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Decorative finial crowning the apex and lower angles of the pediments of ancient Greek and Roman buildings. Acroteria were normally made of terracotta, poros, limestone or marble, although bronze acroteria are mentioned in the literary sources: Pausanias (Guide to Greece V.x.4) noted gilded Victories framed by bronze cauldrons at the lower angles of the pediments of the Temple of Zeus at Olympia. The bronze Victories framing Bellerophon and the Chimaera on the Temple of Athena Nike on the Acropolis at Athens are recorded in inscriptions, and traces of their bases survive.

The stylistic development of acroteria begins in the 7th century bc. The earliest surviving examples are the frequently enormous terracotta discs that crowned Lakonian-tiled roofs, such as that from the Temple of Hera at Olympia (Archaeol. Mus.; c. 600 bc). This type continued in the 6th century bc, and it was also sculpted in marble with relief decoration—rosettes, gorgoneia and gorgons—mainly in regions under Lakonian influence. Terracotta acroteria became highly decorative in the course of the 6th century, thanks to the potential of the more flexible Corinthian system of tiling and the advanced coroplastic tradition of the Corinthian workshops. The evolution of acroteria into increasingly sophisticated compositions based on floral, animal and mythological themes and the development of great plasticity and spectacular polychromy are recorded in a series of fragmentary examples from Greece, Magna Graecia and Sicily. Floral elements appear quite early on in variations of the palmette motif and predominate as central acroteria even after the establishment of marble as the standard sculptural material. Hybrid figures of fantastic beasts, such as sphinxes and griffins, were popular as lateral acroteria, initially in terracotta and later in marble; these did not persist after the ...

Elaborate monument erected by Octavian (later Augustus) in 29–27 bc on the Preveza Peninsula in Western Greece, north of the present-day town of Preveza, overlooking Cape Actium, to commemorate his naval victory over Mark Antony at Actium in 31 bc. The nearby city of Nikopolis (Gr.: ‘city of victory’) was founded for the same purpose at about the same time.

According to the historian Dio Cassius (Roman History LI.i.3), after his victory Octavian laid a foundation of square stones on the spot where he had pitched his tent, which he then adorned with the captured ships’ rams. On this foundation, according to Dio, Octavian established an open-air shrine dedicated to Apollo. Suetonius (Augustus xviii.2) and Strabo (Geography VII.vii.6) corroborate this evidence, although the trophy itself (with the ships’ rams) was, according to Suetonius, dedicated to Poseidon and Mars, presumably for their help during the battle. The hill itself was, according to Strabo, sacred to Apollo, and therefore the shrine was dedicated to him....

[Gr. ‘not to be entered’; Lat. adytum]

Most sacred inner part of a temple, accessible only to the priests (see Greece, ancient, fig. g).

Columnar niche or shrine applied decoratively to a larger building. The word is a diminutive from the Latin word aedes (‘temple’). Summerson traced its application to Gothic architecture and drew attention to the importance of playing at being in a house for all small children; he claimed that this kind of play has much to do with the aesthetics of architecture and leads ultimately to the use of the aedicula. The earliest surviving examples of aediculae are shop-signs from Pompeii, such as that showing Mercury or Hermes emerging from a small building. Later aediculae appear extensively in wall paintings of the Fourth Style (c. ad 20–c. 90; see Rome, ancient §V 2.). Later still, aediculae were often used in the architecture of the eastern provinces of the Roman Empire; they consisted of columns or pilasters flanking a niche for statuary, with a pediment above, as in the stage-building of the theatre at ...

[Lat. Aizani]

Site of Hellenistic and Roman city, 54 km south-west of Kütahya in Turkey. Its remains comprise a Temple of Zeus, two agoras, a heroön, a macellum (market), a round structure with the Edict on Prices of Diocletian (ad 301) carved on its exterior walls, a stadium and theatre complex, a bath–gymnasium, bridges and quays. Most date to the 2nd century ad, the period of the city’s greatest prosperity. The theatre–stadium group and the Temple of Zeus were both built during the reign of Hadrian (reg ad 118–37).

The temple is particularly significant because of its excellent state of preservation and its combination of Greco-Anatolian and Roman architectural forms. Inscriptions on the exterior walls of the cella attest to the date of construction. They also record a gift of land to Zeus made by the Hellenistic rulers Attalos I Soter (reg 241–197 bc) and either Prusias I (...

Egyptian city situated on the Mediterranean coast west of the delta of the River Nile, capital of Egypt from c. 320 bc to ad 642, seaport and centre of ancient Greek culture.

Judith McKenzie

Alexandria was founded in 331 bc by Alexander, on the site of the small Egyptian settlement of Rhakotis. Its location, with access by canal to the River Nile, enabled it to become an important and highly prosperous trading centre, and by c. 320 bc Alexandria was the capital of Ptolemaic Egypt. During Ptolemaic times (304–30 bc) it became a major centre of learning, with famous scholars of literature, mathematics, astronomy, medicine and geography, and it played a major role in the transmission of Greek culture to the East.

With the defeat of the last Ptolemaic monarch, Cleopatra VII (51–30 bc), by Octavian (later called Augustus) at the Battle of Actium in 30...

[antefixum; pl. antefixes, antefixa]. Plaque closing the outer end of the final cover tile in each row of overlapping cover tiles running down from the ridge to the eaves of a sloped roof on Classical Greek and Roman and on Neo-classical buildings. Its practical functions were to prevent rain from penetrating below the cover tile and seeping through the opening between the adjacent pan tiles beneath, and to prevent wind from dislodging the row of cover tiles. Although functional in origin, the antefix soon also became a decorative element adorned with relief and/or painted decoration. The size and shape of early examples was determined by that of the cover tile, but by c. 550–525 bc the plaque had become larger than its tile in order to accommodate more decoration.

The earliest antefixes, from the first half of the 7th century bc, apparently formed part of undecorated terracotta roofs in the Corinthia of ...

Source of a group of Roman and Greek works of art, in particular a group of Greek bronze sculptures and statuettes. In 1900 sponge-divers discovered the remains of an ancient shipwreck in the sea off the Greek island of Antikythera. In one of the first operations of this kind, they salvaged some its cargo. A new investigation of the wreck site took place in 1976 and succeeded in recovering many further objects, as well as (still unpublished) remains of the hull. All the finds are now in the National Archaeological Museum in Athens. The ship, which must have foundered in the second quarter of the 1st century bc, carried a mixed cargo of ‘antique’ and contemporary bronze and marble statuary, as well as luxury products such as bronze furniture attachments, rare and expensive types of glass, gold ingots etc. It also contained the so-called Antikythera Mechanism, an elaborate type of astrolabe....

(b Claudiopolis [Bithynion] c. ad 110; d Egypt, October ad 130).

Greek youth from north-western Asia Minor who became the companion and lover of the Roman emperor Hadrian (reg ad 117–138) until his mysterious death in the Nile in October ad 130. The bereaved emperor gave orders for Antinous to be deified as Antinous-Osiris and founded a new city, Antinoöpolis, close to the spot where Antinous had died. From there, his cult spread rapidly over the empire, especially the Greek-speaking areas, where festivals in his honour were established and an astounding number of images dedicated. Most remarkable (apart from preserved representations on coins, gems etc, and paintings attested in literary sources) were his sculptured portraits, frequently likened to gods of the Classical Pantheon, of which nearly 100 have survived—a number surpassed only by the portraits of the emperors Augustus and Hadrian. Their ubiquity and often high quality made them icons of ancient art, highly influential and frequently copied from the Renaissance onwards....

[now Antakya]

Greek and Roman city on the River Orontes in south-east Turkey (ancient Syria), which flourished from c. 300 bc to the 7th century ad.

Its advantageous site on the edge of the Amuk Plain at the foot of Mt Silpius, commanding important trade routes linking Anatolia with Palestine and the Mediterranean with inland Syria, attracted the attention of Seleukos I (reg 305–281 bc), who founded the city (c. 300 bc) as the capital of his Syrian empire. With its port at Seleucia and residential suburb at Daphne, Antioch prospered as capital of the Roman province of Syria from 64 bc. The city enjoyed the attentions of Roman benefactors from Julius Caesar onwards and attained the height of its prosperity during the 2nd to the 7th century ad, becoming the diocesan capital of Oriens. Its influence was particularly strong in early Christian affairs: Paul and Barnabas were active at Antioch, while Peter was regarded as its first bishop. ...

[‘Pisidian’]

Greek and Roman city in western Asia Minor (now Turkey) on a plateau above Yalvaĉ. It was founded by the Seleucids in the 3rd century bc and refounded as a colony for veteran soldiers by Augustus c.25 bc; it flourished until the Early Christian period. The site was excavated in 1924 by D. M. Robinson and was the object of a detailed archaeological survey by S. Mitchell and M. Waelkens in 1982–3. Further excavations have taken place during the 1980s and 1990s, directed by M. Taslianan. About 4 km south of the city Hellenistic remains survive at the sanctuary of Mên Askaênos, where an imposing temenos with porticos on four sides enclosed a mid-2nd-century bc Ionic temple (6 by 11 columns) on a high, stepped podium. The design of the temple was influenced by the layout of the temples of Zeus Sosipolis and Artemis Leukophryene at Magnesia on the Maeander...

[Lat. Apamea; Arab. Afāmiya, Fāmiya; now Qal‛at al-Muḍīq]

Hellenistic and Roman city in northern Syria, on a plateau on the south-west tip of Jebel Zawiye overlooking the valley of the Asi (formerly the Orontes). It was founded in 300–299 bc by Seleukos I Nikator (reg 301–281 bc) on the site of an ancient Bronze Age capital; it was one of the four great cities known as the Tetrapolis. The disastrous earthquake of 15 December ad 115 carried away most of the original buildings, but in many places there remain powerful courses, solidly anchored on rock, of the Hellenistic walls, eloquent testimony to their 7 km circuit of the city. The Apameia that the excavations of a Belgian archaeological expedition brought to light from 1928 onwards is essentially a Roman city, capital of the province of Syria Secunda from c. ad 415. Apameia contributed greatly to the cultural life of the empire and a famous school of Neo-Platonic philosophy existed there from the 2nd to the 4th century ...

Hellenistic and Roman site in south-west Caria, Asia Minor (modern Turkey), on a plateau in the Baba Dag mountains above a tributary valley of the Maeander (Büyük Menderes).

Kenan T. Erim

As its name suggests, Aphrodisias was a major cult centre of a goddess of nature and fertility, originally of local character but eventually influenced by other similar Anatolian and Near Eastern divinities. She was identified with Aphrodite only in late Hellenistic times, so the use of the name Aphrodisias for the site must also be dated to that time; Stephanos of Byzantium indicated that it was also known by other names (Nations cdlxxvi.6–7). Access to the site was for a long time difficult. From the late 18th century several archaeologically inclined travellers, including members of the Society of Dilettanti, described visible remains and copied inscriptions. Early excavations, undertaken by a French amateur archaeologist, Paul Gaudin, in 1904–5 and by an Italian mission under ...

This statue of the Greek sun-god Apollo (h. 2.24 m) in the Octagonal Courtyard of the Belvedere of the Museo Pio-Clementino, the Vatican, may be a marble copy made in the time of the Roman emperor Hadrian (reg ad 117–38) of a bronze original by the Greek sculptor Leochares; it is now regarded as a Roman creation of the early 2nd century AD. The statue represents the god stepping forwards lightly on his right foot and looking to his left, his left arm outstretched and supporting his cloak (see fig.). When it was found the figure probably lacked most of the left forearm and part of the right hand. These and other parts were restored by Giovanni Angelo Montorsoli between 1532 and 1533, although the restored portions have now been removed. It is likely that in his left hand Apollo was holding the arrows that were the usual attributes of the sun-god. There is also a tradition identifying the statue with the Apollo Venator, the god of the hunt; perhaps for this reason he is often shown beside the huntress Diana. The date and place of the statue’s discovery are uncertain, although Pirro Ligorio advanced the theory that the ...

[now Pojan]

Site in Albania, c. 20 km north-east of Kerce. The city was founded about 600 bc as a colony of Corinthians and Corcyreans on low hills bordering the coastal plain of the Aoos River (now Vojussa). In the 3rd and 2nd centuries bc Apollonia supported the Romans in their Macedonian wars, and in the civil war the city was one of Julius Caesar’s bases against Pompey (48 bc). Augustus (reg 27 bc–ad 14), who had studied there, rewarded the city by granting it autonomy, and Greek remained its official language during the Roman Empire. Its prosperity declined after the 2nd century ad, and it was abandoned during the 6th century ad. The first city defences of fine ashlar masonry (mid-5th century bc) were extended in the following century with external towers and a brick superstructure. The acropolis is flanked by a terrace wall with a corbelled gate with a pointed arch, west of which is a ...