1-8 of 8 Results  for:

  • Nineteenth-Century Art x
  • East Asian Art x
  • Architecture and Urban Planning x
  • Artist, Architect, or Designer x
Clear all


Robert Buerglener

[motor car]

Architecture and the automobile have been intimately connected since the late 19th century. The attributes of cars required specific architectural solutions for manufacture, sales, and service. On a broader level, the overall built environment was forever changed by roadside structures designed to meet the needs of drivers.

Automobile factories evolved in tandem with mass production; modular form and open floor spaces provided flexibility in machine placement and possibilities for expansion as production needs changed. Detroit-based architect Albert Kahn, with his associate Ernest Wilby (1868–1957), set a new standard for 20th-century industrial buildings through innovative use of space and materials. For the Packard Company’s Building Number Ten (Detroit, 1905; enlarged 1909), Kahn used reinforced concrete to create modular bays, repeatable horizontally and vertically, with wide interior spans and large window surfaces. For Ford’s Highland Park factory (begun 1909; see fig.), Kahn designed a multi-building complex of reinforced concrete and steel-framed buildings that housed machinery strategically in the sequence of production. In Ford’s River Rouge manufacturing complex in Dearborn, MI (...


(b New Orleans, LA, March 15, 1873; d New Orleans, 1949).

American photographer. Bellocq is known to have worked as a commercial photographer in New Orleans from 1895 to 1940 and to have photographed for local shipbuilders and in the Chinese sector of New Orleans, although none of this work apparently survives. His photography is known only through prints made by Lee Friedlander from the 89 gelatin dry plate negatives found after Bellocq’s death. These negatives date from c. 1912 and are sympathetic portraits of prostitutes of New Orleans and interior views of their workplaces. Known as the Storyville Portraits, 34 were shown by MOMA, New York, in a travelling exhibition in 1970–71. Bellocq’s life was the subject of Pretty Baby (1978), a film by Louis Malle.

E. J. Bellocq: Storyville Portraits: Photographs from the New Orleans Red-light District, circa 1912 (exh. cat. by J. Szarkowski and L. Friedlander, New York, MOMA, 1970)G. Badger: ‘Viewed’, British Journal of Photography...


Catherine Cooke


(b Zhitomir, 1875; d Gatchina, July 19, 1933).

Russian architect and teacher. After early training in Pskov, he studied (1901–10) at the Academy of Arts, St Petersburg, latterly in the studio of Leonty Benois. After a year in Odessa he was commissioned in 1911 by the developer Konstantin Rozenshtein to execute façades for residential buildings on the fashionable Bol’shoy Prospect (Petrograd Side), St Petersburg. His treatments at nos 77 (1912–13) and 75 (1913–15) are respectively Gothic and Renaissance classical in their detailing. These, and his elevations in freer classical mode for Gontskevich’s building (1912–15) at no. 102 of the same street, derive their strong identity from the grotesque treatment of stylistic detail that characterizes all Belogrud’s work. Other built works of this period included the Skating Rink complex (1912) in St Petersburg and the Municipal Theatre (1913), Saratov. During these years he was also a lively contributor to stylistic and professional debates in Russian architecture. In ...


Hiroyuki Suzuki

(b London, Sept 28, 1852; d Tokyo, 1920).

English architect, active in Japan. He was articled to Roger Thomas Smith and then entered the office of William Burges. In 1876 he was awarded the Soane Medallion by the RIBA. In the next year he was appointed the first professor of architecture at the Imperial College of Engineering (now Tokyo University) in Japan, in which role he taught every aspect of architecture and building construction. During this period he was also active as an architect, designing such buildings as the Tokyo Imperial Museum (1877–80; now Tokyo National Museum) and a national banqueting house, Rokumeikan (Deer Cry Pavilion), for the Ministry of Public Works. After leaving his academic and governmental posts, Conder went into private practice and designed many residences, including the Iwasaki residence in Kayacho (1896; see Japan, §III, 5), the Shimazu residence (1915) and the Furukawa residence (1917). His style gradually changed from Gothic to more classical. He is often called the father of Western architecture in Japan, not only on account of his designs but also because of his role in establishing the Western method of architectural higher ...


Eizo Inagaki

(b Yonezawa, Dewa Province [now Yamagata Prefect.], 1868; d 1954).

Japanese architectural historian and architect. He graduated from the School of Engineering at Tokyo Imperial University in 1892 and then undertook graduate studies in architectural history. He participated in research on the oldest building in Japan, the temple of Hōryūji at Nara, and carried out a survey of the principal buildings that recorded details of the temple’s proportions, construction and decoration. In 1898 he published the Hōryūji kenchikuron (‘Discourse on the architecture of Hōryūji’), his first lengthy thesis. In 1897 he began to teach at the School of Engineering at the university; in 1901 he received his doctorate and in 1905 he became a full professor in the department where he continued teaching until his retirement in 1928.

In his research Itō was more interested in comparing the civilizations of the East and West, and the influences on them, rather than merely accumulating archaeological information. As he explained in his first thesis, for example, the architecture of Hōryūji was derived from the Gandhara style in India, having been transmitted to the Korean peninsula and then to Japan. At this time, ...


Hiroyuki Suzuki

(b Hagi Prov., now Yamaguchi Prefect., Dec 20, 1854; d Tokyo, Oct 24, 1917).

Japanese architect. He was one of the first four students to graduate from the Department of Architecture, Imperial College of Engineering (now Tokyo University) in 1879. After a short spell in the Ministry of Public Works, he became an architect in the Ministry of the Imperial Household in 1886, a position he held for the rest of his life. As the first court architect Katayama designed palaces, villas and residences for the imperial family, but his output also included the imperial (now national) museums (all extant) in Nara (1894), Kyoto (1908) and Tokyo (Hyōkeikan, 1909). His style, which was neo-classical with a French Beaux-Arts flavour, was regarded as the most suitable to express the enlightened atmosphere of the Japanese court. He visited European countries and the USA in 1882–4, 1886–7, 1897–8, 1899 and 1902–3. His last three visits were undertaken in connection with the design of his best and largest work, Akasaka Detached Palace or Akasaka Rikyū, Tokyo (...


Sara Stevens

A category of buildings designed to house retail and shopping. It includes arcades, department stores, shopping malls, strip centres, and big-box stores. Retail architecture exists in small towns, big cities, and suburbs: anywhere people congregate. It is as ubiquitous in time and space as the organized exchange of goods for money. It is distinguished from commercial architecture, which, in real estate and architectural practice, can refer more generally to any property that produces income for its investors or owners but does not refer to a building’s architectural function (i.e. retail).

Buildings housing commercial activity have existed since antiquity. Anthropologists have described exchange halls and commercial structures in many cultures, including Roman, Aztec, Tang dynasty China, and Mesopotamian. During the medieval and Renaissance periods, market halls and exchanges were built in cities such as Antwerp, Bruges, London, and Venice, sheltering trading activities at ground level and municipal government functions above (...


Hiroyuki Suzuki

(b Karatsu Prov. [now Saga Prefect.], Aug 22, 1854; d Tokyo, March 25, 1919).

Japanese architect. He studied architecture under Josiah Conder at the Imperial College of Engineering (now Tokyo University) and in 1879 became one of the first four graduates in the Department of Architecture. He was one of a group of 11 of the first graduates from the college who were sent abroad to study their respective specialist fields. He went to London early in 1880 and until 1883 studied architecture in the office of William Burges and at other institutions. On his return to Japan, he was appointed the first Japanese professor of architecture at the Imperial College in 1884. Alongside his teaching activities, he designed important national buildings including offices for the Bank of Japan (main office, Tokyo, 1903; Kyoto branch, 1906; Osaka branch, 1911) and Tokyo Central Station (1914; partly damaged in World War II). His mature works are characterized by a contrasting use of red brick and white stone similar to the style of R. Norman Shaw’s New Scotland Yard in London. Tatsuno was one of the first generation of Japanese to take over the teaching of architecture in Japanese universities from foreigners. He was a founder-member of the ...