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Virginia Miller

Stone sculptures from Mesoamerica representing a supine male figure, approximately life-size, whose backbone is bent in an anatomically impossible position. His feet are flat on the ground, knees drawn up, and head turned sharply toward the viewer. The hands grasp a round or rectangular receptacle resting on the abdomen.

The largest number (eighteen) occurs at Chichen Itza, where the first excavated example was discovered in 1875 by the explorer Augustus Le Plongeon. He dubbed the sculpture “chacmool,” which he believed meant “powerful warrior” in Maya, although it is generally translated as “red” or “great” jaguar paw. The inaccurate term has since been applied to all examples, regardless of culture.

Although difficult to date, chacmools first appear between 800 CE and 1000 CE. They are found contemporaneously at Chichen Itza and Tula, where a dozen examples are known. The sculptures occur in the Tarascan region, and as far afield as Costa Rica and El Salvador. There are several Aztec ...

Article

British, 20th – 21st century, male.

Born 7 April 1941, in Cambridge.

Sculptor, multimedia artist, ceramicist, caricaturist. Puppets.

Peter Fluck studied at Cambridge School of Art where he met fellow student and future associate, Roger Law. They both moved to London where they began to work as freelance illustrators and cartoonists. In ...

Article

French, 20th – 21st century, female.

Born 1958, in La Clayette (Saône-et-Loire).

Installation artist, painter. Multimedia.

Conceptual Art.

Since 1997, Anne-Marie Jugnet has been producing work in collaboration with Alain Clairet. In her early work, Jugnet often used a photographic process and neon lighting, which constructed and conceptualised around words or phrases which she 'brought into dialogue' with different environments. Working with Alain Clairet, the two artists seek to define the conditions of production of an object, to understand how it exists within reality, what it represents. To do this they deconstruct. Hence the 'American Series' in which elements of town plans, including empty, unbuilt areas that are displayed in guide books, are enlarged to a human scale. These works question the notions of emptiness, of flat geometric areas, of non-perspective, of reference, of a different way of perceiving. Another series of paintings, the ...

Article

Mark A. Castro

(b Mexico City, Nov 5, 1956)

Mexican painter, draftsman, engraver, and video artist. From 1976 to 1980 Lara studied visual arts at the Escuela Nacional de Artes Plásticas (ENAP). Her first exhibition, entitled Scissors, was held at ENAP in 1977 and consisted of ten cartoon drawings and an artist’s book.

Lara’s work during the late 1970s explored the conditions of women in Mexican society, interrogating everyday household objects—irons and ironing boards, refrigerators, baby bottles—and their role as traditional symbols of femininity. Her later paintings further examine female identity via images of flowers, often distorted to convey both beauty and horror.

In addition to painting, Lara is known for her artist’s books and has spoken to the deep relationship in her practice between literature and the visual arts. A series of engravings entitled Alzheimer (2007), exhibited at the Museo de la Secretaría de Hacienda y Crédito Público in Mexico City, explore the construction and unraveling of memory. The series later inspired one of the artist’s video animations, ...