German (?), 14th – 17th century (?), male.
Monogram of an engraver.
Brulliot made a reference to this artist. His monogram is usually interpreted as A. A. B., but it could also be read as M. B. He left a cartouche, held by two eagles and topped by a ram's head....
German (?), 14th – 17th century (?), male.
Monogram of an engraver (stippling).
Brulliot makes a reference to A. B. He produced decorations in gold and silver.
Spanish, 16th century, male.
Active during the first half of the 16th century.
Painter. Religious subjects.
The master painted an altarpiece in Segovia signed A.B., seven panels of which can be found in the Prado in Madrid. His work shows the influence of Gerard David....
German, 16th century, male.
Active in the 16th century.
Monogram of an engraver.
A. C. is mentioned in the writings of Ris Paquot. His initials appear on an etching dated 1569 and entitled Rebel.
Italian, 16th century, male.
Active in Italy at the end of the 16th century.
Monogram of an engraver (etching).
A. C. P. is mentioned by Charles Le Blanc. Eighty of his numbered plates showing vases survive.
German, 16th – 17th century (?), male.
Monogram of an engraver.
The signature A. C. T. is to be found on a copy of Bagpipe Player, an engraving by Albrecht Dürer.
Italian, 16th century, male.
Active in the early 16th century.
Monogram of an engraver.
A. F. is mentioned by Bartsch and Brulliot and known for Poetry, a copy of a plate by Raimondi after Raphael and Winged Child on Horseback.
Italian, 17th century, male.
Monogram of an engraver.
Cited by Brulliot as having worked around the middle of the 17th century. Known works include portraits of J.B.Porta and Andreas Vessaius.
Italian, 16th century, male.
Monogram of an engraver (including copper), print publisher (?). Religious subjects.
A.G. is mentioned by Brulliot, and believed to have been a pupil of Marcantonio Raimondi. He is known for his Virgin Holding the Infant Jesus, and Crowned by Two Angels...
Italian, 16th century, male.
Active at the end of the 16th century.
Monogram of an engraver (etching).
A.G.L.O. is mentioned by Charles Le Blanc. He created grotesque masks that were dynamic and witty in style, though somewhat coarse.
German, 16th century, male.
Monogram of an engraver (wood).
The initials A. H. are found on drawings, as well as on wood engravings printed in Baden in 1517.
German, 16th century, male.
Monogram of an engraver (etching/burin).
A. H. is mentioned by Bartsch and Brulliot around 1540. The works attributed to him include: Fabricius (Joannes) (1540); Hohenheim Effigies (Aureoli Theophrastus ab) (1538); and Hohenheim (Effigies Aureoli, Theophrasti) (1540...
German, 16th – 17th century, male.
Monogram of an engraver, copyist. Religious subjects.
A. H. was a copyist of Albrecht Dürer. A print dated 1589 is attributed to him: The Virgin Crowned with Stars, after the work by Dürer.
German, 14th – 16th century ?, male.
Monogram of an engraver.
The monogram A.H.C. is found on various prints, in particular a Bacchus and Woman Bathing.
German, 16th century, male.
Active in 1574.
Monogram of an engraver (wood).
A. H. R. is mentioned by Brulliot. He produced Satyric Allegory on the Catholic Church and Protestantism.
Italian, 16th century, male.
Active in Venicec.1517.
Monogram of an engraver (wood).
A. L. is mentioned by Brulliot. His Adoration of the Magi and Massacre of the Holy Innocents, both after Domenico Campagnola, survive.
German, 16th century, male.
Active in 1535.
Monogram of an engraver.
A. L. is mentioned by Bartsch and Brulliot. He produced Decorations (1535), Herzog Jorg (1535), and Prince of the House of Saxony (1535). There are sometimes subtle variations in his initials. A dated engraving of ...
German, 16th century, male.
Monogram of an engraver.
According to Ris Paquot, the monogram A. L. is found on a Portrait of Albrecht Dürer dated 1579, a duplicate of the engraving by Melchior Lorch.
