1-3 of 3 Results  for:

  • Modernism and International Style x
  • Grove Art Online x
Clear all


Libero Andreotti

(b Rovereto, Dec 10, 1896; d Milan, Sept 26, 1982).

Italian architect, stage designer and painter . After studying at the Scuola Reale Elisabettiana, an applied arts school in Rovereto, he joined the Futurist movement, headed locally by Fortunato Depero. After serving in World War I, he enrolled at the Scuola Superiore di Architettura del Politecnico, Milan, graduating in architecture in 1922. He then spent four years (1922–6) in Berlin working as a stage designer and frequenting the avant-garde milieu around Max Reinhardt, Erwin Piscator and Oskar Kokoschka. He returned to Italy in 1926 and set up his own practice. His first important commission, the remodelling of the Bar Craja (1930; with Figini and Pollini) in Milan, with its handsome glass and steel interior, established Baldessari’s reputation as an innovative designer. He collaborated again with Figini and Pollini on the De Angeli-Frua office building (1931–2) in Milan, a fine example of Italian Rationalism at its most restrained. Baldessari’s architectural masterpiece of this period was, however, the Press Pavilion (...


Andrea Nulli

(b Boretto, Reggio Emilia, Jan 2, 1887; d Genoa, July 31, 1969).

Italian designer, draughtsman and architect. After graduating from the Accademia di Belle Arti of Parma (1913), he worked as a draughtsman in Milan until World War I. The influence of Futurism and, particularly, the work of Fortunato Depero were fundamentally important in his cultural formation. His success as a draughtsman was established at the Primo Esposizione Internazionale delle Arti Decorative in Monza (1923), but he continued to diversify, designing fashion accessories such as handbags and shawls and poster advertisements for famous names such as Campari and Martini. During the 15 years after World War I Nizzoli demonstrated his remarkable talent for handling the most diverse forms of the avant-garde movements, from Futurism to Cubism, from the Viennese Secession style to Novecento Italiano, adapting them to the taste of his cultivated middle-class clientele. Nizzoli had already designed (with Fausto Melotti) mannequins for Baldessari’s early Rationalist Craja Restaurant (...


Suzanne Tise

(b Turin, Feb 2, 1901; d Lausanne, March 8, 1998).

Italian architect, writer and teacher. He graduated in architecture from the Ecole des Beaux-Arts, Geneva (1923), and returned to Italy where he worked as an assistant to Raimondo d’Aronco and Annibale Rigotti. He was in private practice in Turin until 1939; he also practised in Switzerland continuously from 1930. Sartoris was a pioneer of Modernism in Italy, participating in several of the principal European avant-garde movements of the 1920s and 1930s. As a friend and admirer of Filippo Tommaso Marinetti he was involved in the Italian Futurist movement, collaborating with the painters Fillia and Felice Casorati. He was also inspired by the Neo-plasticism of De Stijl architects Theo van Doesburg and Cor van Eesteren, and he developed a unique style of axonometric drawing that became a hallmark of his work. His designs tended towards a synthesis of Futurism, Neo-plasticism and Functionalism in their use of colour, form and intersecting planes. He was the Grand Prix winner for his contribution to the Prima Mostra dell’Architettura Futurista (...