1-4 of 4 results  for:

  • Renaissance/Baroque Art x
  • Artist, Architect, or Designer x
  • Eighteenth-Century Art x
  • Scenography x
Clear all

Article

W. Georg Rizzi

Italian architect, decorative artist, stage designer and painter, active also in Austria. He trained as a quadratura painter in Bologna, where he was a pupil of Giovanni Gioseffo dal Sole. He was recorded as working as a figure and quadratura painter in Vienna for Prince Montecuccoli in ...

Article

Alfonso Rodríguez Ceballos

Italian architect, painter, urban planner and stage designer, active in Spain. He was a pupil in Piacenza of the painters Bartolomeo Rusca (1680–1745), Andrea Galluzzi (fl 1700–1743) and Giovanni Battista Galluzzi (fl c. 1730–40). In 1728 he was one of a number of artists summoned to Spain by the Marchese ...

Article

Susan Harrison Kaufman

Italian painter and stage designer. His earliest known work, the Flagellation of Christ (c. 1706; Venice, Mus. Diocesano S Apollinia), for the Scuola del Cristo of S Marcuola, is a dark, shadowy painting that reveals the strong influence of tenebrist trends of the 17th century. Crosato, however, belonged to the generation of Venetian painters such as Jacopo Amigoni, Sebastiano Ricci and Giovanni Antonio Pellegrini, who were developing a lighter, more colourful style. His tonality changed from the darkened shadows of the ...

Article

Richard Bösel

Italian painter, architect and stage designer. He was a brilliant quadratura painter, whose most celebrated works, such as the decoration of the church of S Ignazio in Rome, unite painting, architecture and sculpture in effects of overwhelming illusionism and are among the high-points of Baroque church art. He was a Jesuit lay brother and produced his most significant work for the Society of Jesus. This affiliation was fundamental to his conception of art and to his heightened awareness of the artist’s role as instrumental in proclaiming the faith and stimulating religious fervour. The methods he used were those of Counter-Reformation rhetoric, as represented in Ignatius Loyola’s ...