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Chinese, 20th – 21st century, male.

Born 1962, in Zhejiang.

Painter, sculptor. Nudes.

Chen Wanshan began by studying sculpture at the National Zhejiang Academy of Fine Arts, graduating in 1985, and then took up painting. He teaches at the Central Academy of Fine Arts in Beijing. Both his sculptures and his paintings have appeared in many exhibitions in China and in ...


Chinese, 20th–21st century, male.

Born 1953.

Painter, sculptor. Portraits, still-lifes, landscapes.

or Zheng Zaidong

Cheng Tsai-tung trained in journalism before switching to painting. While technically fairly rudimentary, his work proceeds from a synthetic vision that he renders in large flat areas.

1984–1985, Taiwan New Painting...


Chinese, 20th – 21st century, male.

Born 1962, in Beijing.

Painter, sculptor, mixed-media installation artist, animation artist.

Gu Dexin is a self-taught artist and co-founder of the New Mark Group (later became the Analysis Group) in the late 1980s. This group, working collaboratively, is more interested in questioning the importance of concepts, language, and authorship, such as ...


Japanese, 20th – 21st century, male.

Active in France.

Born 1949, in Niigata.

Sculptor, painter, draughtsman, pastellist. Monuments, low reliefs.

After training at Tamabi Art School in Tokyo from 1968 to 1972, Harada Tetsuo went to Paris and continued his training at the École des beaux-arts. He went on to teach at the École d’Architecture in Versailles, working at Fresnay-l’Évêque, near Chartres, and living in Paris. Harada makes monumental sculpture in granite and marble on the themes of nature and water. He often cuts his own stone to make flat sculptures in which the forms are drawn in either horizontally, along the ground, or vertically. In ...


Japanese, 20th – 21st century, male.

Born 1946, in Kagawa Prefecture.

Sculptor, painter, draughtsman, engraver.

Haraguchi Noriyuki studied at Nihon Uni­versity until 1970. His style can be described as Pop Art and he mainly uses heavy materials such as concrete, steel, copper and tar. Work by him was shown at the following: the seventh Exhibition of Contemporary Japanese Art (...


Chinese, 20th – 21st century, male.

Born 1956, in Hong Kong.

Educator, curator, writer, sculptor, painter.

Ho received a B.F.A. from the University of Saskatchewan in 1980 and an M.F.A. from the University of California, Davis, in 1983. After returning to Hong Kong, Ho was the exhibition director of the Hong Kong Arts Centre ...


Chinese, 20th – 21st century, male.

Active in Shanghai.

Born 1949, in Shanghai.

Painter, sculptor. Figure compositions.

Huang Yinghao studied sculpture at the fine arts academy of Zhejiang in 1966. From 1969 to 1981 he did artwork for various magazines in Shanghai. In 1982 he returned to his studies, this time to the painting section of Jiaotong University in Shanghai. He exhibits both in China and abroad....


Japanese, 20th – 21st century, female.

Active in Germany.

Born 1951.

Painter, sculptor, draughtswoman, watercolourist. Figures.


Leiko Ikemura lives in Cologne and Berlin, where she teaches painting at the Hochschule der Künste. She started to become known in the 1980s, notably in Switzerland. Her style, related to the new Expressionism of the beginning of the 1980s, has veered towards Symbolism. The central figures of her mythology are a little girl and a cat, and her magical universe is bathed in metamorphoses between the animal, vegetable and human kingdoms. She shows her works in solo exhibitions, including ...


Japanese, 20th – 21st century, male.

Born 24 April 1948, in Osaka.

Painter, draughtsman, sculptor.

Conceptual Art.

Kitatsuji Yoshihisa studied at the Tama Art School, Tokyo, from 1968 to 1972. The next year he travelled to the West, visiting France, Germany, Italy and The Netherlands. He lives and works in Osaka. His work is first and foremost a reflection on painting itself, how the image fades and wastes away; at the same time, his work is concerned with the artist’s eye, which gives the image its quality. He uses photocopying techniques to produce modified repetitions of an original drawing....


Japanese, 20th – 21st century, male.

Active in France since 1981.

Born 1954, in Okinawa.

Painter, pastellist, sculptor, lithographer.

Manabu Kochi acquired his artistic education on his travels across cultures and civilisations, from Tokyo to Florence, from London to Paris, where he eventually settled. He works in acrylics and oil pastels. He is also a lithographer, which allows him to increase the volume of his graphic work, and a sculptor: some of his sculpture is in cast bronze. His artistic identity is a synthesis of different influences - children’s drawings, Miró, Brauner, and pop art are dominant in his painting; and primitive art, Miró, Arp, and Max Ernst in his sculpture. His paintings and pastels are a maze of simplified images and juxtaposed graphic signs. Françoise Monnin has described his bestiary sculpture as ‘... anatomic fragments: a head on a foot, three fingers on a belly... a man with a leaf for a head beside a feather with a mouth....’...