101-120 of 17,158 Results  for:

  • Renaissance/Baroque Art x
Clear all

Article

Dutch, 17th century, male.

Born 1 August 1575.

Painter.

This artist is mentioned as living in Leiden in 1593 and 1595; he was a pupil of the well-known painter Ysaac Claesz. van Swanerburch.

Article

Dutch, 17th century, male.

Born 1602, in Delft; died 19 February 1657, in Delft.

Painter. Still-lifes (including flowers/fruit/sea shells).

Evert van Aelst was admitted to the Delft painters' guild on 15 April 1632. He excelled at painting still-lifes, gold and silver vases and dead game. His work, which recalls the style of P. Glaesz., is finely finished and displays an interesting use of lighting. Van Aelst's paintings are rare and much sought after, and were a great influence on the style of his nephew Willem....

Article

Flemish School, 17th century, male.

Active in Antwerp.

Died 1688.

Engraver (line-engraving).

In 1688, Guiliam van Aelst was a member of the Antwerp guild of painters.

Article

Dutch, 17th century, male.

Active in Amsterdam.

Engraver (line-engraving).

In 1629, Isaeck van Aelst executed a number of engravings on a model by David Vinckboons for the Jan Jansz. publishing house in Amsterdam. He is mentioned in 1663 and 1665.

Article

Flemish, 16th – 17th century, male.

Born c. 1527, in Brussels; died 1612, in Rome.

Engraver, draughtsman, print publisher.

Flemish School.

Nicolaus van Aelst learned drawing and engraving in his home town of Brussels, then went to Rome where he set up a thriving trade in prints. This was his main activity, although he continued to engrave with a burin. It should be noted, however, that he was only the printer of the engraving of the statue of Henry II, the original artist being Tempesta....

Article

Dutch, 17th century, male.

Born 1626 or 1627, in Delft; died c. 1683, in Amsterdam.

Painter. Still-lifes (including game/fish).

Willem van Aelst was the son of a notary. He studied with his uncle Evert van Aelst, imitating his style and surpassing it. He was admitted to the Guild of St Luke in 1643. Two years after becoming a master painter he went to France and stayed there for four years. In 1649 he travelled to Italy, where he enjoyed considerable success. Art lovers were captivated by the finish of his works. He received commissions from the Grand Duke of Tuscany, who showed his gratitude by presenting van Aelst with the gold chain and medal awarded to artists as a form of decoration by royal princes and noblemen. Van Aelst remained in Italy for seven years. In 1656 he returned to Holland, where his reputation had preceded him. He went first to his native town of Delft before settling in Amsterdam....

Article

German, 17th century, male.

Active in Francker at the end of the 17th century.

Engraver.

It is not known who taught this artist. Aenae did mainly aquatint portraits, including several of the royal family of Nassau. Also recorded is a portrait of Nicolaus de Bloukard...

Article

Flemish School, 17th century, male.

Baptised 30 November 1633 in Antwerp; died at the end of 1690.

Painter. Still-lifes.

Theodor van Aenvanck is believed to have been a pupil of Jan de Heem around 1647. His chosen genre was still-life painting. After leaving the studio he is thought to have travelled. He returned to Antwerp and was admitted as a free master in ...

Article

Flemish School, 17th century, male.

Active in Antwerp.

Painter.

Antwerp School.

Jacob van Aerdenborch was a member of the Antwerp guild; he was a pupil of Johann Popels in 1650 and became a master painter in 1662.

Article

Flemish School, 17th century, male.

Born in Oudenaarde; died 16 May 1641.

Sculptor.

In 1635, Ghysbrecht Aerents executed a number of works for the church of the Notre-Dame hospital in Oudenaarde; these included a tabernacle and an altar panel.

Article

Dutch, 17th century, male.

Died before 3 March 1653.

Painter, designer of ornamental architectural features.

Joris Aeriense executed the gold decorations of the portal and organ of Rotterdam's main church. A number of his paintings were valued at 170 florins.

Article

German, 17th century, male.

Painter, draughtsman.

Nagler attributes to him a red chalk and black stone portrait signed B.A. and dated 1612, preserved in the collection in Munich.

Munich: 1612, red chalk and black chalk, portrait

Article

German, 17th century, male.

Active in Munich.

Died 1621.

Sculptor.

A pupil of Hans Aesslinger, he helped Arnold Abel with the tomb of the emperor Maximilian. In 1571, he gained master status and was commissioned by the court to provide several decorative sculptures for state ceremonies....

Article

Dutch, 17th century, male.

Activec.1600.

Sculptor.

Article

Flemish, 16th century, male.

Sculptor.

Flemish School.

Pierre Aerts was one of the representatives of Renaissance art. Around 1540 he produced the monumental door which is located on the east side of the Fortress of Bruges.

Article

Dutch, 16th – 17th century, male.

Painter.

Antwerp School.

Dirk Aertsen was the son of Pieter Aertsen. He is possibly the same artist as the Dierck Aertsen who became a free master of the Guild of St Luke in Antwerp in 1607, and who travelled to France to work at Fontainebleau....

Article

Dutch, 17th century, male.

Painter.

Geert Aertsen was the grandson of Pieter Aertsen.

Article

Dutch, 17th century, male.

Painter, designer of ornamental architectural features.

In 1630, Johan Aertsen presented a glass decorated with the city coat of arms to the government of Utrecht.

Article

Flemish School, 17th century, male.

Painter.

Antwerp School.

Nicolas Aertsen was a pupil of Abraham Gouvaerts, who was himself a pupil of Jan Brueghel. In 1625 he was a member of the Guild of St Luke in Antwerp.

Article

Dutch, 16th – 17th century, male.

Born 1540; died 1603.

Painter.

Amsterdam School.

Pieter Pietersz. Aertsen was the son of Pieter Aertsen (Lange Pier) and the brother of Aert Pietersz.

Amsterdam (Rijksmus.)

Haarlem (Frans Halsmus.)