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Article

American, 20th century, male.

Born 24 January 1940, in New York.

Painter, sculptor, performance artist, video artist. Multimedia.

Body Art, Conceptual Art.

Vito Acconci was born in the Bronx, New York and lives and works in Brooklyn. He studied at Holy Cross College in Worcester, Massachusetts and at the University of Iowa. He has taught in various art schools and universities and in particular at the School of the Art Institute of Chicago, Yale University and the Parsons School of Design in New York....

Article

American, 20th century, male.

Born 7 May 1943, in Wichita (Kansas).

Sculptor, environmental artist, performance artist, video artist.

Terry Allen studied at the Chouinard Art Institute in Los Angeles, receiving a BFA in 1966. His work is inspired by his travels in Mexico, Thailand, China and Colorado. He has taught at California State University Fresno (...

Article

American, 20th – 21st century, male.

Born 19 February 1946, in Washington DC.

Painter, sculptor, draughtsman, engraver, photographer, video artist, glassmaker, decorative designer. Theatre design.

AfriCobra Group.

Akili Ron Anderson attended the Corcoran School of Art and Howard University in Washington DC where he lives and works. He is a member of AfriCobra (African Commune of Bad Relevant Artists) founded in ...

Article

American, 20th – 21st century, female.

Born 19 January 1964, in Freeport, Bahamas.

Sculptor, performance artist, installation artist, photographer.

Feminism.

Janine Antoni studied at Sarah Lawrence College, New York, obtaining a Bachelor of Arts degree in 1986, and the Rhode Island School of Design, where she received a master's degree in sculpture in ...

Article

American, 20th century, male.

Born 1942, in Urbana (Illinois).

Installation artist, performance artist, sculptor, photographer. Multimedia.

Conceptual Art, Body Art.

Dan Graham lives and works in New York, where he has achieved renown as a gallery owner (he opened the John Daniels Gallery in the 1960s), art theorist (championing Minimal Art) and artist. The closure of his gallery for financial reasons caused Dan Graham to question the economic and social purpose of 'gallery art'. Influenced by Pop Art, which introduced an element of social realism to his work, Graham gradually rejected the concept of artistic autonomy promoted by the American Minimalists. Drawing on his experience of the commercial and economic realities of the art world, he realised that the value of a work of art is above all determined by the extent to which it is reproduced. He began to publicise his own work by reproducing it on inserts in, for example, the art and rock press and women's magazines, rather than by holding exhibitions in commercial galleries. His exploration of art, the means of reproduction and 'mediatisation' continued with the distribution of his own series of photographs of tract-houses (pre-fabricated, mass-produced American suburban homes): ...

Article

American, 20th century, male.

Born 1 June 1937, in Nashville (Tennessee).

Painter, sculptor, draughtsman, performance artist, environmental artist, installation artist, film maker.

Neo-Dadaism, Pop Art.

Born Charles Rogers Grooms, the red-headed Red Grooms studied at the School of the Art Institute of Chicago (1955...

Article

American, 20th century, female.

Born 1936, in New York.

Sculptor, draughtswoman, performance artist, video artist, installation artist.

Joan Jonas lives and works in New York. She has travelled a great deal, and lived in Japan in 1970. She has taught at the Stuttgart Kunstakademie and at the Massachusetts Institute of Technology, Cambridge (Mass.). Her art springs from a dramatic approach announced by Dada and resumed notably by Fluxus, more significantly in the person of John Cage. Combining happening and behavioural art, Joan Jonas' concerts/actions aim at redefining the body as a means of expression. In ...

Article

Sook-Kyung Lee

One of the characteristics of Korean contemporary art is a continuous effort in employing and interpreting international art practices and discourses. Art movements from Europe and North America in particular, including Abstract Expressionism, Art informel, Minimalism, Conceptual art and Post-modernism, have influenced many Korean artists’ styles and ideas since the 1950s, providing formal and conceptual grounds for critical understandings and further experiments. Whilst some artists who maintained traditional art forms such as ink painting and calligraphy exercised modernist styles and abstract forms largely within the norms and conventions of traditional genres, a large group of artists proactively adapted to Western styles, employing new materials and techniques as well as the notions of avant-garde and experimentalism (see fig.).

A major critique of the reception of Western art and aesthetics came from ‘Minjung art’ (People’s Art) in the 1980s as part of instigating a nationalist and politically charged art strategy. Several art historians and critics who emerged in the 1990s also expanded the scope of the debate with postcolonial and pluralist points of view. The shift in social, economic and political environments played an important role in changing sensibilities in art, along with the advances of technology and new media in the 2000s. The high degree of diversity and sophistication of Korean art in terms of media and subject matters became widely acknowledged within and outside the nation, and an increasing number of artists started to work on the cutting edge of international art....

Article

American, 20th – 21st century, male.

Born 6 August 1945, in Salt Lake City.

Sculptor, draughtsman, performance artist, installation artist, photographer. Multimedia.

Paul McCarthy received a BFA in 1969 from the San Francisco Art Institute, and an MFA in film at the University of Southern California in ...

Article

Tom Williams

(b Salt Lake City, UT, Aug 4, 1945).

American sculptor and performance artist. He studied at the University of Utah between 1966 and 1968 before receiving a BFA from the San Francisco Art Institute in 1969 and an MFA from the University of Southern California, Los Angeles, in 1973. He is best known for the series of scatological and self-consciously perverse performances in which he has adopted such roles as a chef, an Abstract Expressionist painter, and even Santa Claus to explore complex psychoanalytic themes.

McCarthy’s early work participated in the late 1960s trends towards phenomenologically oriented installations and body art, but during the 1970s his work became increasingly preoccupied with transgressive bodily actions. In many of these performances, he would paint with his penis, insert objects into his rectum, or smear himself with ketchup or other viscous fluids. Such gestures often served to degrade and devalue conventional figures of authority or to expose the psycho-sexual underpinnings of contemporary culture. In his famous ...