1-10 of 12 results  for:

  • Sculpture and Carving x
  • Performance Art and Dance x
  • Artist, Architect, or Designer x
  • American Art x
  • Contemporary Art x
  • Twentieth-Century Art x
  • Painting and Drawing x
Clear all

Article

Sofia Hernández Chong Cuy

American installation artists, active also in Puerto Rico. Jennifer Allora (b Philadelphia, Mar 20, 1974) graduated with a bachelor’s degree in art from the University of Richmond, Virginia (1996), and Guillermo Calzadilla (b Havana, Cuba, Jan 10, 1971) graduated with a Bachelor of Fine Arts from the Escuela de Artes Plastica in San Juan, Puerto Rico (1996). Allora and Calzadilla met in Italy in 1995 during a study abroad program in Florence. They then lived together in San Juan for a year before moving to New York City where they started working collaboratively while each participated in different residency and study programs. In 1998–1999, Allora participated in the year-long Whitney Independent Study Program, while Calzadilla participated in the P.S.1 Contemporary Arts Center National Studio Program.

Allora & Calzadilla’s first important international exhibition was the XXIV Bienal de São Paulo in 1998 curated by Paulo Herkenhoff, which investigated the idea of cultural cannibalism known in Brazilian literature as ...

Article

American, 20th – 21st century, male.

Born 19 February 1946, in Washington DC.

Painter, sculptor, draughtsman, engraver, photographer, video artist, glassmaker, decorative designer. Theatre design.

AfriCobra Group.

Akili Ron Anderson attended the Corcoran School of Art and Howard University in Washington DC where he lives and works. He is a member of AfriCobra (African Commune of Bad Relevant Artists) founded in ...

Article

Morgan Falconer

(b Chicago, IL, Oct 20, 1953).

American painter, sculptor and performance artist. Bidlo was educated at the University of Illinois and at Teachers’ College at Columbia University in New York. He shot to notoriety in 1982 with his first solo show, Jack the Dripper at Peg's Place (Long Island City, NY, P.S.1). Part exhibition, part performance, it was based on Hans Namuth’s film of Jackson Pollock painting in 1950. Bidlo exhibited a series of remarkably accurate copies of Pollock’s drip paintings and alongside these, restaged the painter’s famous gesture of peeing into Peggy Guggenheim’s fire grate. Subsequently, Bidlo mounted a number of performances which led to him being understood by some as a performance artist, yet he is now more widely known for his exact replicas of art central to the modernist canon, a project he began in 1982. Copying work to exact dimensions, using only reproductions for reference, Bidlo commonly chose works central to the mythology of creation of individual genius. ...

Article

Native American (Cheyenne and Arapaho), 20th–21st century, male.

Born 22 November, 1954, in Wichita (Kansas).

Painter, draughtsman, sculptor, printmaker, installation artist, conceptual artist, educator.

Edgar Heap of Birds is one of the most distinguished North American indigenous artists of his generation. His works reveal a distinctly critical and historical awareness of the ways that American Indian peoples, their histories and their viewpoints have been ignored and written over under colonialism. He has received numerous honours, presenting his work in competition for the United States Pavilion at the 52nd Venice Biennale (...

Article

Sook-Kyung Lee

One of the characteristics of Korean contemporary art is a continuous effort in employing and interpreting international art practices and discourses. Art movements from Europe and North America in particular, including Abstract Expressionism, Art informel, Minimalism, Conceptual art and Post-modernism, have influenced many Korean artists’ styles and ideas since the 1950s, providing formal and conceptual grounds for critical understandings and further experiments. Whilst some artists who maintained traditional art forms such as ink painting and calligraphy exercised modernist styles and abstract forms largely within the norms and conventions of traditional genres, a large group of artists proactively adapted to Western styles, employing new materials and techniques as well as the notions of avant-garde and experimentalism (see fig.).

A major critique of the reception of Western art and aesthetics came from ‘Minjung art’ (People’s Art) in the 1980s as part of instigating a nationalist and politically charged art strategy. Several art historians and critics who emerged in the 1990s also expanded the scope of the debate with postcolonial and pluralist points of view. The shift in social, economic and political environments played an important role in changing sensibilities in art, along with the advances of technology and new media in the 2000s. The high degree of diversity and sophistication of Korean art in terms of media and subject matters became widely acknowledged within and outside the nation, and an increasing number of artists started to work on the cutting edge of international art....

Article

American, 20th – 21st century, male.

Born 1953, in Brooklyn (New York), United States.

Painter, sculptor, draughtsman, performance artist. Scenes with figures. Multimedia.

Neo-Conceptual Art, Appropriation Art (Simulationism).

Robert Longo served an apprenticeship in the restoration of paintings in Italy, and studied the history of art at the Accademia in Florence. He subsequently visited the art galleries of Europe, in particular the Musée Rodin in Paris. He took part in the foundation of the alternative space ...

Article

Daniel E. Mader

(b New York, Jan 7, 1953).

American painter, draughtsman, sculptor, video artist, and performance artist. He received his BFA (1975) from the State University College in Buffalo, NY, with a professed ambition to reach the largest possible audience. Living this prophetic statement throughout his more than 30-year career, Longo first achieved fame in the 1980s with a series of large-scale drawings in charcoal and graphite entitled Men in the Cities (New York, Metro Pictures). These images were life-size human figures in isolation or in groups, wherein the power struggles created a menacing atmosphere.

During the late 1980s he was increasingly involved with film, directing Arena Brains (30 minutes, 1988) and later Johnny Mnemonic with Keanu Reeves (98 minutes, 1995). A regular international exhibitor, often using both controversial and intimidating scale, he exhibited a 1993 drawing series Bodyhammers: The Cult of the Gun (New York, Metro Pictures; Salzburg, Galerie Thaddaeus Ropac). He exhibited in the Venice Biennale (...

Article

American, 20th – 21st century, male.

Born 6 August 1945, in Salt Lake City.

Sculptor, draughtsman, performance artist, installation artist, photographer. Multimedia.

Paul McCarthy received a BFA in 1969 from the San Francisco Art Institute, and an MFA in film at the University of Southern California in ...

Article

Matthias Ulrich

(b Lubin, Poland, Sept 11, 1967).

Polish draughtsman, sculptor, video, performance, and mixed media artist, active in the USA. She grew up in Sweden, where she studied Communications at Schillerska/Gothenburg University in Gothenburg from 1986 to 1987. After moving to New York, Mir earned her BFA for Media Arts at the School of Visual Arts in 1992, and from 1994 to 1996 she studied Cultural Anthropology at the New School for Social Research.

Mir’s practice as an artist refers to popular culture in general, focusing on images and ideas that influence and represent social reality, and investigating popular myths and technologies such as the cinematographic representation of images. The journey to the moon, for example, symbolizing the dominance of the United States during the Cold War, receives through Mir’s appropriation in First Woman on the Moon (1999) a critical reflection, taking into consideration patriarchal power structures as well as the apparent staging of reality through mass media. In her work ...

Article

Deborah Cullen

[MoMA] (New York)

The Museum of Modern Art (MoMA) was founded in 1929 by patrons Lillie P(lummer) Bliss, Cornelius J. Sullivan and Rockefeller family §(1) to establish an institution devoted to modern art. Over the next ten years the Museum moved three times and in 1939 settled in the Early Modern style building (1938–9) designed by Philip S. Goodwin and Edward Durell Stone that it still occupies at 11 West 53 Street. Subsequent renovations and expansions occurred in the 1950s and 1960s by Philip Johnson, in 1984 by Cesar Pelli and in 2002–4 by Yoshirō Taniguchi (b 1937). MoMA QNS, the temporary headquarters during this project, was subsequently used to provide art storage. In 2000, MoMA and the contemporary art space, P.S.1, Long Island City, Queens, announced their affiliation. Recent projects are shown at P.S.1 in Queens in a renovated public school building.

According to founding director, Alfred H(amilton) Barr...