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Article

Italian, 17th century, male.

Born c. 1600, in Città di Castello; died 1656.

Painter, fresco artist, draughtsman, illustrator. Religious subjects.

A pupil of Giuseppe Cesari Cavaliero d'Arpino; reputed to be a skilful painter of historical themes and frescoes. He assisted Bernini on various projects. Abbatini is known to have painted the ceiling of the S Teresa Chapel in Rome's S Maria della Vittoria Church. He was a member of the Accademia di San Luca in Rome. Also known for drawings made for the frontispiece and other plates for ...

Article

British, 20th – 21st century, male.

Born 9 February 1927, in London; died 9 March 2005, in London.

Painter, illustrator, theatre designer. Religious themes.

London Group.

Norman Adams was a student at Harrow School of Art (1940-1946) before he went on to the Royal College of Art in London (...

Article

French, 18th – 19th century, male.

Born 1757, in Niort (Deux-Sèvres); died 1828.

Painter, copyist. Religious subjects, mythological subjects, portraits.

His religious and mythological scenes and his portraits sometimes have a lyric quality reminiscent of Delacroix. He is also known for his Schemes for a New System for Promotion of the Arts...

Article

Italian, 19th century, male.

Born 1777, in Cremona; died 1857.

Painter, watercolourist, decorative designer, illustrator. Portraits, landscapes with figures, landscapes. Murals, church decoration, theatre decoration.

Agostino Aglio trained in Milan at the Accademia di Belle Arti di Brera. In 1803 he went to England to collaborate with William Wilkins, the architect, on a work concerning the antiquities of ancient Greece, which was published in ...

Article

Italian, 17th century, male.

Painter, copyist. Religious subjects.

Lived on Capri around 1670 and is listed in the records of the Confraternità di S Rocco as having copied the paintings by Guido Reni that decorate the altar of S Rocco.

Article

Italian, 18th century, male.

Born c. 1750, in Rome.

Painter, copyist. Religious subjects.

Followed in the footsteps of his mentor Christoph Unterberger, painting chiefly churches, but also produced drawings for subsequent engraving, notably: Christ on the Cross (De la Cour) and Life of Jesus and the Virgin...

Article

[Khwāja ‛Abd al-Ḥayy]

(fl c. 1374; d Samarkand, 1405).

Illustrator and painter. According to the Safavid chronicler Dust Muhammad, ‛Abd al-Hayy trained under Shams al-Din at Baghdad during the reign of the Jalayirid sultan Uways I (reg 1356–74) and became the leading painter under his son Ahmad (reg 1382–1410), who was also ‛Abd al-Hayy’s pupil. When Timur took Baghdad, ‛Abd al-Hayy was sent to Samarkand, either in 1393 or in 1401, where he spent the rest of his life. He seems to have specialized in monochrome ink drawings: Dust Muhammad recorded that ‛Abd al-Hayy’s pupil, Ahmad Jalayir, contributed a black-and-white drawing to a manuscript of the Abūsa‛īdnāma (‘Book of Abu Sa‛id’), and a number of examples attributed to the late 14th century and preserved in various albums (e.g. Berlin, Staatsbib. Preuss. Kultbes., Orientabt. Diez A. 70–73) bear the notation that they were copied from ‛Abd al-Hayy’s drawings by Muhammad ibn Mahmud Shah Khayyam. In his album (Istanbul, Topkapı Pal. Lib., H. ...

Article

Milo Cleveland Beach and Jonathan M. Bloom

revised by Sheila S. Blair

[(Khwāja) ‛Abd al-Ṣamad; ‛Abd as-Ṣamad; Abdus Ṣamad]

(fl c. 1540–95).

Iranian miniature painter and calligrapher, active also in India. Trained in Safavid Iran, ‛Abd al-Samad migrated to India, where he became director of the Mughal painting workshops under the emperor Akbar (reg 1556–1605). In this key position, he influenced the development of Mughal painting in the second half of the 16th century more than any other artist (see Indian subcontinent §VI 4., (i), (b)).

No inscribed works by ‛Abd al-Samad are known from the period when he worked in Safavid Iran, though attributions have been proposed, such as a depiction of the assassination of Khusraw Parviz from the copy of the Shāhnāma made for Shah Tahmasp I (reg 1524–76). Already a mature painter, he paid homage in 1544 to Akbar’s father, the Mughal emperor Humayun (reg 1530–40; 1555–6), when the exiled ruler was given refuge at the court of the Safavid shah Tahmasp at Tabriz. In ...

Article

French, 19th – 20th century, male.

Born 18 January 1868, in Paris.

Painter, illustrator. Religious subjects, portraits, genre scenes.

Henri Alberti studied under Doucet, J. Lefebvre and Luc-Olivier Merson. He first exhibited at the Salon des Artistes Français in 1894, and showed work there until 1920...

Article

Italian, 15th century, male.

Painter, illuminator. Religious subjects.

Florentine School.

Alexander was the son of Antonio Simeone of Florence. A hermit of the Order of St Augustine, he created the illuminations for a book of prayers for Lorenzo Strozzi.

Cambridge (Fitzwilliam Library): Book of Prayers...