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Gordon Campbell

(b London, 1744; d Philadelphia, PA, 1821).

English calico printer, active in America. He was the son of a draper, and trained as a calico printer at Talwin and Foster, a textile printworks at Bromley Hall (Middx). He was assisted by Benjamin Franklin to emigrate, and in 1774 sailed to Philadelphia, where he opened a calico factory in the Kensington area. He printed material for dresses, handkerchiefs and furnishing fabrics, notably bedspreads with medallions depicting urns (e.g. Philadelphia, PA, Mus. A. and Winterthur, DE, Du Pont Winterthur Mus.). When Hewson retired in ...

Article

Molly Sorkin

[Bocher, Main Rousseau]

(b Chicago, IL, Oct 24, 1890; d Munich, Dec 27, 1976).

American fashion designer and editor, active also in France (see fig.). For 50 years Mainbocher defined and promoted the elegance and exclusivity associated with haute couture. As an American working in the rarefied world of Paris fashion, his early careers as editor and couturier were groundbreaking. He later became New York’s most exclusive couturier, eschewing trends in favour of a timeless style that was treasured by the fashion élite.

Born Main Rousseau Bocher, he combined his first and last names into Mainbocher when he opened his couture house in Paris. As a young man he studied art in Chicago and New York and eventually moved to Europe. After military service during World War I, he settled in Paris. An unsuccessful attempt at becoming an opera singer led him to work full time in fashion and in 1921 he became an illustrator for Harper’s Bazaar. His friend, the Vogue...

Article

Peter Stansky

(b Walthamstow [now in London], March 24, 1834; d London, Oct 3, 1896).

English designer, writer and activist. His importance as both a designer and propagandist for the arts cannot easily be overestimated, and his influence has continued to be felt throughout the 20th century. He was a committed Socialist whose aim was that, as in the Middle Ages, art should be for the people and by the people, a view expressed in several of his writings. After abandoning his training as an architect, he studied painting among members of the Pre-Raphaelites. In 1861 he founded his own firm, Morris, Marshall, Faulkner & Co. (from 1875 Morris & Co.), which produced stained glass, furniture, wallpaper and fabrics (see §3 below). Morris’s interests constantly led him into new activities such as his last enterprise, the Kelmscott Press (see §5 below). In 1950 his home at Walthamstow became the William Morris Gallery. The William Morris Society was founded in 1956, and it publishes a biannual journal and quarterly newsletter....

Article

Ruth Rosengarten

(b Lisbon, May 19, 1921).

Portuguese painter, printer, tapestry designer and illustrator. He studied architecture and painting, without completing either course, at the Escola Superior de Belas Artes in Lisbon. His early works show an affinity with Neo-Realism in their melancholic atmosphere and ironic depiction of daily life in Lisbon. This tendency was tempered by his love of Bonnard and interest in the abstract qualities of colour and light. A sojourn in London (1962–4) marked the beginning of a new phase in which a revivalism deriving from the influence of British Pop art overlaid his own innate nostalgic lyricism. The canvases treated with photosensitive emulsion of the late 1960s and early 1970s are of a greater eroticism and violence, and were followed by paintings on intimist themes with a local flavour and an emphasis on light.

M. T. Chicó, A. Vieira Santos and J.-A. Fraņca: Diccionário universal da pintura, 3 (Lisbon, 1973)