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Alan Powers

(Irving Jeffrey)

(b Haiphong, French Indo-China [now Vietnam], Oct 16, 1900; d Rodmersham, Kent, Nov 8, 1979).

English illustrator and author. From 1905 he grew up in England, becoming a professional artist in 1926 after part-time study at the Westminster School of Art, London. He became known as an illustrator of genre scenes in a variety of media, often with a comic Victorian flavour. He was best known for illustrated stories, the first of which, Little Tim and the Brave Sea-captain (Oxford, 1936), was followed by numerous imaginative and popular children’s books and by many other illustrated books. Baggage to the Enemy (London, 1941) reflected his appointment in 1940 as an Official War Artist, recording the German invasion of France, and the North African and Italian campaigns. His freelance career continued after the war with a steady production of illustrative and ephemeral work in an instantly recognizable style that relied on ink line and delicate washes.

The Young Ardizzone: An Autobiographical Fragment (London, 1970) Diary of a War Artist...

Article

Nelly Perazzo

(b Buenos Aires, Oct 1, 1927).

Argentine painter, graphic designer, teacher and critic. After studying in Japan from 1935 to 1951 he returned to Argentina, remaining there until his move to New York in 1963. His paintings from 1952 were in the style of Art informel, with a calligraphic emphasis demonstrating his sympathy with oriental art, but around 1960 he moved towards a more gestural abstraction in works such as Painting No. 20 (1961; Buenos Aires, Mus. A. Mod.), using thicker paint and more subdued colours.

In 1964 Sakai began to use more geometric shapes in his pictures, and he continued to do so on moving in 1965 to Mexico, where he remained until 1977. His example opened the way to geometric abstraction in Mexico, where there was no real tradition of such work. In 1976, shortly before returning to New York, he began a series of paintings using the formal repetition of parallel undulating lines of strongly contrasting colour. From ...