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Canadian First Nations (Blood/Kainai), 20th–21st century, female.

Born 1953, in Kainai Reserve (Alberta).

Sculptor, installation artist, photographer.

Blackfoot artist Faye HeavyShield received her training at the Alberta College of Art and the University of Calgary (BFA 1986). Her eloquently, sparse aesthetics fall within the tropes of Minimalism, but she favours natural and handmade materials over mass-produced ones. These materials imbue her work with a narrative specificity not usually associated with Minimalism. Drawing on her memories of a traditional upbringing on the Kainai reserve and her education at St Mary’s Catholic School, HeavyShield brings together small repeated, often abstracted, forms to create large sculptures and installations that metaphorically reference the body and landscape. The results are enigmatic works that explore issues of memory, identity and the politics of place. The repetitive dynamic of her work gives it a meditative quality and reminds the viewer that strength is found in ritual and community....


Native American (Inupiaq/Athabascan), 21st century, female.

Born 1969, in Bethal (Alaska).

Painter, sculptor, draughtsman, installation artist.

Inupiaq/Athabascan artist Sonya Kelliher-Combs holds a BFA from the University of Alaska–Fairbanks (1998) and an MFA from Arizona State University (1992). In 2007 she was awarded an Eiteljorg Fellowship for Native American Fine Art. Her work is included in the collections of the Anchorage Museum, Alaska State Museum, University of Alaska Museum of the North and Eiteljorg Museum....


Canadian First Nations, 20th–21st century, male.

Active in California.

Born 1931, in Toronto, to parents of Native American Mohawk and Sicilian origin. Died 2007.

Sculptor, painter, lithographer.

Minimalism, Light and Space.

Norman Zammitt grew up on the Caugnawaga Reservation near Montreal. He moved with his family to Buffalo, New York, before settling in California in ...