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Article

Mark Jones

(b Bordeaux, Nov 4, 1761; d Paris, Dec 10, 1822).

French medallist, engraver and illustrator. He was first apprenticed to the medallist André Lavau (d 1808) and then attended the Académie de Peinture et de Sculpture in Bordeaux. In 1786 he travelled to Paris and entered the workshop of Nicolas-Marie Gatteaux. His first great success was a large, realistic and highly detailed medal representing the Fall of the Bastille (1789); because it would have been difficult and risky to strike, he produced it in the form of single-sided lead impressions or clichés, coloured to resemble bronze. The following year he used this novel technique again, to produce an equally successful companion piece illustrating the Arrival of Louis XVI in Paris. Andrieu lay low during the latter part of the French Revolution, engraving vignettes and illustrating an edition of Virgil by Firmin Didot (1764–1836). He reappeared in 1800, with medals of the Passage of the Great St Bernard...

Article

Philip Ward-Jackson

(b London, June 18, 1828; d London, Dec 4, 1905).

English sculptor, silversmith and illustrator. He was the son of a chaser and attended the Royal Academy Schools, London. At first he gave his attention equally to silverwork and to sculpture, exhibiting at the Royal Academy from 1851. An early bronze, St Michael and the Serpent, cast in 1852 for the Art Union, shows him conversant with the style of continental Romantics, and his debut in metalwork coincided with the introduction into England of virtuoso repoussé work by the Frenchman, Antoine Vechte (1799–1868). In the Outram Shield (London, V&A), Armstead displayed the full gamut of low-relief effects in silver, but its reception at the Royal Academy in 1862 disappointed him, and he turned his attention to monumental sculpture. Among a number of fruitful collaborations with architects, that with George Gilbert I Scott (ii) included a high degree of responsibility for the sculpture on the Albert Memorial in Kensington Gardens, London. Here Armstead’s main contribution was the execution of half of the podium frieze (...

Article

German, 20th century, male.

Active in the USA.

Born 15 March 1883, in Stuttgart; died 29 May 1972, in New York.

Painter, sculptor, graphic designer, poster artist, illustrator, architect, designer, decorative artist. Designs for carpets, advertising art, furniture, lamps, wallpaper.

Jugendstil.

Deutscher Werkbund.

Lucian Bernhard studied painting at the Kunstakademie in Munich, but taught himself design. He was active in Berlin. In ...

Article

British, 19th century, male.

Born 1853, in Edinburgh; died 3 March 1888, in Edinburgh.

Sculptor.

Thomas Stuart Burnett was the son of a lithographic printer. He studied under William Brodie and at the Trustees' Academy where he won a gold medal in 1875. He completed his studies at the Royal Scottish Academy (of which he later became an associate member) and then by travelling in Europe. He contributed sculptures to the Scott Monument in Edinburgh's Parliament Square, and statues of General Gordon and Rob Roy. He exhibited in London at the Royal Academy between ...

Article

Julian Treuherz

(b Chester, March 22, 1846; d St Augustine, FL, Feb 12, 1886).

English illustrator, painter and sculptor. Caldecott worked as a bank clerk in Whitchurch and Manchester and attended evening classes at the Manchester School of Art. He moved to London in 1872 and studied briefly at the Slade School of Fine Art. Through the painter Thomas Armstrong, he was introduced to London editors and publishers. He collaborated with Armstrong and W. E. Nesfield on decorative paintings for aesthetic interiors, notably at Bank Hall (1872–3), Derbys. Caldecott was taught to model by Jules Dalou, later modelling the gilt capitals of birds for the Arab Hall (1877–9) at Leighton House, London. Outstanding among Caldecott’s work were his illustrations to Washington Irving’s books, such as Old Christmas (1875), and the jolly Christmas stories and illustrated letters from abroad commissioned by the Graphic. However, his reputation rests on the frequently reprinted series of 16 picture books for children published between ...

Article

French, 19th–20th century, male.

Born 31 May 1836, in Paris; died 1932, in Nice.

Painter (gouache), pastellist, sculptor, engraver, lithographer, draughtsman, poster artist. Portraits, genre scenes, local scenes (carnival), flowers, landscapes.

Chéret created a genre, a new method of expression for poster art, and was the founder of a technique destined to set a trend. At the age of 13, he did an apprenticeship with a lithographer who employed him to design letters. But Chéret had other ambitions. He taught himself drawing, with only his very confident sense of taste and the very lively originality of his artistic temperament to guide him. At that time, he produced numerous lithographic vignettes for brochures or book covers. In 1856, Chéret went to England, where he studied new colour lithography techniques. He stayed in England for ten years, then returned to Paris and in 1866 established his printing works and launched his first two colour posters: ...

Article

Belgian, 20th century, male.

Born 1869, in Antwerp; died 1941, in Brussels.

Painter, sculptor, illustrator, poster artist. Religious subjects, portraits, landscapes.

Art Nouveau.

Having first studied law, Ghisbert Combaz became a pupil at the academy in Antwerp and a professor at the Brussels academy. He spent most of his life in Antwerp, where he exhibited from 1886 onwards; he also exhibited in conjunction with the association of Art Nouveau artists known as the Libre Esthétique from 1897. As an art historian, he made special study of the art of the Far East. With their sinuous and undulating rhythm, the arabesques in his engravings and posters provide typical examples of the Modern Style....

Article

Philip Attwood

(b Munich, Feb 28, 1865; d Oberammergau, Aug 17, 1954).

German painter, medallist, designer and illustrator. He trained as a painter in the Munich Akademie from 1884, and initially won fame in this art with large decorative schemes on mythological or religious themes (e.g. Bacchanal, c. 1888; Munich, Villa Schülein) and portraits painted in a broad, realistic manner (e.g. Elise Meier-Siel, 1889; Munich, Schack-Gal.). He taught at the Munich Kunstgewerbeschule from 1902 to 1910. In 1905 he taught himself die-engraving and began making struck and cast medals, producing in all some 200, which combine his decorative abilities with the harsher style of his younger contemporaries (e.g. the bronze medal of Anton von Knoezinger, 1907; see 1985 exh. cat., no. 23). In 1907 and 1927 he produced models for coinage. Dasio also worked as a poster designer and book illustrator, as well as designing for stained glass and jewellery. The decorative symbolism of his earlier work in black and white (e.g. the cover for ...

Article

Michel Melot

(b Marseille, Feb 26, 1808; d Valmondois, Feb 10, 1879).

French graphic artist, painter, and sculptor.

Son of a Marseille glazier, frame-maker, and occasional picture restorer, Daumier joined his father in Paris in 1816. He became a bailiff’s errand boy and was then employed by a bookseller, but his real enthusiasm was reserved for drawing and politics. He studied drawing with Alexandre Lenoir and at the Académie Suisse and then worked as assistant to the lithographer Béliard. Having mastered the techniques of lithography, he published his first plate in the satirical weekly La Silhouette in 1829.

Daumier was 22 when the revolution of July 1830 gave the throne to Louis-Philippe as constitutional monarch and power to the French middle-class business community. On 4 November 1830 the print publisher Aubert and his son-in-law Charles Philipon launched the violently anti-monarchist weekly La Caricature, followed on 1 December 1832 by Le Charivari, the first daily paper to be illustrated with lithographs. In his association with these newspapers and in the company of Republican artists, Daumier found a favourable milieu for developing his vigorous style and progressive ideas....

Article

Danish, 19th century, male.

Born 31 July 1832, in Copenhagen; died 16 May 1897.

Painter, sculptor, graphic artist, illustrator. Scenes with figures, urban landscapes.

Deichmann was a student at the academy from 1848 to 1857, working in H. V. Bissen's studio as a sculptor at the same time. In ...