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(b Athribis, nr Benha, c. 1440 bc; d c. 1350 bc).

Ancient Egyptian architect and patron. Amenhotpe rose to prominence in his home town during the reign of Amenophis III (reg c. 1391–c. 1353 bc) as a royal scribe and chief of the priests of the local god Khentekhtai. About 1390 bc he moved to the royal court at Thebes and was rapidly promoted by Amenophis III to the position of chief royal architect, responsible for the whole process of temple construction, from quarrying to the sculpting of relief decoration, as well as the commissioning of royal statues. The full list of buildings for which Amenhotpe was architect is not known, but he certainly supervised the construction of a huge temple at Soleb near the second cataract of the Nile in Lower Nubia, where several of the reliefs depict him standing alongside the King during the temple consecration ceremony. He also built two tombs and a mortuary temple for himself on the west bank at Thebes (...

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Noémie Goldman and Kim Oosterlinck

Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages.

The history of plundering and art imperialism may be traced back to ancient times. Looting has been documented in many instances from the sack by the Romans of the Etruscan city of Veii in ...