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Italian, 20th – 21st century, male.

Born 14 November 1949, in Morro d'Alba (province of Ancona, Marche).

Sculptor, draughtsman, painter, mixed media, potter. Figures, landscapes, architectural views.

Transavanguardia.

Enzo Cucchi is 'the third C' of the Italian Transavangardia movement, with Sandro Chia and Francesco Clemente. He spent some time at the school in Macerata working in conceptual art and also as a restorer. He lives and works in Ancona and Rome....

Article

Russian, 20th century, male.

Active in France.

Born 1910, in Russia; died 30 September 1990, in Roussillon, France.

Painter, collage artist, ceramicist.

Eugène Fidler studied in Nice, then in Paris where he was admitted to the École d'Architecture. He dropped this subject and concentrated on painting and pottery. He settled in Vallauris after World War II and continued his work as a ceramicist. From ...

Article

German, 20th – 21st century, male.

Born 1954, in Oldenburg.

Painter, watercolourist, installation artist, sculptor (steel/bronze/ceramics), draughtsman. Scenes with figures, figures, architectural views, still-lifes. Stage sets.

Düsseldorf Constructive Sculpture.

Thomas Schütte was a pupil of Klaus Rinke, Gerhard Richter and Fritz Schwegler from 1973 to 1981...

Article

Spanish, 20th–21st century, male.

Born 13 December 1923, in Barcelona. Died 6 February 2012, in Barcelona.

Painter (including mixed media), collage artist, engraver, illustrator, sculptor, assemblage artist, ceramicist. Murals, architectural integration, designs for mosaics, stage sets.

Dau al Set (Seven-faced Die) Group.

After the long period, from the beginning of the Spanish Civil War to the end of World War II, during which manifestations of avant-garde art were practically forbidden in Spain, Antoni Tàpies became the first Spanish painter to achieve international reputation and give young Spanish artists the impetus that would allow them to take over from the generation of Pablo Picasso, Juan Gris, and Joan Miró. While a student, he had begun to show an interest in modern art and experimented with drawing and painting, although he had received no formal training. He began studying law in 1943 but continued to paint, abandoning law in 1946. In 1948, with a group of Barcelona writers and painters, he collaborated to the ...