Belgian, 20th century, male.
Painter, draughtsman, sculptor. Multimedia.
Since 1958, Jef Geys has claimed very different identities, as if to signal in a more effective way his complete freedom of expression; he tends to take his work in divergent or even contradictory directions, deliberately outside the hegemony of fashions and taste. The diversity of the media he uses matches the diversity of his experimentations: drawings, paintings and sculptures, but also the setting up of archives, films, collections of photographs, installations and architectural scale models of his structures. Within the legacy of ...