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Barradas, Rafaél  

Uruguayan, 20th century, male.

Active in Spain.

Born 5 February 1898, in Montevideo; died 12 February 1929, in Montevideo.

Painter (including gouache), watercolourist, draughtsman, illustrator, scenographer. Religious subjects, genre scenes, scenes with figures, landscapes, urban landscapes. Stage sets, comic cartoons.

The son of Spanish emigrants, Rafaél Pérez Barradas spent most of his artistic life in Spain, where he was soon contributing illustrations to the press. In 1913, he traveled in Italy and France, then settled in Condal. In 1928, he decided to return to Uruguay. He died prematurely of an illness. He is considered to have formed part of the Spanish artistic avant-garde at the beginning of the 1920s. Starting in a Post-Impressionist style that was soon influenced by Gauguin, he rapidly lightened his palette and became interested in the Cubist vision of reality while breaking out of the unitary vision of form. His canvases, with grey and ochre colours, represent landscapes and burlesque scenes from daily life. ...

Article

Erdély, Miklós  

Annamaria Szőke

(b Budapest, July 4, 1928; d Budapest, May 22, 1986).

Hungarian architect, sculptor, conceptual and performance artist, teacher, theorist and film maker. He came from a Jewish–Christian family, many of whom were killed during World War II. In 1947 he began training as a sculptor at the College of Fine Arts in Budapest, but he left and continued his studies in the studio of Dezső Birman Bokros (1889–1965), before training as an architect from 1947 to 1951 at the Technical University in Budapest. During the 1950s and early 1960s he worked as an architect and began experimenting with painting and graphic art, as well as writing poems and short stories. During this period he became acquainted with such artists as Dezső Korniss, László Latner and, most importantly, Béla Kondor and Sándor Altorjai (1933–79), with whom he began a lifelong friendship. In 1959 and 1963 he also enrolled at the Budapest College of Theatre and Film Arts but was advised to leave both times....

Article

Lanzarini, Ricardo  

Uruguayan, 20th – 21st century, male.

Born 1963, in Montevideo.

Installation artist, draughtsman.

Lanzarini's work draws on the history of his country, shaken by years of dictatorship. His installations with their references to Catholicism and Marxism-Leninism convey the sense of a search for cultural identity. He lives and works in Montevideo. He has taken part in collective exhibitions, including: Havana Biennale and, in ...

Article

Zelevansky, Paul  

American, 20th century, male.

Born 10 September 1946, in Brooklyn, New York.

Book artist, educator. Computer and video art.

Paul Zelevansky received his BFA from Carnegie Mellon University and his MA and EdD in arts education from Columbia Teachers College. While attending Carnegie Mellon, Zelevansky met his wife Lynn, a prominent curator and director of the Carnegie Museum of Art in Pittsburgh....

Article

Zorilla de San Martin, José Luis  

Uruguayan, 20th century, male.

Born 6 September 1891, in Montevideo.

Sculptor, painter.

The son of the Romantic poet, Juan Zorrilla de San Martin who wrote of the exploits of the heroes of Uruguayan independence and defended the Catholic cause in his writings, José Luis gained a solid artistic training. His taste led him towards classical art. His paintings and sculptures are inspired by ancient art and do not conform to modern styles. He won a prize at the Salon des Artistes Français for his contribution ...