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Article

Italian, 19th century, male.

Born 1836, in Naples; died 1868, in Florence.

Painter. Genre scenes, portraits, church interiors, architectural views, landscapes, seascapes.

Macchiaioli Group.

Giuseppe Abbati was one of the interesting figures of the new Italian School. He trained under his father Vincenzo Abatti, a Neapolitan painter. He then went to work at the school of fine arts in Venice. In ...

Article

Italian, 19th century, male.

Active in the first half of the 19th century.

Born 1803, in Naples.

Painter. Religious subjects, genre scenes, church interiors, landscapes.

Vincenzo Abbati was working in Graz in 1843. There were reports that he then moved to Florence, Venice and then back to Naples....

Article

Çigdem Kafesçioglu and Walter B. Denny

In 

Article

Belgian, 19th century, male.

Born 21 January 1797, in Ghent; died 23 February 1855, in Ghent.

Painter, watercolourist. Religious subjects, mythological subjects, genre scenes, portraits, landscapes.

After studying with Pieter van Huffel at the academy in Ghent, Abeele went to Paris in 1819 and joined the studio of Baron Gros. In ...

Article

French, 19th century, male.

Born 28 February 1832, in Marseilles; died 1870, in Paris.

Painter, draughtsman. Religious subjects, figures, portraits.

Abel studied under Bonnefond at the École des Beaux-Arts in Lyons and later under Léon Cogniet. He exhibited in Lyons in 1866 and Paris from 1857 to 1870...

Article

Spanish, 19th century, male.

Born 1800, near Valencia; died 1884.

Painter. Religious subjects, hunting scenes.

Abella became known in Valencia around 1845 for his hunting scenes and historical paintings.

Valencia: Christ

Article

Flemish School, 19th century, male.

Born 28 January 1828, in Louvain; died 19 April 1881, in Louvain.

Sculptor. Religious subjects.

In his work, Michel Abelloos sought to return to the tradition of the early masters. He executed the high altar of the church of St Basil in Bruges after drawings by Baron Jean Béthune. He was also responsible for the impressive high altar of St-Cruces near Bruges. Other examples of his work can be found in Belgium, the north of France and England....

Article

Dutch, 19th century, male.

Born in Louvain.

Sculptor. Religious subjects. Statues, busts.

Jean François Abeloos was a pupil of Karel Geerts. In 1855 he was made professor at the academy of arts in Louvain, replacing his former teacher. He produced a large number of sculptures, examples of which can be found in churches in Belgium. At the Brussels exhibition of ...

Article

S. J. Vernoit

[Abū’l-Qāsim]

(fl c. 1816).

Persian painter. His only known work is a long composition depicting the Qajar monarch Fath ‛Ali Shah (reg 1797–1834) entertained by female musicians and dancers. The only surviving fragments of it are a painting of the shah (London, B. W. Robinson priv. col.) and three paintings of the entertainers (Tehran, Nigaristan Mus., ex-Amery priv. col.). The paintings of a woman playing a drum and of a woman playing a stringed instrument are signed raqam-i kamtarīn Abū’l-Qāsim (‘painted by the most humble Abu’l-Qasim’) and dated 1816, but the third painting showing a woman dancing is half-length and damaged. All the fragments share the same continuous architectural background and scale (a little less than life-size). Robinson has suggested that this mural might be the one described in the mid-19th century by the traveller Robert Binning, who reported that the house he occupied in Shiraz contained a painting of Fath ‛Ali Shah seated in state attended by ten women. The composition extended around three sides of the room and the figures were almost life-size. This identification suggests that Abu’l-Qasim might have been a native of Shiraz....

Article

Dutch, 19th century, male.

Born 1804, in Oudenaarde.

Painter. Religious subjects, genre scenes, portraits, interiors with figures, landscapes.

After studying at the Oudenaarde academy, Charles Louis Acar went to Brussels to train under Odevaere at the Brussels Academy. By 1824 he had achieved a sufficient standard to be able to send some portraits to the Ghent exhibition. In ...