(b Stagira, 384
Article
Martha C. Nussbaum
Article
Leslie Brubaker, Dominique Collon, Wilhelmina F. Jashemski, David M. Jones, K. S. Kropf, and W. J. Tait
revised by Trenton D. Barnes
There is sufficient evidence to confirm that the garden formed a constituent of all the ancient civilizations around the eastern half of the Mediterranean. These civilizations, supported by great rivers and seas—the Tigris, Euphrates, and the Nile, and the Mediterranean, Adriatic, and Aegean—grew up in a climate ranging from hot and arid to warm and dry. The climatic variation corresponds to geographical differences, from the alluvial plains of Egypt and Mesopotamia to the higher plains and hills of Syria-Palestine, to the more mountainous and variegated landscape of the peninsulas and islands of Greece and Italy.
Over this geographical range there is a remarkable degree of similarity in the general form of the ancient garden. There is the small enclosed or courtyard garden of the Assyrians and Egyptians, the kepos of the Greeks, and the hortus of the Romans. Often directly associated with a dwelling, palace, or temple, the fundamental elements of these small gardens were an enclosure wall and rows of trees or other planting surrounding a central pool or water feature. ...
Article
Martha C. Nussbaum
(b ?Athens, c. 429
Ancient Greek philosopher. He was the son of a distinguished and wealthy Athenian family and grew up in turbulent times; the Peloponnesian War and the bitter struggles between local oligarchic and democratic factions made life unstable and justice difficult. In 399
Article
Martha C. Nussbaum
Philosophical school of ancient Greece and Rome. It was among the most influential movements of antiquity and because of its centrality in later European education, especially in the 16th–19th centuries, it exercised a profound influence on the views of virtue, mind and emotion held by many thinkers and artists. The school was named after the porch (stoa) in Athens where it met under Zeno of Citium (335–263
Article
Alex Potts
(b Stendal, Dec 9, 1717; d Trieste, June 8, 1768).
German art historian. His writings on the sculpture of ancient Greece and Rome redefined the history of art and provided a theoretical apologia for Neo-classicism. Geschichte der Kunst des Alterthums (1764) was a standard reference on the art of the ancient world until well into the 19th century. Winckelmann revolutionized archaeological studies by providing a framework for stylistic classification of antiquities by period of origin, whereas previous antiquarian scholars had concerned themselves almost exclusively with questions of subject-matter. His analysis of the aesthetics of Greek art and his account of the conditions that encouraged its flowering, which highlighted the importance of climate and the political freedom of the ancient Greek city states, had a major impact in the art world of his time. His scholarly celebrations of masterpieces of ancient sculpture were particularly popular and were widely quoted in travel books and artistic treatises.
The son of a cobbler, Winckelmann studied Greek and Latin, as well as theology, mathematics and medicine, at the universities of Halle and Jena. After five years as a Classics teacher in Seehausen, he was employed in ...