Italian, 16th century, male.
Monogram of an engraver (including copper), print publisher (?). Religious subjects.
A.G. is mentioned by Brulliot, and believed to have been a pupil of Marcantonio Raimondi. He is known for his Virgin Holding the Infant Jesus, and Crowned by Two Angels...
Dutch, 18th century, male.
Active at the beginning of the 18th century.
Engraver, print publisher.
Pieter Boudewyn van der Aa worked in Leiden from 1700 to 1750. He was both an artist and a businessman and published a number of catalogues for his business, notably in ...
French, 19th century, male.
Born 1 January 1836, in Mechelen, to French parents; died 1 April 1894, in Paris.
Engraver (etching/burin).
Abot studied under Gaucherel. He was among the artists retained by the publisher Goupil, whose titles included the journal L'Art and the Gazette des Beaux-Arts...
Flemish School, 19th century, male.
Born 1794, in Bruges; died 1863.
Miniaturist.
This artist was a pupil of Ducq and displayed outstanding ability from the very start of his career. In 1833 he went to Paris, where he collaborated on the Journal des Gens du Monde...
Flemish School, 17th century, male.
Active in London.
Painter.
Jan van Adam is mentioned in the journal of Turquet de Mayerne, physician to King Charles I of England.
British, 18th century, male.
Engraver (line-engraving).
Francis Adams published a satirical journal in 1773 and penned several portraits in 1774; he received an Arts Society award in 1760.
American, 19th century, male.
Born 1803, in New Germantown (New Jersey); died 1880, in Morristown (New Jersey).
Engraver (wood).
Joseph Alexander Adams worked for several years as a printer and then devoted himself to engraving on wood, which he initially studied alone. He later received advice from the engraver Alexander Anderson. He became a master and, with his pupils and collaborators, undertook the great work that made his reputation, ...
German, 19th century, male.
Born 1780, in Nuremberg.
Engraver (line-engraving).
A pupil of Ambroise Gabler, he specialised in work for printers. Two portraits by him are mentioned, one of Marie Reizammer and one of Nanette Kuhn.
German, 18th century, male.
Active in Breslau (now Wroclaw).
Engraver.
Son of the fabric printer John David Adolph.
Spanish, 18th – 19th century, male.
Painter.
Adriazola was also a mathematician, journalist and soldier.
Flemish, 16th – 17th century, male.
Born c. 1527, in Brussels; died 1612, in Rome.
Engraver, draughtsman, print publisher.
Flemish School.
Nicolaus van Aelst learned drawing and engraving in his home town of Brussels, then went to Rome where he set up a thriving trade in prints. This was his main activity, although he continued to engrave with a burin. It should be noted, however, that he was only the printer of the engraving of the statue of Henry II, the original artist being Tempesta....
Russian, 19th century, male.
Active between 1809 and 1826 in Moscow.
Engraver (line-engraving).
This artist belonged to the school of the Moscow printer and collector P.P. Beketov. Under the direction of J. Rosanov, N.Z. Sokolov and A.J. Ossipov, Afanasiev engraved a series of three hundred portraits of famous Russians, published in three volumes between ...
German, 19th century, male.
Engraver (steel).
This artist worked mainly for publisher G. G. Lange in Darmstadt.
Chinese, 20th – 21st century, male.
Active in China and the United States.
Born 18 May 1957, in Beijing, China.
Artist, architect, designer, curator, publisher, activist.
After spending most of his childhood in the provinces of China, Ai Weiwei moved to Beijing in the mid-1970s to attend the city’s film academy. While there, he co-founded the first of the loose collectives of pro-democracy artists to emerge in the city, known as the Stars Group (1979–1983). In 1981, he travelled to the United States, first to Philadelphia before enrolling in New York City’s Parsons School of Design. During his student years, Ai worked at a printing press in the meatpacking district of New York City. In 1993, he returned to Beijing, where he co-founded the Chinese Art Archives & Warehouse (CAAW), a non-profit organization and gallery. In Shanghai in 2000, Ai co-curated, with Feng Boyi, the infamous Fuck Off exhibition, which was closed by the authorities at the same time that the first Shanghai Biennial took place. He published a series of books about experimental art in Europe and North America: ...
German, 20th century, male.
Born 1889; died 1969.
Draughtsman, illustrator.
Self-taught, Alastair lived in Germany and often in Paris, where he was drawn to the study of black magic and transvestism. He worked for European and American publishers, illustrating many literary works by authors including Théophile Gautier, Barbey d'Aurevilly, Laclos, Mérimée, Poe, L'Abbé Prévost, Wedekind and Oscar Wilde....
American, 20th–21st century, female.
Born 19 November 1960, in L’Anse (Michigan).
Book artist, poet, performance artist, publisher, educator. Artists’ books, wallpaper.
Conceptual Art.
Sally Alatalo completed her undergraduate degree in fine art at Kansas City Art Institute in 1982 and her master’s degree in fine art at the School of the Art Institute of Chicago in ...
Italian, 16th century, male.
Active in Rome at the end of the 16th century.
Engraver, print publisher.
French, 19th – 20th century, male.
Born 4 June 1867, in Grenoble; died 1933, in Grenoble.
Painter, watercolourist. Landscapes.
André Albertin was a journalist and art critic who learned painting from Laurent Guétal and Ernest Hareux. He exhibited at the various Paris Salons in 1895, 1896 and ...
Brazilian, 18th century, male.
Born c. 1738, in Vila Rica (now Ouro Prêto), Minas Gerais; died 18 November 1814, in Villa Rica.
Sculptor.
Aleijadinho studied European style from engravings and prints in contemporary journals of architecture. He was fascinated by the elaborate Rococo style and southern German religious representations. He was given the nickname Aleijadinho (the little cripple) because of an illness that progressively destroyed his fingers and toes from ...
Italian, 16th century, male.
Engraver, draughtsman.
According to Zani, Antonio di Alessio was also a publisher. Otley mentions three of his decorative engravings: a frontispiece with a dedication addressed to the publisher Antonio Lafreri; another showing trophies of arms and a sphinx; and a third showing a Triton playing a violin, a mask and a sphinx....
