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(b Kuckädel, nr Crossen/Oder, Feb 17, 1699; d Berlin, Sept 16, 1753).

German architect, interior decorator, painter and draughtsman. After growing up under the guardianship of his uncle, he joined the army at 15 but left the service in 1729 as a result of poor health to devote himself entirely to painting. His friend Antoine Pesne, the leading painter in Prussia at the time, was his most important teacher. A member of the entourage of the Crown Prince (the future Frederick II; see Hohenzollern, House of family §(7)) from 1732, Knobelsdorff travelled the same year to Dresden. The only authentic portrait of him, painted by the Saxon court painter Adám Mányoki, dates from this time. In 1734 he produced his first modest architectural work, the Temple of Apollo in the Amalthea Garden at Neuruppin, then the residence of the Crown Prince.

From 1736, as ‘Chevalier Bernin’, he was a respected member of the Crown Prince’s court at Schloss Rheinsberg. He seems at first to have been valued primarily as a painter. On a journey to Italy, begun in ...

Article

Ingeborg Krummer-Schroth

(b Ehrenstetten, Dec 10, 1710; d Freiburg, Aug 1, 1797).

German sculptor, painter, stuccoist and architect . He went to Italy as a journeyman and spent two years (1729–31) in Rome, then six months in Strasbourg. His earliest surviving work is the font at the monastery of St Peter in the Black Forest. From 1735 to 1737 he was in Paris, where he attended and won prizes at the Académie de St Luc. In 1737 he carved the large figures for the high altar of Oberried Monastery, and in 1740 he made eight huge stone figures for the portal (destr. 1768) of the monastery of St Blasien in the Black Forest, and also made models for the stairwell figures. Wentzinger signed the contract for the magnificent tomb of General von Rodt in Freiburg im Breisgau Cathedral in 1743. In 1745 he made a model of the Mount of Olives for the church of St Martin in Staufen (now in Frankfurt am Main, Liebieghaus). For the new building at Schloss Ebnet, near Freiburg, he created the stone relief on the gable, figures representing the seasons in the park and stucco sculptures for the salon, modifying the original plans for the building by decorative embellishments. He also painted the double portrait (...