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Alan Crawford

Informal movement in architecture and the decorative arts that championed the unity of the arts, the experience of the individual craftsman, and the qualities of materials and construction in the work itself.

The Arts and Crafts Movement developed in the second half of the 19th century and lasted well into the 20th, drawing its support from progressive artists, architects and designers, philanthropists, amateurs, and middle-class women seeking work in the home. They set up small workshops apart from the world of industry, revived old techniques, and revered the humble household objects of pre-industrial times. The movement was strongest in the industrializing countries of northern Europe and in the USA, and it can best be understood as an unfocused reaction against industrialization. Although quixotic in its anti-industrialism, it was not unique; indeed it was only one among several late 19th-century reform movements, such as the Garden City movement, vegetarianism, and folksong revivals, that set the Romantic values of nature and folk culture against the artificiality of modern life....

Article

(b London, Oct 17, 1854; d Manorbier, Dyfed, July 5, 1924).

English designer. He was educated at Winchester and Oxford, and in 1877 he was articled to the architect Basil Champneys. Encouraged by William Morris, in 1880 Benson set up his own workshop in Hammersmith specializing in metalwork. Two years later he established a foundry at Chiswick, a showroom in Kensington and a new factory at Hammersmith (all in London), equipped with machinery to mass-produce a wide range of forms, such as kettles, vases, tables, dishes and firescreens. Benson’s elegant and spare designs were admired for their modernity and minimal use of ornament. He is best known for his lamps and lighting fixtures, mostly in copper and bronze, which are fitted with flat reflective surfaces (e.g. c. 1890; London, V&A). These items were displayed in S. Bing’s Maison de l’Art Nouveau, Paris, and were used in the Morris & Co. interiors at Wightwick Manor, W. Midlands (NT), and Standen, East Grinstead, W. Sussex. Many of Benson’s designs were patented, including those for jacketed vessels, which keep hot or cold liquids at a constant temperature, and for a ‘Colander’ teapot with a button mechanism for raising the tea leaves after the tea has infused. Benson sold his designs, labelled ‘Art Metal’, through his showroom on Bond Street, which opened in ...

Article

Stuart Evans

English group of painters, designers and craftsmen, active between c. 1883 and 1892. It was one of the earliest Arts and Crafts groups and initiated the practice of attributing designs to individual craftsmen, which became a firm principle of the Arts and Crafts Movement. Its platform was the ‘unity of the arts’, and its aim was ‘to render all branches of art the sphere, no longer of the businessman, but of the artist’. Although output was limited and sporadic, the group had considerable influence by exhibiting its products and publishing a quarterly magazine, the Century Guild Hobby Horse (1884–92). Perhaps 20 craftsmen in all were associated with the Guild, but the only members were A. H. Mackmurdo, Herbert Horne and Selwyn Image.

The Guild’s work was mainly domestic. It offered textiles, wallpapers, furniture, stained glass, metalwork, decorative painting and architectural design, all of which were displayed at the ...