15th – 17th century (?), male.
Monogram of an engraver (wood).
Cited by Brulliot as having engraved a Conversion of St Paul.
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14th – 17th century (?), male.
Initials of a painter and engraver.
Cited by Bartsch and Defer; known for an engraving of Young Satyr and Old Satyr copied from an etching by Marcantonio Raimondi.
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17th century, male.
Monogram of an engraver (etching).
Active towards the end of the 17th century; cited by Brulliot. Known as the engraver of a garland of flowers and fruit probably designed for use as a model by silversmiths and goldsmiths.
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German (?), 14th – 17th century (?), male.
Monogram of an engraver.
Brulliot made a reference to this artist. His monogram is usually interpreted as A. A. B., but it could also be read as M. B. He left a cartouche, held by two eagles and topped by a ram's head....
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German (?), 14th – 17th century (?), male.
Monogram of an engraver (stippling).
Brulliot makes a reference to A. B. He produced decorations in gold and silver.
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17th century, male.
Monogram of an engraver (burin).
Active in the early years of the 17th century; cited by Charles Le Blanc. The monogram is believed to have been used initially by Abraham Bosse. It is found on an item entitled Theatre of Tabarin depicting Tabarin standing on stage and addressing a large audience....
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German, 16th – 17th century (?), male.
Monogram of an engraver.
The signature A. C. T. is to be found on a copy of Bagpipe Player, an engraving by Albrecht Dürer.
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17th century, male.
Monogram of a draughtsman.
A monogram found on Indian ink drawings dated to 1633.
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Italian, 17th century, male.
Monogram of an engraver.
Cited by Brulliot as having worked around the middle of the 17th century. Known works include portraits of J.B.Porta and Andreas Vessaius.
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Flemish School or German, 17th century, male.
Monogram of an engraver.
A. L. was active at the beginning of the 17th century. He is mentioned by Brulliot. One work by him survives: Landscape; in the Front a Man is Helping a Woman on Horseback to Cross a Ford...
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French, 14th – 17th century (?), male.
Active in Troyes.
Monogram of a glass painter.
School of Champagne.
According to Ris Paquot, A. L. B. worked at the church of St-Nizier.
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German, 14th – 17th century (?), male.
Monogram of a draughtsman, engraver (wood).
The monogram A. M. is found on an engraving on wood of a View of the Town of Meissen.
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Italian, 17th century, male.
Monogram of an engraver (etching).
Active towards the middle of the 17th century. His known work includes a series of 20 engravings entitled Views of Roman and Ancient Monuments.
Article
German, 17th century, male.
Monogram of a painter.
A.N. is thought to have worked in Leipzig. One of his works is dated 1600.
Article
14th – 17th century (?), male.
Monogram of an artist.
Cited by Defer; noted for his Statue of Diana at Ephesus. Probably the same artist as in the preceding entry.
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Dutch School, 17th century, male.
Monogram of a painter. Portraits.
The painter known as A. R. was working in 1610. According to the catalogue, the monogram found on a work in the Hanover art gallery is rather unclear but is believed to be the initials A. R. and the date ...
Article
German, 17th century, male.
Monogram of an engraver.
Quoted by Brulliot in the Dictionary of Monograms, this artist was active in the 17th century and engraved The Martyrdom of St Sebastian.
