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Martin Postle

A representative work of art presented to and retained by the Royal Academy of Arts (see London, §VI) by each Academician on his or her election. Clause 3 of the Academy’s Instrument of Foundation, signed by George III in December 1768, specified that each newly elected Academician ‘shall not receive his letter of Admission, till he hath deposited in the Royal Academy, to remain there, a Picture, Bas-relief, or other specimen of his abilities, approved of by the then sitting Council of the Academy’. The practice of submitting a Diploma work, or Diploma piece, went back at least to the Accademia di S Luca, Rome, founded in ...