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Article

(b Berlin, Oct 15, 1827; d Berlin, Sept 15, 1908).

German architect, archaeologist and writer. He was one of the leading figures of Berlin’s architectural establishment in the latter half of the 19th century. On completion of his studies in 1852, he was given the prestigious post of Bauleiter at the Neues Museum in Berlin, designed by Friedrich August Stüler. He subsequently became a lecturer and in 1861 a professor of architectural history at the Bauakademie in Berlin. Many of his church buildings used medieval motifs and elements, for example the Christuskirche (1862–8) in Berlin and the Elisabethkirche (1869–72) in Wilhelmshafen. He followed Karl Bötticher in his attempts to merge medieval and classical elements, best illustrated in his design for the Thomaskirche (competition 1862; built 1865–70), Berlin. There, Adler used Gothic structural devices embellished with rich Renaissance detail, a tendency that was also present in many of the entries for the Berlin Cathedral competition (...

Article

Greek, 19th – 20th century, female.

Active in Athens.

Painter.

Kleoniki Aspriati executed mostly portraits and worked in Athens. A pupil of Raphael Collin, Paul Leroy and Luc Olivier-Merson, she received honourable mention at the Exposition Universelle in Paris in 1900.

Article

Kirk Ambrose

(b Moscow, May 7, 1903; d Paris, Jan 25, 1988).

Lithuanian art historian, scholar of folklore and Egyptology, and diplomat of Russian birth. Son of the celebrated Lithuanian Symbolist poet of the same name, Jurgis Baltrušaitis II studied under Henri(-Joseph) Focillon at the Sorbonne and earned the PhD in 1931. The concerns of his mentor are evident in La stylistique ornementale dans la sculpture romane (1931), which reprises and extends arguments for the ‘law of the frame’ in Romanesque sculpture. Accordingly, the shapes of architectural members, such as capitals and tympana, determined the articulation of sculptural forms. This theory could account for the genesis of a wide array of monumental carvings, from foliate capitals to narrative reliefs, but ultimately it had a rather limited impact on the field of Romanesque sculptural studies. In a scathing critique, Schapiro argued that Baltrušaitis’s book—and by implication Focillon’s methods—robbed Romanesque sculptors of agency and neglected the religious and expressive meanings of this art form....

Article

Alessandro Conti

(b Venice, April 25, 1859; d Rome, July 10, 1925).

Italian archaeologist. He was educated in Venice at a time when there was great controversy over the conservation of original works of art, especially in connection with the restorations (1875) in S Marco. In 1888 he moved to Rome, where he became an inspector of monuments and advocated the establishment of a photographic archive and a catalogue of monuments as a basis for restoration programmes. Having collaborated on excavations inside the Pantheon in 1892, from 1895 he superintended new excavations in the Forum Romanum (see Rome, §V, 1); the latter uncovered fundamental evidence concerning the origins of Rome, including the Lapis Niger (1st century bc; in situ), an archaic Latin inscription (c. 500 bc; Corpus inscriptionum latinarum, Academia Litterarum Borussicae, Berlin, 1863–, vi, 36840) and ‘pre-Romulan’ burial grounds. He was influenced by John Ruskin’s philosophy of art and argued that the prime function of restoration is to preserve original materials. In ...

Article

Greek, 19th – 20th century, female.

Born in Vienna, to Greek parents.

Painter. Portraits, birds.

Diana Bornozi exhibited portraits and pictures of birds in Paris at the Salon de la Société des Beaux-Arts 1914 and 1935.

Article

Greek, 19th – 20th century, male.

Born 19th century, in Lemnos; died c. 1920.

Painter. Genre scenes.

Brounzos was a pupil of Cabanel. He exhibited at the Paris Exposition Universelle in 1889 (receiving a bronze medal) and in 1900.

Article

Greek, 19th – 20th century, male.

Active also active in Russia.

Born between 1865 and 1866, in Eupatoria (Crimea); died 1929, in Athens.

Painter. Landscapes.

Nicolas Chimonas studied with Arkhip Ivanovich Kuindzhi at the academy of fine arts in St Petersburg from 1890 to 1894 and later taught there (...

Article

John Curran

(Valéry Marie)

(b Aalst, Jan 3, 1868; d Woluwe, Brussels, Aug 20, 1947).

Belgian archaeologist and religious historian. Educated in Ghent, Bonn, Berlin and Paris, he taught at the University of Ghent from 1896 to 1910. He made a fundamental contribution to the understanding of the complexity of ancient paganism and its symbols, and he travelled widely in Syria and Turkey in search of ancient astrological drawings and symbols. Other important early works of this prolific scholar focused on the influence of ancient oriental cults, particularly Mithraism, on the Roman world and on Christianity. He developed an interest in pagan representations of the afterlife and collected widely dispersed information for his great work Recherches sur le symbolisme funéraire des Romains. This broke decisively with the tradition of romantic scholarship, which had concentrated on style, aesthetic quality and dating: Cumont marshalled his impressive archaeological knowledge to present a scientific categorization of the material remains of ancient funerary art, including sculpture, painting and sarcophagus reliefs, together with a penetrating and influential analysis of the selection and meaning of the artistic themes used....

Article

Greek, 20th century, male.

Born 13 September 1920.

Sculptor.

Symbolism.

Kosmas took classes at the school of fine art in Athens, from which he graduated in 1945, obtained a grant to complete his training in Paris at the École des Beaux-Arts from 1952 to 1954...

Article

D. Evely

Reviser Gordon Campbell

(John)

(b Hemel Hempstead, Herts, July 8, 1851; d Oxford, July 11, 1941).

English archaeologist and historian. He is best known as the discoverer of the Palace of Minos at Knossos and the inventor of the term Minoan to designate the Bronze Age civilization of Crete. His father ran a paper-milling business and was also a prominent antiquary. Evans studied modern history at Brasenose College, Oxford (1870–74), during which time he also travelled widely, from war-torn France to the Turkish-occupied Balkans (1871) and Romania (1872). His sympathies for the Slavs and his interest in the ancient remains of the region led him to settle at Ragusa (now Dubrovnik) in 1875. There he divided his time between investigating the political turmoil of the area, assisting refugees, visiting numerous historical sites, producing a series of books and scholarly articles and working as a reporter for the Manchester Guardian (from 1877); but as Austrian involvement in the Balkans increased, he was accused of mixing with nationalistic elements, arrested, imprisoned and expelled (...