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Article

American, 20th century, male.

Born 24 January 1940, in New York.

Painter, sculptor, performance artist, video artist. Multimedia.

Body Art, Conceptual Art.

Vito Acconci was born in the Bronx, New York and lives and works in Brooklyn. He studied at Holy Cross College in Worcester, Massachusetts and at the University of Iowa. He has taught in various art schools and universities and in particular at the School of the Art Institute of Chicago, Yale University and the Parsons School of Design in New York....

Article

American, 20th – 21st century, male.

Born 1968, in Redondo Beach (California).

Installation artist, photographer, film maker. Multimedia.

Doug Aitken is a graduate of the Pasadena Art Center College of Design. He started as art director for Fatboy Slim, Iggy Pop and Barenaked Ladies' video clips. He operates from New York and Los Angeles. His installation ...

Article

American, 20th – 21st century, female.

Installation artist, video artist, photographer, sculptor, film maker. Multimedia.

Beth B. attended art school as a child. She studied at University of California, Irvine, and at San Diego State University, and obtained a BFA from the School of Visual Arts, New York. She took her initial as a surname from 'B-Movies', the film company she founded in New York City in the late 1970s. Beth B. has received grants from the National Endowment for the Arts and from the New York State Council on the Arts. She is co-founder of the artists' group Collaborative Projects Inc. She lives in New York City....

Article

Frazer Ward

(b San Francisco, CA, 1967).

American sculptor, installation artist, filmmaker, and video artist. Barney emerged in the early 1990s to considerable fanfare, based on the reputation of works made while still an undergraduate at Yale University (he graduated with a BA in 1989), and early exhibitions in New York galleries. Exhibitions such as Field Dressing (1989; New Haven, CT, Yale, U., Payne Whitney Athletic Complex), and early works in the series Drawing Restraint (begun in 1987), established characteristics of Barney’s work: striking imagery drawn from an idiosyncratic range of sources (sport-oriented in the earliest works), sculptural objects in signature materials (e.g. petroleum jelly, ‘self-lubricating plastic’), and athletic performances by the artist, in the service of arcane personal mythology (see fig.). These characteristics are most fully expressed in the Cremaster cycle of five films (1994–2003, released out of order, beginning with Cremaster 4 (1992)). Elaborate and expensive productions featuring lush imagery, drawing on both marginal and mainstream histories (performance art and Hollywood cinema), Celtic and Masonic lore, popular cultural references (Harry Houdini, Gary Gilmore), and anatomical metaphors (the Cremaster is the muscle by which the testicles are raised and lowered), the ...

Article

American, 20th – 21st century, female.

Active in New York and Berlin.

Born 1949, in Columbus (Ohio).

Installation artist, sculptor, mixed media, video artist. Multimedia.

Judith Barry studied finance, architecture and art at the University of Florida, graduating in 1972. She received an MA in Communication Arts from New York Institute of Technology in ...

Article

Morgan Falconer

(b Columbus, OH, 1949).

American installation artist and video artist. She graduated from the University of Florida in 1972, having studied finance, architecture and art; in 1986 she received an MA in Communication Arts from New York Institute of Technology. Barry’s work was consistently guided by an interest in the ways in which lived social relations are translated into built form in architecture and public space. Casual Shopper (1980–81; see 1988 exh. cat., p. 14) is typical of her early video pieces in examining these issues through a narrative about a couple in a Californian shopping mall; in it, Barry shows how the realms of private fantasy blend into the fantastical confections of the mall’s architecture. The slide and film installation In the Shadow of the City...Vamp r y... (1982–5) points to her related interests in subject formation, states of mind, and the way in which power is exercised through the gaze: bringing together a series of domestic and urban spaces, the images show a number of figures looking out of a window and a woman watching a man sleep. ...

Article

American, 20th–21st century, male.

Born 4 February 1959, in Fulton (Missouri).

Mixed media artist, video artist.

Nick Cave received his BFA at Kansas City Art Institute in 1982, and in the summer of 1979 studied at the Alvin Ailey School of Dance. He continued with graduate studies at North Texas University and then completed his MFA in 1989 at Cranbrook Academy of Art. His Soundsuits, in addition to his other series, are inspired both by fine art and elements of contemporary culture. Ultimately, these sculptures, which are both worn and displayed statically, are inspired by his materials. The highly textured fabrics and found materials are often sourced from flea markets and then assembled into loosely anthropomorphic costumes that are hand constructed by Cave himself and his assistants. He also creates two-dimensional works in addition to a variety of mixed media sculptures and video works such as his 2012 film, Blot...

Article

Naomi Beckwith

(b Fulton, MO, Feb 4, 1959).

American sculptor and multimedia artist working in fibre, installation, video, and performance. The youngest of seven sons born into a central Missouri family, Cave demonstrated an early acumen with hand-made objects and throughout his career has created works out of texturally rich materials imbued with cultural meaning. Cave received his BFA (1982) from the Kansas City Art Institute, developing an interest in textiles and, after some graduate-level work at North Texas State University, received his MFA (1989) from the Cranbrook Academy of Art, renowned for their textile, fibre art, and design programmes. While working toward his art degrees, Cave simultaneously studied with the Alvin Ailey Dance Theater, a company known for introducing African American folk traditions into the modern dance vocabulary. Cave moved to Chicago where he became chair of the Department of Fashion Design at the School of the Art Institute in 1980.

Working across the disciplines of sculpture, textile, dance, and cultural performance, Cave’s oeuvre is based on the human figure; he has produced wearable art as sculptures, arrangements of human and animal figurines as installations, and performance works. Cave’s signature works, the multi-sensory ‘...

Article

American, 20th – 21st century, male.

Born 1952.

Sculptor, video artist. Multimedia.

Ken Feingold took part in the 1995 Lyons Biennale, with an interactive sculpture entitled Childhood/Hot and Cold Wars.

Article

American, 20th – 21st century, female.

Born 27 September 1965, in Billings (Montana).

Installation artist, performance artist, video artist, writer. Multimedia.

Andrea Fraser studied at the School for Visual Arts (1982(1983) and at the Whitney Museum of American Art Independent Study Program, New York (...

Article

Catherine M. Grant and Margaret Rose Vendryes

(b Cleveland, OH, 1959).

American printmaker, film maker, installation and conceptual artist and writer.

Green, of African descent, has worked primarily with film-based media, and has published criticism and designed installations that reveal her commitment to ongoing feminist and black empowerment movements. She earned her BA from Wesleyan University in 1981 and also spent some time at the School of Visual Arts in New York in 1980, returning in the late 1980s to study in the Whitney Independent Study Program, graduating in 1990. At the age of 24 she began exhibiting her comparative compositions containing found objects, images, and texts that question recorded history.

Green’s work deals with issues of anthropology and travel. By undertaking projects via the methodology of the 19th-century explorer, she exposed the arbitrary and prejudiced nature of classification, as in Bequest (1991; see 1993 exh. cat.), an installation she made at the invitation of the Worcester Museum of Art to commemorate their 50th anniversary. Using the museum as a ready-made stage set, she installed works of art alongside 19th-century texts explaining stereotypes of whiteness and blackness. Green characteristically intervened in the history of her chosen site to produce a fiction that included her own responses as an African American woman to her findings. In ...

Article

American, 20th – 21st century, female.

Born 1956, in Lima (Ohio).

Performance artist, installation artist, photographer, video artist. Multimedia.

Ann Hamilton studied at the University of Kansas, and at Yale (geology, sculpture and textiles). She lives and works in Columbus, Ohio. A multimedia artist, her earliest shows featured numerous performance works in complex, often vast environments. Her installations are conceived as 'temporal intersections', incorporating the cultural history, geography and socio-economic characteristics of a particular site. Her work engages every area of the human experience, based on the principle that an object should 'take physical possession' of the viewer, before an attempt is made to name it (and hence to 'pin it down'). Each installation implicates a specific sensory environment and highly personal gestures. In ...

Article

Klaus Ottmann

(b Lima, OH, June 22, 1956).

American installation artist, photographer, and video artist. Hamilton is known for creating complexly structured, highly sensual, site-specific environments that investigate visual and aural relationships with the human body. Hamilton studied textile design at the University of Kansas in Lawrence and sculpture at Yale University School of Art in New Haven. Using a wide range of metaphorical and associative materials, her installations function in the chasm between immediate experience and memory and frequently address the antinomy of creation and destruction in art.

In Privations & Excesses (1989; San Francisco, CA, Capp Street Project), Hamilton sat in a room whose floor was covered with 750,000 pennies, while obsessively wringing her hands in a hat filled with honey and, in an barred space behind her, several sheep grazed. In topos (1993; New York, Dia Center for the Arts), a figure seated in the midst of an expansive sea of interwoven horsehair, fastidiously erased printed letters from a book with a heating coil. In ...

Article

or Hershman Leeson

American, 20th – 21st century, female.

Born 1941, in Cleveland (Ohio).

Photographer, video artist, digital artist, performance artist.

Lynn Hershman studied at Case Western Reserve University, graduating in 1963 with a BA in Education, Museum Administration, and Fine Arts. In 1972, she obtained a Master’s degree in Fine Art from San Francisco State University. During the 1970s, Hershman created a series of fictional pseudonyms and alter egos, including fictional art critics who were written into her master’s dissertation, Prudence Juris, Herbert Goode and Gay Abandon, and the fictional character Roberta Breitmore who featured in Self-portrait as Another Person (1972). Hershman created these fictional personas not only by physically transforming herself through makeup, clothing, and wigs but also by verifying the characters’ existence in the world through physical documentation, from driver’s licenses and credit cards to letters from her psychiatrist. The characters were examples of Hershman’s ongoing preoccupation with issues of identity, reality, and gender. Hershman is credited with being the first creator of an interactive LaserDisc artwork, ...

Article

John-Paul Stonard

(b Santa Monica, CA, April 4, 1951).

American video and installation artist. In 1969 he moved to Woodstock, NY, and began studying in New York at the Art Students’ League. His early work was sculptural, but in the early 1970s he turned to audio and video, experimenting with imaging equipment and digital processing to create visual effects analogous to the appearance of abstract paintings. Much of this experimentation took place during a residency at the Experimental Television Center, Binghampton, NY (1975–7). His sculptural background continued to play a part in his video installations; for his earliest video installation, Hole in the Wall (1974), he broke a hole through a wall of the Woodstock Artists’ Association, placing on the other side a monitor that replayed his destructive action. In the late 1970s he became interested in the possibilities of combining images, sound and language. His work often makes specific literary references; Incidence of Catastrophe...

Article

Dennis Raverty

(b Birmingham, AL, Oct 17, 1955).

African American painter, writer, film production designer, and multimedia installation artist. Marshall’s works portray idealized subjects derived from African American experience in large-scale, multiple-figure paintings and installations that share many characteristics with European history painting in the “grand manner” of Peter Paul Rubens, Benjamin West, Jacques-Louis David, and the 19th-century academic tradition. This “high culture” Euro-American tradition is juxtaposed with elements of African American vernacular culture in order to reinsert African American subjects and aesthetics into the larger mainstream of America’s artistic and cultural history—a history from which, the artist believes, blacks have been largely excluded.

Marshall was born in Birmingham, AL, one of the most segregated cities in the United States at that time, and the site of civil rights demonstrations in the early 1960s. He moved with his parents in 1963 to Nickerson Gardens public housing project in Watts, CA, just a few years before the riots there. Consequently, the struggles of the civil rights movement profoundly affected him and are a major theme in his mature work....

Article

American, 20th – 21st century, female.

Active in Canada.

Born 1946.

Video artist. Multimedia.

Montreal (MAC): Dutch Light; Textual Actions (1991)

Ross, Christine: Perspectives holistiques dans la vidéo-fiction féministe au Quebec (1978-82), dissertation, Department of Art History at Concordia University, Montreal, 1984....

Article

American, 20th century, male.

Born 6 December 1941, in Fort Wayne (Indiana).

Sculptor, draughtsman, video installation artist. Multimedia.

Body Art, Process Art, Conceptual Art.

Bruce Nauman attended the universities of Wisconsin and California. He began work in Davis, California, where he was completing his university studies. In 1966 he had his first studio in San Francisco. In 1969 he moved to Pasadena and in 1979 to Pecos in the mountains of New Mexico, far removed from the artistic ‘underground’....

Article

Deborah A. Middleton

(b Fort Wayne, IN, Dec 6, 1941).

American conceptual artist. Recognized as one of the most influential, innovative, and provocative 20th century American artists, Nauman extended the media of sculpture, film, video, photography, and sound with performance and spatial explorations. Nauman attended the University of Wisconsin–Madison from 1960 to 1964, with early studies in mathematics and physics, which broadened to the study of art under Italo Scanga (1932–2001). He received a master’s degree in Fine Art from the University of California, Davis in 1966 under William T. Wiley, Robert Arneson, Frank Owen (b 1939), and Stephen Kaltenbach (b 1940) and honorary degrees from the San Francisco Art Institute (1989) and California Institute of Art (2000). In 1966 he began to teach at the San Francisco Art Institute.

Nauman’s interactive artworks and performances explore the syntactical nuances of language, text, and figurative gesture to create material culture and in-between places, which often result in a heightened sense of physical and emotional awareness. Nauman’s artistic explorations of spatial perception, bodily consciousness, physical and mental activity, and linguistic manipulation were demonstrated in interactive spatial compositions that accentuated various relationships between the human body and built environments. Early works included body castings and holographic self-images with subsequent works situating the viewer within their own mental and bodily perceptions. In ...

Article

American, 20th – 21st century, male.

Born 19 May 1957, in New York.

Painter, draughtsman, sculptor, installation artist, video artist. Multimedia.

Tony Oursler studied at the California Institute of Arts, receiving a BFA in 1979. He is interested in the creative use of new video technology as an artistic tool. Oursler is best known for his surrealistic installations in which he combines a moving image, spoken text and sculptural objects, creating a complete mediated environment for the viewer to enter, like ...