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Article

Deborah J. Haynes

[Frigyes]

(b Budapest, Dec 21, 1887;d London, April 4, 1954).

Hungarian art historian. He studied art history in Vienna with Max Dvořák and wrote a thesis on French Neo-classical and early Romantic painting. After residing for brief periods in Budapest, Florence, Vienna and Berlin, he settled in London in 1933. He never held a regular teaching position but lectured occasionally at the Courtauld Institute of Art. He wrote on Florentine painting in relation to its social setting, on the origins and evolution of Mannerism and on the interaction of Romanticism and Classicism from the French Revolution to the death of Gericault. His interpretative stance, as set forth in ‘Remarks on the Method of Art History’ (1949), was Marxist. Style, for Antal, was not restricted to formal features but included subject-matter and the social, political and economic context of the artist and work of art. His outlook enabled him to give such artists as Hogarth and Fuseli, who had previously been considered of only limited interest, a context in art history. For instance, he demonstrated how Hogarth’s thematically and formally innovative art revealed the views and tastes of a broad cross-section of English society. He followed Aby Warburg in his rejection of a view that valued ‘art for art’s sake’....

Article

Juliana Nedeva-Wegener

(Iliev)

(b Sofia, Aug 11, 1891; d Poland, Oct 10, 1962).

Bulgarian architect, theorist and teacher. He graduated in architecture from the Technische Hochschule, Berlin, in 1920. On returning to Bulgaria he formed a practice with Ivan Danchov (1898–1972). Belkovski espoused the revival of Neo-classicism that was prevalent in much of Europe in the 1930s and actively resisted the modernist trends of Functionalism and Constructivism. Notable examples of his collaboration with Danchov in Sofia are the Bulgaria Hotel and Concert Hall (1934–7), originally with frescoes (destr. 1944), the Balkan Cinema and Hotel (1935–7; from 1944 Youth Theatre) and the Telephone Exchange (1942–7), with sculptures by Lyouben Dimitrov (b 1904). Belkovski and Danchov also designed Kuyumdzhiiski House (1931; now the French Embassy), Oborishte Street, Sofia. From 1943 Belkovski was a professor at the Higher Institute for Architecture and Building, Sofia, and Director of the Institute of Town Planning and Architecture of the Bulgarian Academy of Sciences, where he published papers in the field of standardized designs and the industrialization of construction....

Article

Francisco Portela Sandoval

(b Madrid, Feb 23, 1845; d Madrid, Dec 20, 1924).

Spanish sculptor. He was the son of the sculptor Francisco Bellver (1812–89), with whom he undertook his first studies until attending the Madrid Escuela Superior de Pintura, Escultura y Grabado. Ricardo soon started to submit to the Exposiciones Nacionales de Bellas Artes works on historical subjects, such as Tucapel (1862), on mythology, such as Satyr Playing the Flute and a Young Faun Playing with a Goat (both 1864), and others that were religious, such as Piety (1866).

In 1874 Bellver y Ramón obtained a grant to study at the Academia Española de Bellas Artes in Rome; there his most significant works included a bust of Don Gonzalo Fernández de Córdoba, El Gran Capitán (1453–1515), executed in 1875, and a relief entitled the Burial of St Agnes, which shows traces of Neo-classicism (Madrid, S Francisco el Grande). During this period he sculpted his popular and dynamic ...

Article

Christian Norberg-Schulz

Norwegian architectural and furniture design partnership formed in 1922 by Gudolf Blakstad (b Gjerpen, 19 May 1893; d Oslo, 1986) and Herman Munthe-Kaas (b Christiania [now Oslo], 25 May 1890; d Oslo, 5 March 1970). Blakstad was awarded his diploma as an architect at the Norwegian Institute of Technology in Trondheim in 1916. He collaborated with Jens Dunker on the New Theatre, Oslo, from 1919 to 1929. After a preliminary training in Christiania, Munthe-Kaas finished his education at the Royal Institute of Technology in Stockholm in 1919.

From the beginning of their careers Blakstad and Munthe-Kaas played a leading role in Norwegian architecture. After studying in Italy in the early 1920s, they advocated Neo-classicism in architectural projects, furniture designs and writings. In 1922 they won the competition for the new Town Hall in Haugesund (1924–31), a major work of 20th-century Norwegian Neo-classicism. Above a powerfully rusticated basement, the long office wing with its regular fenestration contrasts with the higher City Council Hall, accentuated by pairs of monumental, free-standing columns. In general the effect is of robust strength and an exciting interplay of horizontals and verticals....

Article

(b Valpiana, Oct 1, 1842; d Milan, May 25, 1907).

Italian architect and engineer. He studied in Pavia and then at the Politecnico in Turin, where he qualified as an engineer (1867). He also studied architecture under Camillo Boito at the Accademia di Belle Arti di Brera, Milan. Among his early designs were the classical octagonal marble fountain (1870), known as ‘La Bollente’, in the spa town of Acqui Terme, and buildings including the four entrance gateways at the Esposizione Italiana (1881), Milan, his first major project. His two most important works are completely dissimilar in style. The Museo Civico di Storia Naturale (1888–93; damaged 1943; restored) on the Corso Venezia, Milan, is in a powerful Romanesque and Gothic style with a hint of Moorish architecture and, though much influenced by the ideas of Camillo Boito, it also has close international parallels in style with other natural history museums, such as that in London (...

Article

French, 20th century, male.

Born in Bordeaux.

Painter. Landscapes.

Chateau studied under French Victorian Neo-Classicist painter Paul Quinsac, Henri-Marcel Magne and William Didier-Pouget. From 1929, he exhibited at the Salon des Artistes Français in Paris. Primarily, he painted landscapes of the Bassin d'Arcachon in the Gironde, South-West France....

Article

Italian, 20th century, male.

Born 1895 or 1898, in Turin; died 1935.

Painter. Figure compositions, nudes.

Gigi Chessa is a representative of a kind of synthetic Neo-Classicism, common to some artists of the generation born around 1900.

Florence (Gal. d'Arte Moderna): Figure

Rome (Gal. Nazionale d'Arte Moderna)...

Article

Stephen T. Clarke, Harley Preston and Lin Barton

English family of silversmiths, industrialists, collectors, and patrons, of French origin. The family originated from the town of St Pierre on the Ile d’Oléron off La Rochelle. They arrived in London a few years after the Revocation of the Edict of Nantes in 1685, and between 1708 and 1780 three generations of Courtauld silversmiths were registered at the Goldsmiths’ Company. Augustine Courtauld (c.1686–c. 1751) was apprenticed to Simon Pantin in 1701 and, after becoming a freeman of the Goldsmiths’ Company in 1708, he started a business as a plateworker in Church Court, off St Martin’s Lane in London. The majority of his work is of high quality, for example a silver tea-table (1742; St Petersburg, Hermitage) and the state salt of the Corporation of the City of London (1730; London, Mansion House). Augustine’s brother Pierre Courtauld (1690–1729) registered a mark in 1721...

Article

American architectural partnership formed in 1903 by William A(dams) Delano (b New York, 21 Jan 1874; d New York, 12 Jan 1960) and Chester H. Aldrich (b Providence, RI, 4 June 1871; d Rome, 26 Dec 1940). Aldrich graduated from Columbia University, New York, in 1893. After a year with the New York architects Carrère & Hastings he attended the Ecole des Beaux-Arts, Paris (diploma 1900). He returned to Carrère & Hastings until he formed the partnership with Delano. The latter also studied architecture at Columbia University and the Ecole des Beaux-Arts (diploma 1902). After about a year with Carrère & Hastings working as a draughtsman, he became Aldrich’s partner. Their initial commissions were private residences in the stately neo-classical styles fashionable in the early 20th century, for example the John D. Rockefeller House (1906–8), Pocantico Hills, New York, and 925 Park Avenue (...

Article

French, 20th century, male.

Born 14 August 1902, in Nancy.

Painter. Figure compositions, landscapes.

Marcel Derulle painted compositions in a neo-classical style as well as circus scenes and landscapes of Montmartre and the Sarthe region. He exhibited in Paris from 1924 at the Salon des Artistes Indépendants, of which he was a member. From ...