1-20 of 46 Results  for:

  • Twentieth-Century Art x
  • Graphic Design and Typography x
  • Sculpture and Carving x
  • Books, Manuscripts, and Illustration x
  • Artist, Architect, or Designer x
  • Painting and Drawing x
Clear all

Article

Nelly Perazzo

(b Torroella de Montgri, Catalonia, Mar 3, 1911; d Buenos Aires, Oct 8, 1966).

Argentine painter, printmaker, illustrator, sculptor, and stage designer of Spanish Catalan birth. He arrived in Buenos Aires in 1913. Although his uncle, José Planas Casas (b Catalonia, 1900; d Argentina, 1960), taught him the rudiments of art, he was basically self-taught and began to exhibit his work in 1934. Synthesizing ideas from Zen philosophy, psychoanalysis, and the theories on cosmic energy espoused by the Austrian psychologist Wilhelm Reich with his interests in automatism, poetry, and painting, he found a creative sense of direction from an early age. He applied his methods not only to paintings but to stage designs, illustrations, collages, prints, polychrome sculptures, and boxlike constructions; as a painter he worked both in tempera and in oil, and he also produced seventy-two murals.

In 1936 Batlle Planas inaugurated a Surrealist phase with a series entitled Paranoiac X-rays, followed by another group of pictures, Tibetan Series, populated by spectral figures related to works by Yves Tanguy. Between ...

Article

German, 20th century, male.

Active in the USA.

Born 15 March 1883, in Stuttgart; died 29 May 1972, in New York.

Painter, sculptor, graphic designer, poster artist, illustrator, architect, designer, decorative artist. Designs for carpets, advertising art, furniture, lamps, wallpaper.

Jugendstil.

Deutscher Werkbund.

Lucian Bernhard studied painting at the Kunstakademie in Munich, but taught himself design. He was active in Berlin. In ...

Article

Jure Mikuž

(b Gunclje, nr Ljubljana, Sept 6, 1933).

Slovenian painter, printmaker, sculptor, illustrator and poet. He graduated from the Academy of Fine Arts, Ljubljana, in 1955 and later received his MFA in painting and engraving. He continued his studies in 1959 with Johnny Friedlaender in Paris. After 1970 he taught painting at the Ljubljana Academy. He was one of the most outstanding Yugoslav artists after the early 1960s and won several major international awards, including the Grand Prix of the Tokyo, Ljubljana and São Paulo biennales of graphic art.

Bernik’s early works, such as his series of flat picture surfaces, Magmas, Quarries and Burnt Soil, were influenced by Art informel. In the mid-1960s Bernik was an important exponent of the type of European painting based on the use of words. The Great Letter (1964; Ljubljana, Gal. Mod. A.) combines the devices and texture of Art informel with evocations of Byzantine religious texts. At the same time he was also painting pictures with sensually explicit, almost sculpturally or haptically modelled traditional iconographic objects such as the apple, table and cloth, or bread, or pictures in which a written-out word with its meaning was a substitute for a certain object. Here he was responding to European Nouveau Réalisme, Pop art and conceptualism, and the work of Francis Bacon. In the late 1970s Bernik again dispensed with the object in his pictures, producing a series of abstract paintings entitled ...

Article

French, 20th century, male.

Born 5 February 1902, in Mestry (Calvados); died 23 April 1982, in Rochefort-en-Yvelines.

Painter (gouache), sculptor, draughtsman, engraver, newspaper cartoonist, humorist artist, poster artist, illustrator, writer. Landscapes with figures, landscapes, village views. Advertising art.

Georges Pierre Beuville studied in Paris at the École des Beaux-Arts and then at the École des Arts Décoratifs....

Article

French, 20th century, male.

Born 7 May 1941, in St-Raphaël.

Painter, graphic designer, illustrator, poster artist, sculptor. Designs for tapestries, stained glass windows, playing cards.

Bevilacqua lived in Africa in his youth. Self-taught, he only began to paint in 1983. In 1991 Bevilacqua realised in public a monumental painting on the subject of ...

Article

Margarita González Arredondo

revised by Ana Garduño

(b Mexico City, Jun 10, 1940).

Mexican painter, sculptor, illustrator, and stage designer. Coen was self-taught when he took up painting in 1956 with the encouragement of Diego Rivera, but from 1956 to 1960 he studied graphic design with the American publicist Gordon Jones. During those years he worked in an Abstract Expressionist manner, although he soon incorporated figurative elements and, from around 1963 onward, elements of fantasy.

In the 1950s until the early 1970s, he was one of the indispensable creators of the collective exhibitions organized by the Juan Martín Gallery, the most important platform for vanguard art in Mexico City at that time. This gallery also dedicated four individual exhibitions to the work of Coen. In 1967 he went to Paris on a French government grant. In the following year he was a founder-member of the Salón Independiente, where he began to exhibit acrylic sculptures of the female torso.

He systematically returned to working the image of the feminine. These were followed between ...

Article

Belgian, 20th century, male.

Born 1869, in Antwerp; died 1941, in Brussels.

Painter, sculptor, illustrator, poster artist. Religious subjects, portraits, landscapes.

Art Nouveau.

Having first studied law, Ghisbert Combaz became a pupil at the academy in Antwerp and a professor at the Brussels academy. He spent most of his life in Antwerp, where he exhibited from 1886 onwards; he also exhibited in conjunction with the association of Art Nouveau artists known as the Libre Esthétique from 1897. As an art historian, he made special study of the art of the Far East. With their sinuous and undulating rhythm, the arabesques in his engravings and posters provide typical examples of the Modern Style....

Article

Robert Smith

(b Melbourne, Oct 4, 1913; d Melbourne, July 5, 1986).

Australian painter, printmaker, draughtsman, sculptor, cartoonist and illustrator. Largely self-taught, he began printmaking in 1931 and worked as a caricaturist, cartoonist and illustrator for the weekly and left-wing press, his outlook influenced by experience on the dole and political struggle during the Depression. In 1941 he began oil painting, his first pictures being mainly a celebration of Australian working-class tenacity during the 1930s: for example At the Start of the March (1944; Sydney, A.G. NSW). A founder-member of the Contemporary Art Society in 1938, he initiated its 1942 anti-Fascist exhibition and helped organize an Artists’ Unity Congress, receiving awards for his paintings of miners in the ensuing Australia at War exhibition in 1945. From 1939 to 1940 he was in New Zealand and from 1949 to 1952 in Europe, mostly London. Later he made frequent trips to Britain and France, as well as visiting the USSR and Mexico.

Counihan’s imaginative and creative versatility enabled him to produce extended pictorial metaphors for inherent contemporary crises, embodying potent artistic responses to specific conditions of oppression and discrimination, the nuclear threat and attendant social alienation. From the late 1960s he created images in numerous interrelated series challenging Australia’s involvement in the Vietnam War, for example ...

Article

Fiona Bradley

(Felip Jacint )

(b Figueres, May 11, 1904; d Figueres, Jan 23, 1989).

Spanish Catalan painter, draughtsman, illustrator, sculptor, writer and film maker. One of the most prolific artists of the 20th century, his fantastic imagery and flamboyant personality also made him one of the best known. His most significant artistic contribution, however, was through his association with Surrealism.

Dalí was born into the happy, if ideologically confusing, family of a respected notary. His father was a Republican and atheist, his mother a Roman Catholic. He was named Salvador in memory of a recently dead brother. This had a profound effect: his subsequent experimentation with identity and with the projection of his own persona may have developed out of an early understanding of himself as ‘a reply, a double, an absence’ (Dalí, 1970, p. 92). His childhood provided him with the fertile memories, both true and false, that fill his autobiography and resound in his art. Catalonia remained important to Dalí, but for its landscape rather than its separatist politics. He painted for much of his life in a house he bought in Port Lligat, near the family holiday home in Cadaqués, but the radical political beliefs that his father had taught him were to be replaced by a self-conscious monarchism and Catholicism. Dalí’s first contact with painting was through Ramon Pichot (...

Article

Philip Attwood

(b Munich, Feb 28, 1865; d Oberammergau, Aug 17, 1954).

German painter, medallist, designer and illustrator. He trained as a painter in the Munich Akademie from 1884, and initially won fame in this art with large decorative schemes on mythological or religious themes (e.g. Bacchanal, c. 1888; Munich, Villa Schülein) and portraits painted in a broad, realistic manner (e.g. Elise Meier-Siel, 1889; Munich, Schack-Gal.). He taught at the Munich Kunstgewerbeschule from 1902 to 1910. In 1905 he taught himself die-engraving and began making struck and cast medals, producing in all some 200, which combine his decorative abilities with the harsher style of his younger contemporaries (e.g. the bronze medal of Anton von Knoezinger, 1907; see 1985 exh. cat., no. 23). In 1907 and 1927 he produced models for coinage. Dasio also worked as a poster designer and book illustrator, as well as designing for stained glass and jewellery. The decorative symbolism of his earlier work in black and white (e.g. the cover for ...

Article

Jane Lee

(b Chatou, nr Paris, June 17, 1880; d Garches, Sept 8, 1954).

French painter, sculptor, illustrator, stage designer and collector. He was a leading exponent of Fauvism. In early 1908 he destroyed most of his work to concentrate on tightly constructed landscape paintings, which were a subtle investigation of the work of Cézanne. After World War I his work became more classical, influenced by the work of such artists as Camille Corot. In his sculpture he drew upon his knowledge and collection of non-Western art.

Derain abandoned his engineering studies in 1898 to become a painter and attended the Académie Carrière. He also sketched in the Musée du Louvre and painted on the banks of the Seine. On a visit to the Louvre in 1899 he met the painter Georges Florentin Linaret (1878–1905), who had been his companion at school, and who was copying Uccello in an extraordinary manner; he was studying under Gustave Moreau and later introduced Derain to a fellow pupil, Henri Matisse. Derain’s painting was already influenced by the work of Cézanne, and in ...

Article

Jean E. Feinberg

(b Cincinnati, OH, June 6, 1935).

American painter, sculptor, printmaker, illustrator, performance artist, stage designer and poet. He studied art at the Cincinnati Arts Academy (1951–3) and later at the Boston Museum School and Ohio University (1954–7). In 1957 he married Nancy Minto and the following year they moved to New York. Dine’s first involvement with the art world was in his Happenings of 1959–60. These historic theatrical events, for example The Smiling Workman (performed at the Judson Gallery, New York, 1959), took place in chaotic, makeshift environments built by the artist–performer. During the same period he created his first assemblages, which incorporated found materials. Simultaneously he developed the method by which he produced his best known work—paintings, drawings, prints and sculptures that depict and expressively interpret common images and objects.

Clothing and domestic objects featured prominently in Dine’s paintings of the 1960s, with a range of favoured motifs including ties, shoes and bathroom items such as basins, showers and toothbrushes (e.g. ...

Article

Jean-Pierre de Bruyn

(b Lille, Feb 8, 1861; d Ghent, Jan 7, 1938).

Belgian painter, sculptor, illustrator, and stage designer. He studied music at the Koninklijk Muziekconservatorium and sculpture at the Gewerbeschule, Ghent (after 1877). He visited Paris in 1887 and Italy in 1890, with a grant from the city of Ghent. He was deeply impressed by the masters of the Quattrocento, and was encouraged to take up painting after meeting Constantin Meunier (1891). He painted Symbolist scenes and was influenced by Art Nouveau. After exhibiting his work with Les XX in Brussels (1893), he made decorative panels for Oostakker Castle.

As an illustrator Doudelet worked on Pol De Mont’s Van Jezus (Antwerp, 1897) and books by Maurice Maeterlinck, for example Douze chansons (Paris, 1896) and Pelléas et Mélisande (Brussels, 1892 or 1922). He illustrated the periodicals Réveil (1895–1896), De Vlaamsche school, Mercure de France, Pan, L’Eroica, Nuovo Convito, De Vlaamsche School, Woord en beeld...

Article

French, 20th century, male.

Born 10 April 1900, in Châteauroux; died 13 May 1989, in St-Aubin-Châteauneuf.

Painter, watercolourist, draughtsman, illustrator, designer, poster artist, sculptor. Religious subjects, military subjects, battles, figures, nudes, figure compositions. Wall decorations.

Robert Falcucci trained in Paris at the École des Beaux-Arts and the École des Arts Décoratifs, and he was also taught by Cécile and Émmanuel Cavaille-Coll. In ...

Article

Romanian, 20th century, male.

Active in France from 1934.

Born 9 November 1915, in Timisoara; died 11 April 2005, in Grisy-lès-Plâtres (Val-d'Oise), France.

Painter, sculptor of assemblages, draughtsman, illustrator, poster artist. Landscapes, figures. Comic cartoons, stage costumes and sets.

André Farkas studied at the school of art in Budapest. He arrived in France in ...

Article

Philip Cooper

(b Paris, May 16, 1898; d Châtenay-Malabry, Seine-et-Oise, July 21, 1964).

French painter, printmaker, illustrator and sculptor. An illegitimate child, he was given his mother’s surname but was brought up by his grandmother. On the death of both his father and grandmother in 1908 he joined his mother in London, where he entered the Royal Academy Schools in 1912. Finding the teaching too traditional, he left to enrol at the Slade School of Fine Art, which had a reputation for being more avant-garde, though he was again disappointed. He then decided to work alone and devoted himself to painting, concentrating on nudes and still-lifes. He also regularly visited the Tate Gallery, where he was particularly impressed by the works of Turner. In 1917 he was called up for the French Army, but because of his poor health he was soon transferred to the auxiliary corps. Suffering from a pulmonary complaint, he lived in the Tyrol from 1920 to 1921 and was finally discharged from the army in ...

Article

Horacio Safons

(b Buenos Aires, Jan 14, 1915; d Barcelona, Oct 14, 1965).

Argentine painter, sculptor, performance artist, conceptual artist, poet, and illustrator. After studying in Buenos Aires at the Escuela Nacional de Bellas Artes and with Cecilia Marcovich and Tomás Maldonado, he quickly established a reputation for his scandalous views, attracting extreme disapproval and equally strong support. After delivering a lecture at the Juan Cristóbal bookshop, Buenos Aires, entitled “Alberto Greco y los pájaros” he was briefly imprisoned for his “Communism and subversive acts.” On his release in the same year he travelled to Paris on a French government grant, selling drawings and watercolors in the cafés and studying painting with Fernand Léger and printmaking with Johnny Friedlaender. Between 1956 and 1958 he lived in São Paulo, where he became aware of Art informel; he painted in this style in the late 1950s and early 1960s (Glusberg 1985, 284–285).

As early as 1959, when he had returned from São Paulo to Buenos Aires, Greco had expressed his corrosive vision of society through the form of his work. In his shows he exhibited tree trunks and rags for cleaning window gratings or floors. He moved again to Paris in ...

Article

German, 19th – 20th century, male.

Active from 1933 in Sweden.

Born 28 February 1867, in Leipzig; died 26 January 1948, in Stockholm.

Sculptor, painter, draughtsman, engraver, caricaturist, illustrator, poster artist. Portraits, scenes with figures, landscapes.

Jugendstil.

Thomas Theodor Heine was a student of Carl Janssen at the Kunstakademie in Düsseldorf. He settled in Munich in 1889. Here he formed an association with a group of painters which included Lovis Corinth, Ludwig Dill and Wilhelm Trübner, who used to meet during the summer in Dachau, a town near Munich, which became a sort of German Barbizon, where painting was done in the open air. In 1892, he brought out his first cartoon in the weekly ...

Article

S. Kontha

(b Budapest, April 17, 1904; d Budapest, Jan 26, 1986).

Hungarian painter, illustrator, mosaicist, tapestry designer, stage designer, poster designer, printmaker, sculptor, teacher and administrator. From 1922 to 1929 he studied at the Hungarian Academy of Fine Arts (Magyar Kepzőmüvészeti Főiskolá) in Budapest under Gyula Rudnay (1878–1957) and János Vaszary (1867–1939). In the mid-1920s he became acquainted with Béla Uitz’s General Ludd series (1923; Budapest, N.G.) and in Venice he saw the work of such Russian avant-garde artists as Rodchenko and El Lissitzky and such Italian Futurists as Severini. In 1926 in Paris he studied the works of Léger, Braque, Picasso and others in the collection of Léonce Rosenberg. He was also influenced by the art of Brancusi and Joseph Csáky, as well as André Breton’s Manifeste du surréalisme (Paris, 1924). From the outset, Hincz’s work revealed a number of different objectives. Although he experimented with abstraction, the reference to the figure is always present in one form or another. His profound interest in humanity and its social interaction was based on, and motivated by, this interest in the figure. His early paintings are expressionist in mood and are composed of flattened forms in a shallow space in a manner reminiscent of Cubo–Futurist art. Elements of Purism and Surrealism are also present. After World War II he became increasingly preoccupied with realism, political agitprop art and the problems inherent in creating new symbols; a study trip to Korea, China and Vietnam in ...

Article

Hana Larvová

(b Pardubičky, nr Pardubice, Aug 15, 1919; d July 1, 1996).

Czech painter, sculptor and illustrator. In 1938–9 he studied at the Czech Technical University in Prague and in 1941–2 at the School of Applied Art in Prague. His first exhibition in the capital was in 1942, at the Elán Gallery. In 1943 he became a member of the Mánes Union of Artists and in 1945 of the Hollar Society of Czech Artists. In the 1940s he produced a number of paintings of female figures in which he strove to recapture the style of Modigliani, endeavouring to link it with the German Renaissance tradition. After 1943 his interest in Cubism led him to re-evaluate the Cubist conception of nature, as seen in his paintings of grass, birds, butterfly wings, etc. (e.g. Grasses, White Cabbage Butterfly, both 1948; both Prague, N.G., Trade Fair Pal.). In the late 1940s he returned for a while to a realistic approach to art, working at drawing and illustration as well as painting. In ...