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Article

Canadian First Nations (Oji-Cree), 20th century, female.

Born 28 March 1971, in Yorkton (Saskatchewan).

Installation artist, ceramicist, photographer, sculptor, printmaker.

KC Adams studied at Concordia University, in Montreal, Quebec, where she received her BFA in Studio Arts in 1998. Her artistic practice was further developed through artists’ residencies in Canada, at institutions in Banff, Charlottetown and Winnipeg. During her ...

Article

American, 20th – 21st century, male.

Born 19 February 1946, in Washington DC.

Painter, sculptor, draughtsman, engraver, photographer, video artist, glassmaker, decorative designer. Theatre design.

AfriCobra Group.

Akili Ron Anderson attended the Corcoran School of Art and Howard University in Washington DC where he lives and works. He is a member of AfriCobra (African Commune of Bad Relevant Artists) founded in ...

Article

Margo Machida

(b New York, Aug 16, 1949).

American printmaker and installation artist. Born and raised in New York City, Arai, a third-generation Japanese American printmaker, mixed-media artist, public artist and cultural activist, studied art at the Philadelphia College of Art and The Printmaking Workshop in New York. Since the 1970s, her diverse projects have ranged from individual works to large-scale public commissions (see Public art in the 21st century). She has designed permanent public works, including an interior mural commemorating the African burial ground in lower Manhattan and an outdoor mural for Philadelphia’s Chinatown. Other works include Wall of Respect for Women (1974), a mural on New York’s Lower East Side, which was a collaboration between Arai and women from the local community. Her art has been exhibited in such venues as the Bronx Museum of the Arts, the Whitney Museum of American Art, the Museum of Modern Art, International Center for Photography, P.S.1 Museum, the Brooklyn Museum, the Museum of Contemporary Hispanic Art, all New York and the Library of Congress, Washington, DC. She is the recipient of awards and fellowships from National Endowment for the Arts, New York Foundation for the Arts, and Joan Mitchell Foundation....

Article

Canadian First Nations (We Wai Kai/Cape Mudge Band), 21st century, male.

Born 1975, in Richmond (British Columbia).

Painter, sculptor, printmaker, photographer.

The aesthetic of Sonny Assu (Liǥwilda’x̱w/Laich-kwil-tach) is a confluence of Northwest Coast formline motifs and popular Western culture. He is well versed in the traditional Kwakwaka’wakw arts of drum, blanket and basket making and uses these as the starting place of many of his artworks. Drawing on a pop sensibility, mass-media culture is used as a conduit to explore and expose these Kwakwaka’wakw traditions as well as the artist’s own mixed heritage. By bringing these seemingly desperate elements together, Assu’s works challenge popular notions of authenticity regarding Indigenous people and their art. Moreover, while the works may appear whimsical at first glance, they offer a sharp critique of Western society’s culture of consumption as it relates to colonisation, both historical and ongoing, in North America....

Article

Cecile Johnson

(Losch)

(b Long Beach, CA, March 14, 1941).

American installation artist, painter, printmaker and sculptor. Bartlett studied at Mills College, Oakland, CA (1960–63), and at the Yale School of Art and Architecture, New Haven, CT (1964–5). The progressive approach to modern art taught at Yale and the nearby thriving art scene of New York were instrumental in her early development (1963–early 1970s). Bartlett’s first one-person exhibition was in New York (1970) in the loft of the artist Alan Saret. Nine-point Pieces (1973–4), a later work, was shown at the Paula Cooper Gallery in New York and was experimental both conceptually and materially. Her ambivalent use of systems to establish an order and to oppose it allowed her to explore the material and the conceptual process of making images and objects. Rhapsody (1975–6; priv. col., see exh. cat., p. 21), one of her best-known installations, consists of 988 steel plates covered with screenprint grids and hand-painted Testors enamel and hung on a wall (2.28×47.86 m). Each plate exists individually and in relation to its adjoining plate and may be read vertically or horizontally, creating a mesh of stylistic variability exploring both figurative and non-figurative motifs. Another work of the 1970s is ...

Article

Native American (Wiyot and Yurok), 20th–21st century, male.

Born 1946, in Newport (Oregon).

Sculptor, painter, ceramicist, mixed-media artist, print-maker.

Rick Bartow of the Wiyot and Yurok Nations of Northern California works in a number of media to create images which often reference indigenous North American transformation myths. His work with the Maori artist John Bevan Ford has also been an influence. In ...

Article

American, 20th – 21st century, female.

Born 1951, in Seaford (Delaware).

Screen printer.

Gretchen Bender lives and works in New York.

Bender's work addresses the issue of media that use new technology such as computers and videos for marketing purposes. She aims to highlight the way in which works of art are appropriated and used in advertising, thus trivialising them and blurring the distinction between art and publicity, in a way that threatens to erode the nature of creativity. ...

Article

Deborah Cullen

(b Los Angeles, CA, Aug 12, 1933).

African American filmmaker, sculptor, printmaker and archivist of African American culture. Camille Billops received her BA from California State College and her MFA from the City College of New York. A visual artist, filmmaker and archivist, Billops’s darkly humorous prints and sculpture have been exhibited internationally, including at the Cooper-Hewitt Museum of Design, the New Museum and the Bronx Museum, New York; the Library of Congress, Washington, DC; Clark College, Atlanta University; the Chrysler Museum of Art, Norfolk, VA; Museo de Arte Moderno La Tertulia, Cali, Colombia; Gallerie Akhenaton, Cairo, Egypt; the American Center, Karachi, Pakistan; and the American Cultural Center, Taipei, Taiwan. Billops received a Percent for Art commission in New York and was a long-time member of Robert Blackburn’s Printmaking Workshop (PMW), traveling to establish the first summer printmaking workshop in Asilah, Morocco, with the PMW delegation.

As a filmmaker, Billops earned a National Endowment for the Arts award. Her films have been shown on public television and at the Museum of Modern Art, New York. She collaborated with photographer James Van Der Zee (...

Article

American, 20th – 21st century, female.

Active in France since 1969.

Born 1946, in Cleveland (Ohio).

Painter, draughtswoman, engraver.

Dana Briggs studied the theory and practice of fine art at the University of Massachusetts (Amherst) between 1965 and 1969. She has participated in collective exhibitions in Paris, including the Salon des Artistes Indépendants (...

Article

American, 20th – 21st century, male.

Active since 1972 also active in France.

Born 1951, in Los Angeles.

Painter (including gouache/mixed media), watercolourist, sculptor, engraver. Figures, portraits.

James Brown became interested in specifically religious symbols, and their interior force, at a very early age, while he was studying at school and at the Jesuit University. When he went to Paris in ...