1-3 of 3 Results  for:

  • 1800–1900 x
Clear all


Dutch, 19th – 20th century, male.

Born 26 November 1876, in Utrecht; died 1958, in Blaricum-Amsterdam.

Painter, potter, lithographer. Murals, designs for stained glass.

Groups: De Stijl, Abstraction-Création.

Bart van der Leck started out working for various glassmakers in his native Utrecht before going on to attend the college of industrial arts (where he studied under A.J. van der Kinderen) and then the royal academy of fine arts in Amsterdam. He lived in Amersfoort ...


real name: Pieter Cornelis Mondriaan

Dutch, 19th – 20th century, male.

Born 7 March 1872, in Amersfoort (Utrecht), The Netherlands; died 1 February 1944, in New York (New York), United States.



De Stijl.

Piet Cornelis Mondrian was born into a strict Calvinist family. His father, the headmaster of a primary school in Amersfoort, insisted that his son secure his future by obtaining a degree in education. Mondrian complied with his father’s wishes and obtained formal qualifications enabling him to teach drawing and composition at secondary-school level. In 1892, however, Mondrian enrolled at the Rijksacademie in Amsterdam, where he is recorded as having been a diligent student. In order to earn some money, Mondrian gave drawing lessons in his spare time, sold copies of paintings that hung in local art galleries, and produced industrial blueprints. He maintained a close relationship with Jan Sluijters and Simon Maris, accompanying the latter on a trip to Spain in 1901....


(b Amersfoort, March 7, 1872; d New York, Feb 1, 1944).

Dutch painter, theorist, and draughtsman. His work marks the transition at the start of the 20th century from the Hague school and Symbolism to Neo-Impressionism and Cubism. His key position within the international avant-garde is determined by works produced after 1920. He set out his theory in the periodical of Stijl, De, in a series of articles that were summarized in a separate booklet published in Paris in 1920 under the title Le Néo-plasticisme (see Neo-plasticism) by Léonce Rosenberg. The essence of Mondrian’s ideas is that painting, composed of the most fundamental aspects of line and colour, must set an example to the other arts for achieving a society in which art as such has no place but belongs instead to the total realization of ‘beauty’. The representation of the universal, dynamic pulse of life, also expressed in modern jazz and the metropolis, was Mondrian’s point of departure. Even in his lifetime he was regarded as the founder of the most ...