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Article

Colombian, 20th century, male.

Born in Rio Negro.

Painter.

Arcila Oribe exhibited a Head of Christ in 1930 at the Salon des Artistes Français in Paris.

Article

Jamaican, 20th century, male.

Born 1942.

Painter. Religious subjects.

Following a dream in which he was inspired by God, Albert Artwell dedicated his life to painting, producing mystical works with a biblical influence.

Stöter-Bender, Jutta: L'Art contemporain dans les pays du tiers-monde, L'Harmattan, Paris, 1995....

Article

Uruguayan, 20th century, male.

Active in Spain.

Born 5 February 1898, in Montevideo; died 12 February 1929, in Montevideo.

Painter (including gouache), watercolourist, draughtsman, illustrator, scenographer. Religious subjects, genre scenes, scenes with figures, landscapes, urban landscapes. Stage sets, comic cartoons.

The son of Spanish emigrants, Rafaél Pérez Barradas spent most of his artistic life in Spain, where he was soon contributing illustrations to the press. In 1913, he traveled in Italy and France, then settled in Condal. In 1928, he decided to return to Uruguay. He died prematurely of an illness. He is considered to have formed part of the Spanish artistic avant-garde at the beginning of the 1920s. Starting in a Post-Impressionist style that was soon influenced by Gauguin, he rapidly lightened his palette and became interested in the Cubist vision of reality while breaking out of the unitary vision of form. His canvases, with grey and ochre colours, represent landscapes and burlesque scenes from daily life. ...

Article

Chilean, 20th century, male.

Born 1927, in Paris.

Painter.

Barreda Fabres studied architecture at the Catholic university in Santiago and taught history of art in the architecture faculty from 1950 to 1955. He used a realist technique to paint constructions that belong to the world of the uncanny and the surreal. He took part in exhibitions in North America, Latin America and Europe and received many awards....

Article

Brazilian, 20th century, female.

Born 1914.

Painter. Religious subjects.

Becker Do Valle established a reputation from the 1960s onwards.

New York, 19 May 1992: Eve Tempting Adam (1967, oil on canvas, 24 × 15 ins/61.2 × 38 cm) USD 1,650

Article

Ramón Gutiérrez

(b nr Rome, 1677; d Córdoba, Argentina, Dec 25, 1740).

Italian architect, active in Argentina. Having studied architecture in Rome, in 1716 he joined the Jesuit Order. In 1717 he travelled with Giovanni Battista Primoli to Buenos Aires, subsequently settling in Córdoba. He was an able designer with a considerable theoretical knowledge of architecture and often worked in collaboration with Primoli, who completed many of his designs. Bianchi’s purified, classical style contained some Mannerist tendencies, and its implementation helped to increase the level of craftsmanship in architecture in the region. In 1719 he set up the lime kilns at La Calera, near Córdoba, so enabling an improvement in the building techniques of the region. In 1720 he moved to Buenos Aires, where he directed work on the Jesuit Colegio and later completed the construction of their church. Other important projects in Buenos Aires were his designs for the churches of Nuestra Señora del Pilar (Recoletos), Belén, S Catalina, La Merced, and S Francisco as well as the façade of the cathedral (all ...

Article

Annick Benavides

[Bitti, Aloisio Bernardino Giovanni Demócrito]

(b Camerino, the Marches, 1548; d Lima, 1610).

Italian painter and sculptor active in Peru. One of seven children born to Pablo and Cornelia Bitti, Bernardo Bitti commenced formal training in the arts at the age of 14 in Camerino and completed his training in Rome. He was inducted into the Society of Jesus as a Coadjutor Brother on 2 May 1568 at the age of 20. The General of the Society of Jesus, Everardo Mecurián, assigned Bitti to the Viceroyalty of Peru in 1573 at the request of the Jesuit Provincial in Peru, Diego Bracamante, who believed religious imagery would facilitate the Catholic indoctrination of indigenous Andeans at missions. After spending 14 months in Seville, Bitti arrived in Lima on 31 May 1575 and worked there for 8 years. He subsequently embarked on a peripatetic career decorating the interiors of Jesuit sites in Cuzco, Juli, La Paz, Sucre, Potosí, Arequipa, and Ayacucho.

Bitti created the main and lateral altarpieces of the Jesuit provisional church of S Pedro in Lima with the assistance of the Andalusian Jesuit artist Pedro de Vargas (...

Article

Uruguayan, 19th century, male.

Active also active in Italy.

Born 8 June 1830, in Montevideo; died 15 April 1901, in Pisa, Italy.

Painter, draughtsman, watercolourist. Religious subjects, military subjects, historical subjects, allegorical subjects, figures, local figures, portraits, landscapes, local scenes, animals. Murals.

Juán Manuel Blanes' father was Andalusian and his mother was Argentinian. He was from a humble background and he seems to have learnt to draw and paint by himself. He worked on the newspaper ...

Article

Haitian, 20th century, male.

Painter. Religious subjects, genre scenes.

In 1984-1985, Seymour E. Bottex featured in the exhibition Haitian Art in the Angela Gross Collection at the Woodmore Art Museum in Philadelphia.

New York, 6 May 1980: The Passion (1967, series of 14 paintings/hardboard...

Article

Veerle Poupeye

(b St Ann, 1917).

Jamaican painter and sculptor. A self-taught mystic and visionary, unknown until the late 1960s, he drew his artistic inspiration from a very personal interpretation of two Afro-Christian Jamaican cults, Rastafarianism and Revivalism. His imagery developed through meditation and techniques similar to the automatism of the Surrealists. The curious limestone formations found in Jamaica frequently served as a source of inspiration, as in Bush Have Ears (1976; Kingston, N.G.). He also made ritual objects, such as carved wooden staffs and decorated musical instruments. During the 1970s he worked in close collaboration with his son Clinton Brown (b 1954), who also received substantial critical acclaim.

V. Poupeye-Rammelaere: ‘The Rainbow Valley: The Life and Work of Brother Everald Brown’, Jamaica Journal, 21/2 (May–June 1988), pp. 2–14G. Mosquera: ‘Everald Brown’, Ante América (exh. cat. by G. Mosquera and others, Bogotá, Banco de la República, 1992), pp. 25–30V. Poupeye: Caribbean Art...