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(b Quebec, Qué., Aug 10, 1764; d Quebec, Qué., June 3, 1839).

Canadian metalworker. He studied at the Petit Seminaire du Québec from 1778 to 1780 and began his apprenticeship c. 1780 in the silversmith’s shop of his elder brother, Jean-Nicolas Amiot (1750–1821); the tradition that he was apprenticed to François Ranvoyzé is unfounded. In 1782 he travelled to Paris to complete his training and remained there for five years, supported by his family. He absorbed the Louis XVI style, then popular in France, and after his return to Quebec in 1787 he set up a workshop to introduce this into Canada.

Much of Amiot’s work was for the Church, reworking traditional forms in the Louis XVI style. In a sanctuary lamp of 1788 for the church at Repentigny he elongated the standard shape and decorated it with a balanced arrangement of Neo-classical designs. After 1800 his work became formulaic and less innovative, though there are such notable exceptions as the chalice (...

Article

Gordon Campbell

(b c. 1657; d 1729–30).

American goldsmith and silversmith of Dutch origin, based in New York. His most characteristic products are spoons, teapots, beakers and tankards (with coins set in the lids); his pieces are marked with the letters IB in a shield. The Metropolitan Museum of Art in New York has a fine silver teapot and a silver seal made for civic use in Marbletown (Ulster County, NY). Jacob’s son Henricus was also a silversmith....

Article

Gordon Campbell

(b 1759; d 1838).

American clockmaker and silversmith. After an apprenticeship in Norwich, CT, he established a business in East Windsor, CT. He made fine longcase clocks with brass works and faces of engraved silver. His day-books and ledgers survive, and show that he made and sold only 49 clocks in the course of 20 years....

Article

Gordon Campbell

(b Boston, Jan 5, 1692; d Boston, Jan 23, 1745).

American silversmith, active in Boston. The most important collection of his silverware is held by Harvard University (notably a pair of candlesticks dated 1724); the Historical Society of York, PA, holds a thimble (c. 1740), and Yale University has a fine tankard (c. 1745). John Burt’s sons William (...

Article

Gerald W. R. Ward

(b Boston, MA, Jan 5, 1656; d Boston, Aug 20, 1722).

American silversmith, goldsmith and engraver. The son of a cooper, Coney probably served his apprenticeship with Jeremiah Dummer (1645–1718) of Boston. Coney may have engraved the plates for the first banknotes printed in the Massachusetts Bay Colony in 1690 and certainly engraved the plates for those issued in 1702. His patrons included important citizens of Boston, churches throughout New England, local societies and Harvard College. Active as a silversmith and goldsmith for 45 years, he produced objects in three distinct styles—that of the late 17th century (characterized by engraved and flat-chased ornament and scrollwork), the early Baroque and the late Baroque (or Queen Anne)—and introduced specialized forms to New England, for example the monteith and chocolatepot. Although derived directly from the English silversmithing tradition and thus not innovative in design, Coney’s work exhibits excellent craftsmanship in all technical aspects of gold- and silversmithing. Two lobed sugar-boxes (Boston, MA, Mus. F. A., and Manchester, NH, Currier Gal. A.), a large, gadrooned, two-handled cup (...

Article

David M. Sokol

(b Cheshire, CT, 1754; d New Haven, CT, Jan 31, 1832).

American engraver. Doolittle learnt to engrave in metal through his apprenticeship to a silversmith. His career as an independent craftsman was interrupted by army service during the American Revolution, during which time he met Ralph Earl, whose drawings of battle scenes, including the battles of Lexington and Concord, Doolittle was later to engrave on copper. The success of these historical scenes, for example A View of the Town of Concord, published in New Haven in 1775, enabled Doolittle to abandon his trade as a silversmith. Responding to patriotic demand for images of the new American leaders, Doolittle engraved likenesses of successive American presidents, including George Washington, John Adams, and Thomas Jefferson. The tribute to Washington he first issued in 1788, A Display of the United States of America (1794; New Haven, CT, Yale U. A.G.), was reworked five times. He also engraved book illustrations, scenic views, and bookplates. Although not the first engraver in America, as he was later to claim, Doolittle was the only one of his generation to attempt to expand beyond service work to original compositions on a regular basis....

Article

Gordon Campbell

Article

Gordon Campbell

(b 1645; d 1718).

American silversmith, apparently the first to be born in America. He was apprenticed in the Boston workshop of John Hull (see under Boston §III 2., (i)). Dummer's silverwork is severe, but includes stylish objects, such as cups with cast scroll and caryatid handles. His apprentices probably included Coney, John...

Article

Gordon Campbell

(b London, 1728; d Annapolis, MD, 1804),

American silversmith and clockmaker. He was primarily a merchant, but his workshop produced a small number of pieces that can now be identified. His diary is concerned in large part with his passion for gardening, but is also a valuable resource for the American silver trade in the late 18th century....

Article

Damie Stillman

Architectural and decorative arts style that flourished in the USA from shortly after the acknowledgement of independence in the Treaty of Paris (1783) until c. 1820. The term is derived from the period surrounding the creation of the federal constitution in 1787 and was in use in a political sense by that year. Essentially it was a form of Neo-classicism, strongly influenced by manifestations of that style in England and, to a lesser extent, in France; but at times certain more conservative qualities inherited from the previous Colonial period are also present. The inspiration of European, and especially English, Neo-classical architecture was to be expected in a society grounded in that of 18th-century England; but an added impetus was the association often cited at the time between the fledgling American republic and the ancient Roman one.

Although a few indications of European Neo-classical influence are found in the American colonies before the Revolution began in ...