1963, elements of fantasy. In 1967 he went to Paris on a French government grant. In the following year he was a founder-member of the Salón Independiente, where he began to exhibit acrylic sculptures of the female torso. These were followed between 1974 and 1976 by a series entitled Mutations, in which he explored the possibilities of the cube and which opened the way to later sculptures and paintings in which geometry is balanced with sensuality. Venus and Mars (Mexico City, U. N. Autónoma) is one of the best of his public sculptures. He also worked as a stage designer, for example on a production in ...

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Horacio Safons

(b Buenos Aires, Sept 28, 1949).

Argentine painter and stage designer. After a series of pictures featuring hallucinatory images of disembodied mouths and orifices, bodies and pits, he began to treat circus scenes, exploiting their symbolic suggestiveness by representing candles, ladders, insects and animals of arbitrary size alongside ambiguous human forms. Falling somewhere between the merry and the tragic, they have a theatrical aspect consonant with his experience as a stage designer. Combining a lively, almost festive palette with thick paint, sometimes violently applied, Fazzolari emerged in the 1980s as one of the leading Neo-Expressionist painters in Argentina....