(b ?Siena, 1505–10; d before July 12, 1571).
Italian painter, illuminator, architect, stage designer, and engineer. His earliest surviving documented works, illuminations for an Antiphonal, signed and dated 1531–2 (ex-Olivetan convent, Finalpia; Genoa, Bib. Berio), suggest training with or sympathy for Sodoma, and later he seems to have been drawn more broadly into the orbit of other influential painters in Siena, such as Domenico Beccafumi, and Baldassare Peruzzi, the latter having returned there after the Sack of Rome (1527). Although he shows an affinity with all three at one time or another, the breadth of Neroni’s activities, from painting to engineering and especially his architectural work, most closely resembles the arc of Peruzzi’s career, and Vasari describes him as a follower.
Neroni’s first independent large-scale commission, in which he reveals the strong influence of Sodoma, is the fresco depicting the Departure of SS Maurus and Placid, executed in 1534 for the cloister of the convent of Monte Oliveto Maggiore. In the same year he was also commissioned to decorate the chapel of the master masons in the cathedral, Siena. Fragments of the fresco survive, notably scenes depicting the ...