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French, 18th century, male.

Active in Parisc.1700.

Engraver, designer of ornamental architectural features.

Baptiste Anthéaume made a set of furniture for embroiderers and upholsterers.


French, 18th century, male.

Active in Parisc.1720.

Engraver, designer of ornamental architectural features.

Bacqueville left a Book of Ornamentations Suitable for Paintings and Furniture.

London (Victoria and Albert Mus.): collection of his designs


French, 19th century, male.

Born 14 July 1788, in Lyons; died 24 June 1869, in Lyons.


A silk manufacturer and commercial court magistrate (1843-1845), Balthazar Jean Baron taught himself composition and produced a number of lithographs around 1823 or 1824 before turning to etchings, chiefly of views around Lyons, and of Paris during his business trips to the French capital. He made the acquaintance of Bléry, whose advice helped him appreciate the technique of de Boissieu. His engravings are executed simply and lightly, frequently lack depth and relief, and his figures are awkward. However, he shows a genuine understanding of nature. His engraving work is preserved principally in the Palais des Arts in Lyons and runs to 179 individual pieces, some dry-point engraved and others lightly varnished, all done between ...


German, 19th – 20th century, male.

Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.

Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.

Jugendstil, functional school.

Die Sieben (Group of Seven), Deutscher Werkbund...


British, 20th century, female.

Born 13 May 1879, near London; died 7 April 1961, in Sussex.

Painter, engraver, illustrator, designer, graphic designer. Still-lifes, landscapes, portraits. Designs for wallpapers and fabrics, furniture, stage sets.

Bloomsbury Group, Omega Workshops, London Group, Euston Road School.

Vanessa Bell was the daughter of Sir Leslie Stephen, the sister of Virginia Woolf and the wife of the art historian Clive Bell. She started her training with the Royal Academician Sir Arthur Cope, and continued it at the Royal Academy of Art under the direction of the American portrait painter John Singer Sargent between 1900 and 1904....


Swiss, 19th – 20th century, male.

Born 31 July 1863, in Rolle (Vaud); died 1948, in Lausanne.

Painter, engraver, decorative artist. Figure compositions, figures, portraits. Murals, designs for stained glass, furniture.

Art Nouveau.

Ernest Bieler was the uncle of André Charles Bieler. He studied at the École des Beaux-Arts in Paris under Jules Lefebvre and Gustave Boulanger. He divided his time between the mountainous regions of the Valais and the shores of Lake Geneva; his body of work evokes the everyday life of the peasant communities in the Valais and the Canton of Vaud at the beginning of the twentieth century. Bieler was commissioned to paint compositions for the ceiling of the Victoria hall in Geneva; decorative panels and windows for the federal government building in Bern; stained glass windows for the Vevey church of St-Martin; and decorations for the vintners' festival. Additionally, he exhibited woodcut engravings and designed furniture....


French, 20th century, male.

Born 8 January 1930, in Lyons.

Engraver, draughtsman.

René Bord began his career as an industrial designer, but gravitated towards engraving in 1968. He exhibited at collective events like the Kanagawa Biennale at Yokohama in Japan, the Osaka Festival, the Cracow Biennale and the Paris Biennale, and he also exhibited in Italy. Bord made a medal to commemorate the 150th anniversary of the Silk Workers' Revolt in Lyons in April ...


(b Edinburgh, 1749; d Leith, Sept 5, 1787).

Scottish draughtsman and printmaker. He was the son of a goldsmith and watchmaker, and studied at the Trustees’ Academy, Edinburgh, before moving to Rome in 1769 to join his friend Alexander Runciman. He produced small-scale or miniature works, using pencil, pen and wash. For his Scottish employers, William Townley and Sir William Young, he drew antiquities, landscapes and archaeological ruins in Italy and Sicily, such as the Basilica of Constantine and Maxentius (c. 1774–6; Edinburgh, N.G.). Among the more personal works that survive from his 11 years in Italy are a number of strange little genre scenes, such as Two Men in Conversation (c. 1775–80; U. London, Courtauld Inst. Gals), which clearly show the influence of another friend, Henry Fuseli. Brown’s reputation rests principally on his great skill as a portrait draughtsman. He returned to Scotland in 1780, and spent his later years executing fine pencil and pen portraits of various dignitaries, such as ...


Hana Larvová

(b Zohor, nr Bratislava, Dec 25, 1935; d Jan 20, 1997).

Slovak printmaker, painter and illustrator. From 1951 to 1955 he studied at the Central School of Industrial Art at Bratislava and at the School of Fine Arts, Bratislava, from 1956 to 1961, completing his training there in 1963–6. In 1967 he was put in charge of the book production department; in 1981 he was appointed professor. His early work as printmaker and illustrator derived its inspiration from the imaginative tradition of Slovak art, which he interpreted in his own version of neo-Surrealism. In 1964 Klee, Kandinsky and Miró began to influence his work, and his illustrations were clearly inspired by Chagall. He gradually developed his own version of Mannerism and adapted his artistic language accordingly, aiming, in his graphic work, at the precise technical mastery of lithography, etching etc. Among his first works with Mannerist traits is Honour to Arcimboldo (1965; see Peterajová, no. 18), and the style is fully developed in the cycle ...


Canadian, 20th century, male.

Born 1898, in Toronto; died 1992.

Painter, watercolourist. Landscapes. Linocuts.

Group of Seven.

A. J. Casson grew up in Guelph and Hamilton, and began to take art lessons and work as a freelance commercial designer when his family moved to Toronto. At the age of 21, he began to work as a designer for Rous and Mann, under the supervision of artist Franklin Carmichael. Carmichael, a member of the ...


Gordon Campbell

(b c. 1706; d 1753).

English engraver, designer of trade cards and furniture designer. In 1746 he published A New Book of Ornaments, and subsequently collaborated with Matthias Lock on a second edition (1752). The New Book contains designs for side-tables, torchères, clocks, frames, pier-glasses and fireplaces, very much in the Rococo idiom but also including such chinoiserie motifs as ho-ho birds and oriental figures. Copland also provided plates for the ...


French, 20th century, male.

Born 1898, in St-Nazaire; died 1964, in Étables-sur-Mer.

Painter, engraver (wood), illustrator, ethnologist. Genre scenes, local scenes, seascapes. Designs for jewellery, furniture.

Ar Seiz Breur.

René Yves Creston trained at the École des Beaux-Arts in Nantes in 1919, then at the École des Beaux-Arts in Paris in ...


Swiss, 20th century, male.

Born 1937, in Lucerne.

Draughtsman, engraver. Scenes with figures.

Eigenheer trained at the Lucerne school of industrial art and design, and at various private academies and schools in Paris, Florence and Rome. He lived in Lucerne. His subjects are extremely diverse and his compositions, which look rather like pages of sketches, are complex. Fear and nightmares are a common source of material for his works, in which the themes of mutilation and confinement recur frequently. He took part in the Biennale des Jeunes Artistes in Paris in ...


Italian, 19th century, male.

Born c. 1830, in Rome.

Sculptor, engraver (stone), medallist.

Augusto Girardet studied at the Accademia di Belle Arti in Rome, and in 1886 was awarded a medal at the exhibition of industrial arts in Rome for a medallion depicting the Italian royal family. He settled in Rio de Janeiro in ...


German, 20th century, male.

Born 15 February 1883, in Marktheidenfeld; died 15 February 1964, in Nuremberg.

Painter, draughtsman, engraver, illustrator. Landscapes with figures, landscapes. Designs (ex-libris/fabrics/furniture/porcelain).


After losing his mother at a very early age, Hermann Gradl was brought up by his father's family, with one of his cousins, Hermann Gradl Sr, a Jugendstil artist who was highly thought of at the time. He was first trained at the Städtische Gewerbeschule, Munich, then in ...


Elizabeth Miller

(b Blois, May 5, 1661; d London, Jan 18, 1733).

French engraver, active in England. He was a Huguenot from a family of engravers and watchmakers. By 1681 he had moved to London and was admitted to the Clockmakers Company in 1686, possibly because of work he did for them engraving watchcases. He engraved other silver objects such as salvers and snuff boxes (e.g. a silver-gilt comfit box, c. 1690; London, V&A). He published two books of prints intended as pattern books for his fellow craftsmen—A Book of Severall Ornaments (London, 1682; O’Connell, no. 1) and A Book of Ornaments Usefull to Jewellers Watchmakers and All Other Artists (London, 1697; o’c 2). These were derived from the work of earlier French designers, including Jean Berain I and Jean Vaquer (1621–1686). In 1707 Gribelin was the first engraver to reproduce the Raphael Cartoons (o’c 7), then on display at Hampton Court (British Royal Col., on loan to London, V&A). These prints had a significant influence on the development of printmaking in England. In response to them a group of noblemen brought ...


Paula Furby

(b Sept 28, 1884; d Adelaide, Oct 22, 1972).

Australian painter, printmaker and commercial artist. Henty studied in Adelaide at the School of Design, Painting and Technical Arts with H. P Gill (1855–1916) and Archibald Collins (1853–1922) and at the South Australian School of Arts and Crafts taking life classes with Marie Tuck (1866–1947). Henty exhibited with the Australian Academy of Art, the New South Wales Watercolour Institute, the Contemporary Art Society (CAS), Group 9 and the Royal South Australian Society of Arts (RSASA).

Henty is a relatively unacknowledged Adelaide modernist, who chafed under the conservatism of its art world. As a young woman she worked full-time as a ticket-writer and designer. She was a member of Archibald Collins’ Adelaide Drawing and Sketch Club in the 1920s and contributed line drawings to its magazine The High Light. Around 1924, after the club closed, Henty went to Sydney, again working as a commercial artist, but hoping for artistic inspiration from Sydney exhibitions. However, inspiration came in ...


French, 19th century, male.


This artist worked in Paris, and appears to have mostly created industrial art. In 1824 he exhibited a machine that he had invented for engraving skies, portrait backgrounds and straight or undulating lines of shading for architectural drawings. This machine could also be used for tracing shapes - ovals, concentric circles, and so forth - on to steel and copper....


Serge Lemoine

(b Zurich, June 12, 1917).

Swiss painter, sculptor and printmaker. He studied (1932) at the Kunstgewerbeschule, Zurich, and first worked as a designer (1933–6). From the age of 20 he concentrated on graphic and commercial art, and it was not until 1957, with the creation of his first ‘tableau-relief’, that his career really began. Painting abstract works influenced by Zurich Concrete art and by contemporary American painting from 1950 onwards, Honegger developed as an artist during his stay in New York (1958–60) where his first exhibition was held at the Martha Jackson Gallery in 1960. Honegger settled in Paris in 1961, where he continued to experiment in painting and sculpture. His pictures were composed following a system and use simple, geometric forms in relief, executed in monochrome but with particular attention to technique and surface presentation. His shapes (squares, circles) are placed inside an orthogonal frame, following a pattern established beforehand and always based on numerical calculation. The paintings are made up of sharp-edged cardboard pieces placed, with strengthened backing, on to canvas and covered with several layers of paint. In this manner, the artist obtained a relief effect on the surface that catches the light and gives the composition a changeable quality (e.g. ...


(b The Hague, Dec 18, 1863; d The Hague, Aug 28, 1917).

Dutch painter, lithographer and designer. He trained at the Academie van Beeldende Kunsten in The Hague. He worked as a draughtsman at the Zoological Museum in Leiden and illustrated scientific studies, for instance On a New Collection of Birds from S. W. Africa by J. Büttikofer (1889) and Zoölogische Ergebnisse einer Reise in Niederl. Ost-Indiën, von dr. Max Weber (1890). Apart from paintings such as Two Arabian Vultures (Amsterdam, Rijksmus.), he made many watercolours and drawings of plants and animals, which clearly reveal his appreciation of Japanese prints: he often outlined the separate areas of flat colour in ink, in imitation of such prints, and he could describe the characteristic attitudes of animals with a masterly economy of line. Van Hoytema compiled and published two portfolios of prints of related subjects, Dierstudies [Animal studies] (1898) and Bloemstudies [Flower studies] (1905). His powerful, decorative compositions show an unmatched technical perfection....