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The earliest imitations of Aztec pottery were commissioned in the mid-16th century by Spanish administrators to satisfy increasing demand for such curiosities in their homeland. They are a mixture of native symbols and European designs in grotesque forms, such as jars with whistles around the rim, or clarinet-like flutes in the shape of a crocodile. With the opening of its borders after Independence, Mexico became a popular destination for European and North American travelers, including Alexander von Humboldt, John Stephens, and Frederick Catherwood, whose published accounts of their exploits encouraged others to explore the Middle American nations and collect artifacts for their curio cabinets, thereby creating a burgeoning market for forgeries. By the late 1820s forgery workshops on Tlatelolco Street in Mexico City were creating black wares that were sold, as authentic, to the tourists at Teotihuacan. These workshops remained in production at least to the 1890s. In the early 20th century, Batres found the Barrios Brothers operating a successful forgery workshop at San Juan Teotihuacan near the archaeological site. Today, similarly crude and fanciful wares continue to be hawked at Teotihuacan and at tourist shops around Mexico City....