Chinese, 18th century, male.
Active at the beginning of the 18th century.
Painter.
Dapeng was a Buddhist monk and finger painter who specialised in painting bamboo. He travelled to Japan in 1722.
Chinese, 18th century, male.
Active at the beginning of the 18th century.
Painter.
Dapeng was a Buddhist monk and finger painter who specialised in painting bamboo. He travelled to Japan in 1722.
Chinese, 18th century, male.
Painter.
Qing dynasty.
Ding Guanpeng worked in the reign of Emperor Qianlong (1736-1796). He painted mainly Buddhist and Taoist figures in the style of Ding Yunpeng (active c.1584-1638). He also produced elegant copies after the ancient masters. His very wide use of colour suggests some western influence, which he no doubt learned from one or other of the Jesuit artists at Qianlong’s court....
Japanese, 17th – 18th century, male.
Born 1648, in Kyoto; died 1710.
Sculptor, monk.
After having been a sculptor of Buddhist statues in Kyoto, Genkei became a monk in 1669, at the age of 21, and a disciple of Tetsugen Zenji. He then went on a long preaching tour of Japan during which he conceived the vast project of carving statues of the Rakan (the Arhats, or disciples of the Buddha). He went to Edo (now Tokyo) to seek the assistance of Tetsugyu Osho, a priest of the Gufuku-ji at Ushima, through whose good offices he was permitted to stay at the monastery attached to the Senso-ji (Asakusa-dera) at Edo. There, at the beginning of the Genroku period (...
Japanese, 18th – 19th century, male.
Born 1737; died 1812.
Painter.
Gyokuzan was a painter from Osaka. He was promoted to the rank of hokkyo, a title meaning ‘bridge of Buddhist law’ initially given to Buddhist monks but later becoming an honorific given to other worthy members of society, such as artists. He illustrated many historical narratives, notably the ...
Japanese, 17th – 18th century, male.
Born 1653; died 1717.
Painter.
Kokan, who became the superior at the Hoon-ji temple in Kyoto, studied painting with Eino (1631-1697). He specialised in Buddhist themes as well as humorous subjects verging on caricature.
Japanese, 17th – 18th century, male.
Born 1629; died 1716 or 1718.
Sculptor.
Edo period.
The founder of the Hozan-ji temple in Nara Prefecture, Tankai made a considerable number of Buddhist statues, of which the Fudo Myoo (Acala or Acalanatha, the Immutable) statues in Horyu-ji, preserved in the Toshodai-ji, Nara, are a representative example. Unlike most of his professional contemporaries, who made up for a lack of talent with an excess of technical skill, Tankai produced work remarkable for its power....
Chinese, 18th – 19th century, male.
Born 1755, in Quanjiao (Anhui); died 1821.
Painter.
Wu Zi painted Buddhist and Taoist figures in the style of Wu Daozi and Wang Guang.
Chinese, 18th century, male.
Active in Suzhou c. 1765.
Born in Shanghai.
Painter.
Qing dynasty.
Yu Zongli painted landscapes and Buddhist and Taoist figures.