1-10 of 42 results  for:

  • Artist, Architect, or Designer x
  • Textiles and Embroidery x
Clear all

Article

Courtney Ann Shaw

(b Fort Plain, NY, Oct 27, 1925; d San Francisco, 2006).

American tapestry artist, painter and stained-glass designer. Adams studied painting at Syracuse University and with Hans Hoffmann in New York, where he was influenced by the medieval tapestries in the Cloisters and also by the work of Matisse. In the 1950s Adams was apprenticed to the influential French tapestry designer Jean Lurçat, from whom he learnt the bold colours and clear imagery that characterize his work. He also studied at the Ecole Nationale d’Art Décoratif in Aubusson before beginning to use a series of workshops, notably that of Marguerite and Paul Avignon, who wove his first nationally acclaimed tapestry, Phoenix and the Golden Gate (1957). Flight of Angels (1962) was exhibited at the first Biennale Internationale de la Tapisserie in Lausanne. In 1976 his cartoon of California Poppies (San Francisco, CA Pal. Legion of Honor) was woven for the Five Centuries of Tapestry exhibition at the California Palace of the Legion of Honor, San Francisco, as a demonstration piece. Later tapestries, for example ...

Article

Christine Mullen Kreamer

(b Jan 25, 1930; d Lomé, Jan 4, 2010).

Togolese painter, sculptor, engraver, stained glass designer, potter and textile designer. Beginning in 1946, he received his secondary education in Dakar, where he also worked in an architecture firm. He travelled to France and received his diplôme supérieur from the Ecole des Beaux-Arts, Paris. A versatile artist, Ahyi is best known for his murals and for monumental stone, marble and cement public sculptures. His work reflects the fusion of his Togolese roots, European training and an international outlook, and he counts among his influences Moore, Braque, Modigliani, Tamayo, Siqueiros and Tall. His work combines ancient and modern themes and materials, maternity being a prominent topic. The messages of his larger, public pieces operate on a broad level to appeal to the general populace, while smaller works often reflect his private engagement with challenges confronting the human condition. His compositions are both abstract and figurative and evoke the heroism and hope of the two world wars, Togo's colonial period and the struggle for independence from France, as well as the political efforts of the peoples of Vietnam, South Africa and Palestine. Ahyi has won numerous international prizes, including the prize of the city of Lyon (...

Article

Thomas Dacosta Kaufmann

(b ?Milan, 1527; d Milan, July 11, 1593).

Italian painter, draughtsman and tapestry designer, active also in Austria and Bohemia. He came from a distinguished Milanese family that included a number of archbishops of the city; his father was the painter Biagio Arcimboldo. Giuseppe is first documented in 1549, working with his father for Milan Cathedral; he received payments until 1558 for supplying paintings, designs for an altar baldacchino and stained-glass windows for the cathedral: the Story of Lot and the Life of St Catherine in the south transept windows are usually attributed to him. He collaborated with Giuseppe Meda in designing the gonfalone of St Ambrose in Milan, probably sometime soon after 1558. In 1556 he received a commission to paint the south wall and vault of the south transept of Monza Cathedral, also in Lombardy, a work that must have been completed by 1562. Portions of a fresco of the Tree of Jesse on the south wall there can be attributed to him. In ...

Article

German, 20th century, male.

Born 1910, in Mannheim; died 12 November 1982, in Mannheim.

Painter, sculptor. Designs for stained glass, tapestries, murals.

After a standard education Baerwind studied at the academies in Berlin and Munich before studying at the Académie Ranson in Paris in 1932...

Article

German, 19th – 20th century, male.

Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.

Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.

Jugendstil, functional school.

Die Sieben (Group of Seven), Deutscher Werkbund...

Article

French, 20th century, male.

Born 26 June 1909, in Dijon; died 6 December 1996, in Paris.

Painter, collage artist, engraver, draughtsman. Wall decorations, designs for mosaics, stained glass windows, tapestries, stage costumes and sets.

A pupil at the École des Beaux-Arts in Lyons in 1930, Bertholle studied in Paris from 1932-1934, and subsequently attended classes run by the painter Roger Bissière at the Académie Ranson, where he met his friends and associates Manessier, Etienne-Martin, Le Moal and Véra Pagava. He was artistic director of the Gien porcelain factory from 1943-1957, and taught at the École des Beaux-Arts in Paris from 1965-1980. He was a member of the Institut de France, a Chevalier of the Légion d'Honneur and a Commander of the Ordre des Arts et des Lettres. Initially an admirer of Puvis de Chavannes, whose work he had encountered at the city museum in Lyons, Bertholle later discovered Manet (at the Paris Exposition Universelle of 1932), and through the latter, Van Gogh and Renoir. Following his early, highly-coloured Expressionist period, Bertholle was greatly influenced by the Flemish fantasies of Breughel and Heironymus Bosch, and ultimately by the Surrealists - as may be seen in his painting of the ...

Article

French, 20th century, male.

Born 30 August 1927, in Paris.

Painter. Designs for mosaics, stained glass windows, tapestries.

A pupil at the École des Beaux-Arts in Paris. From 1953-1965, Bertrand's work featured in a number of group exhibitions at the Musée d'Art Moderne in Paris. His decorative mosaics, stained glass and tapestries are generally conceived in the context of a specific architectural setting: like many contemporary French artists, he has received numerous commissions arising from the French law obliging 1 per cent of the budget of any new public building or infrastructure project to be spend on integrated artistic features....

Article

German, 20th century, male.

Born 1873, in Munich; died 1933, in Bad Nauheim.

Tapestry maker, glassmaker, interior designer. Designs (furniture).

Jugendstil.

Karl Bertsch was a self-taught tapestry maker. In 1902, with Adelbert Niemeyer, he created a workshop making furniture and interior decoration items, which they called the Müncher Werkstätten für Wohnungseinrichtung. In ...

Article

French, 20th century, male.

Born 22 September 1886, in Villeréal (Lot-et-Garonne); died 2 December 1964, in Boissiérettes (Lot).

Painter, pastellist. Nudes, portraits, landscapes, landscapes with figures. Designs for stained glass, tapestries.

From 1898 to 1905, Roger Bissière attended the Collège in Cahors. From the age of 17, he had begun to paint, and from 1905 to 1910 he attended the École des Beaux-Arts in Bordeaux. In 1910, he went to Paris and studied under H. Gabriel Ferrier. One source places him in North Africa from 1911 to 1918 and another source mentions trips to Algiers, Rome and London during this period; other sources are silent on this period. Following World War I he was earning a modest living as a journalist. From 1919, he formed friendships with other artists, André Favory (1889-1932), then André Lhote (1885-1962) and Georges Braque (1882-1963). In 1920, he published in ...

Article

John Christian

(Coley)

(b Birmingham, Aug 28, 1833; d London, June 17, 1898).

English painter and decorative artist. He was the leading figure in the second phase of the Pre-Raphaelite movement. His paintings of subjects from medieval legend and Classical mythology and his designs for stained glass, tapestry and many other media played an important part in the Aesthetic Movement and the history of international Symbolism.

He was the only surviving child of Edward Richard Jones, who ran a small carving and gilding business in the centre of Birmingham, and Elizabeth Coley, the daughter of a prosperous jeweller. Christened Edward Coley Burne Jones, he was called simply Edward Jones until c. 1860 when he adopted the surname Burne-Jones. From an early age he drew prolifically but with little guidance and no intention of becoming an artist. In 1844 he entered the local grammar school, King Edward’s, destined for a career in engineering. It was probably in this connection that in 1848 he attended evening classes at the Birmingham School of Design. By the time he left school in ...