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Arnold Berke

(b Pittsburgh, PA, April 4, 1869; d Santa Fe, NM, January 8, 1958).

American architect and designer. Raised in St Paul, MN, Mary (Elizabeth Jane) Colter graduated in 1890 from the California School of Design in San Francisco, then taught mechanical drawing at a St Paul high school and contributed to local Arts and Crafts societies as lecturer and craftswoman. These pursuits nourished Colter’s love of Native American art and the Southwest, interests also fostered by her first professional projects—the interior of the Indian Building at the Santa Fe Railway’s Albuquerque station (1902) and the Grand Canyon’s Hopi House (1904), modeled on an Indian village. She completed both for her lifelong employer, the Fred Harvey Co., the famous purveyor of travel services, which hired her full-time in 1910.

Colter designed hotels, train stations, tourist attractions, restaurants and shops—at the Grand Canyon and along the Santa Fe line. She based her designs on Native American and Hispanic cultures and on the western landscape, and, through rigorous research, fashioned environments to charm the leisure traveler. The most dramatic is the Watchtower (...



Norman Bancroft-Hunt

[Hopi: ‘world below’]

Underground ceremonial chamber of stone blocks and/or adobe bricks used by prehistoric and modern Pueblo Indians of the North American Southwest. By c. ad 300 agricultural villages of pit houses (semi-subterranean, circular dwellings) had developed. By ad 750 the pit house had evolved into two distinct forms: surface dwellings, which eventually evolved into multi-roomed Pueblo complexes (see Native North American art, §II, 2), and kivas or subterranean rooms associated with clan and ceremonial organization. Some kivas are only partially below ground, and, although their primary function is ceremonial, some are also used as secular meeting-places for clan societies. Although individual kivas are said to ‘belong’ to particular clans, implying clan responsibility for maintaining them, membership of a kiva group is not usually clan-specific. Most of the ceremonies held within kivas are considered beneficial to the entire community, and the kiva’s symbolic structure is indicative of the common beliefs and continuity that lie at the heart of Pueblo ceremony....


G. Lola Worthington

Archaeological areas in eastern and southern North America reveal advanced mound building cultures from several different cultural phases. Around 1500 bc, several North American indigenous groups attained the sophisticated cultural “Woodlands” phase. For over a millennium, three principle cultural groups, the Adena, Hopewell and Mississippian, built elaborate advanced earthen structures and large temples in the Upper Ohio Valley of Kentucky and West Virginia. Accompanying the earthen monuments was an ambitious religious devotee system.

The Adena culture flourished in the Upper Ohio Valley, around 800 bc. An excavation in 1902 uncovered the preliminary extensive temple mound building structures ( see Adena Mound ). Precursors to monumental temple building, these sites offer early evidence of organized, sophisticated, cultural communities. The Adena lived in large permanently constructed circular dwellings covered with thatch. For almost 1700 years, the Adena performed extensive elaborate death ritual ceremonies. A notable ritual was burial with specialized élite material objects. Advances in copper metallurgy produced technologically specialized objects ideal for interring with the dead. Commercialized production of funerary objects revealed that greater and more elaborate burial practices were developed for elevated individuals. Material goods became increasingly important for eternal rest and great qualities and object types began to appear. Evolving their burial rites into elaborate practices the Adena increased the size and sophistication of their early temple mound building construction techniques....