American, 19th – 20th century, male.
Born 1869, in Hartford (Connecticut); died 1953, in Byfield (Massachusetts).
Painter. Landscapes.
Henry Hammond Ahl, like many American Impressionist painters, studied in Europe, at the Royal Bavarian Academy in Munich. On his return to the USA he adopted the Impressionist style completely and exhibited in the Boston galleries....
French or Italian, 20th century, male.
Born 1917.
Painter. Urban landscapes.
According to auction records and catalogues, Marc Aldine, who specialised exclusively in views of Venice painted in Post-Impressionist style, is a pseudonym of Abdellatif Ala El Dine, an abstract painter active in the 1960s. This theory is as yet unproven, although Marc Aldine's year of birth is recorded as ...
French, 20th century, male.
Born 14 August 1900, in Paris.
Painter. Landscapes.
He exhibited at the Salon des Indépendants from 1930 onwards. His landscapes can be classed as Neo-Impressionist.
Swedish, 20th century, male.
Born 1886; died 1939.
Painter. Landscapes.
In the tradition of historical Impressionists, Anders Altzar was particularly responsive to atmospheric, hourly and seasonal effects on the appearance of landscapes.
Stockholm, 10 Nov 1982: Winter Landscape (oil on canvas, 35½ × 54¾ ins/90 × 139 cm) ...
Latvian, 20th century, male.
Born 15 January 1908, in Riga; died 13 January 1997.
Painter.
Until 1933, Ansis Artums was a pupil of the Post-Impressionist landscape artist Vilhelms Pruvitis at the academy of art in Riga. He lived in Tukums and participated in many collective exhibitions including the ...
German, 20th century, male.
Born 4 March 1925, in Berlin.
Painter. Landscapes.
Heinz Aulich was an Impressionist painter.
American, 20th century, female.
Born 1923, in New York.
Painter.
Rosemarie Beck's pictures, which are painted in oil and wax, have a tendency towards abstraction, but are also reminiscent of Impressionism. From 1949, she exhibited at Wellesley College, and also featured at the Whitney Annuals from ...
Belgian, 20th century, male.
Born 1928, in Antwerp.
Painter. Urban landscapes.
Beernaert was self-taught and produced lively renditions of street scenes, following after the Impressionists.
French, 19th century, male.
Born 1834, in Paris.
Painter. Landscapes.
Impressionist group.
Studied under Bonnat and Corot and worked above all together with Pissarro, with whom he lodged in 1872. He took part in the first Impressionist exhibition at Nadar's in 1874 and in the second in ...
Dutch, 20th century, female.
Born 1897, in Utrecht.
Painter.
A self-taught artist, Ilse Bender painted domestic scenes with a spontaneous technique and style that owes more to Post-Impressionism than to the meticulous work customary with Naïve painters.
Hungarian, 20th – 21st century, male.
Born 1957.
Painter. Landscapes with figures.
Influenced by Turner and the Impressionists, Andreas Bernat's landscapes, which also include hints of a discrete human presence, tend on the side of Abstraction. He exhibited at the In Situ Gallery in Aalst in Belgium in ...
French, 20th century, male.
Born in Beauvais.
Painter. Landscapes.
Biger studied under the Neo-Impressionist Ernest Laurent. Between 1928 and 1934, he regularly exhibited in Paris at the Salon d'Automne; he also showed at the Salon des Artistes Indépendants until 1931, the Salon des Tuileries in ...
American, 20th century, male.
Born 1886; died 1968.
Painter. Landscapes.
Walter Biggs studied under Lucius Hitchcock, Edward Penfield and Robert Henri. He is noted for his Impressionistic technique and lush colour, and did colour illustrations for journals such as Redbook, Harper's, Good Housekeeping, Cosmopolitan, McCall's...
Lebanese, 20th century, male.
Active also active in France.
Painter. Figures, landscapes, seascapes, still-lifes.
Maurice Bonfils’ Post-Impressionist landscapes are often a nostalgic throwback to his time in Lebanon. At times, not least in his still-lifes, there is the merest suggestion of Cubist geometricisation. He shows his work at group exhibitions in Lebanon and in France, including the Paris Salon d’Automne (...
French, 19th – 20th century, male.
Born 1852, in Pau; died 1914, in Paris.
Painter. History painting, portraits, genre scenes.
Ernest Bordes trained with de Léon Bonnat and Cormon. His works are painted with elegance and flair, in a Post-Impressionist manner.
He exhibited at the Paris Salon ...
Russian, 19th – 20th century, male.
Born2 April 1870, in Saratov; died 26 October 1905, in Tarusa.
Painter, engraver, ceramic designer. Painting, portraits, landscapes. Impressionism/Post-impressionism, Symbolism.
Saratov Society of Lovers of the Fine Arts, Moscow Association of Artists, Union of Russian Artists.
Viktor Borisov-Musatov began his artistic training in the 1890s at the Saratov Society of Lovers of the Fine Arts. He then spent time in both Moscow and St Petersburg, first at the Moscow School of Painting, Sculpture and Architecture (...
French, 20th century, male.
Born 18 March 1906, in Paris.
Painter, mosaicist. Figure compositions.
Charles Bouleau studied under the Neo-Impressionist painter Ernest Laurent. Between 1927 and 1945 he exhibited at various of the Paris annual Salons including the Salon des Artistes Français and the Salon d'Automne....
Belgian, 20th century, male.
Born 1901, in Fleurus (Hainaut).
Painter. Figures, landscapes, seascapes, still-lifes.
A pupil of the sculptor and Post-Impressionist painter Léon Vandenhouten who exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris, Fernand Bouton's work is characterised by meticulous attention to the effects of light, notably twilight, and the plethora of sunset colours and silvery moonlight....
Danish, 20th century, male.
Painter. Landscapes, seascapes.
Like the Impressionists, Karl Bovin was particularly intrigued by the impact on the countryside of the passing seasons in terms of vegetation, light and colour. Like many Danish painters, his first love was seascapes and scenes of harbour life....
French, 20th century, male.
Painter. Figures, interiors with figures.
Thibaut Boyer's first solo exhibition took place in Paris in 1993.
His passivity of observation makes reference to the Impressionists, but not his technique. He paints the studio where he works and sometimes himself in his studio. Unconcerned by traditional perspective, Boyer paints whatever he sees as an inextricable mass in all its disorder and randomness, but with great virtuosity....
