1-10 of 15 results  for:

  • Latin American/Caribbean Art x
  • Collecting, Patronage, and Display of Art x
Clear all

Article

Christophe Spaenjers

Set of financial methods, instruments, and business models that are used in the Art market. Important developments since the 1960s include the spreading availability and use of art price information and price indexes (see Art index), the emergence of loans collateralized by artworks, repeated efforts to create art investment structures, and a strong growth in art market advisory services provided by wealth managers and new entrepreneurs (...

Article

His family was of Basque origin, though he was born in Mexico. After making his fortune in Mexico, he spent the last 40 years of his life in Biarritz, and at his villa Zurbiak he built up a substantial art collection. He had been educated partly in Paris, thereafter retaining a love for France; in ...

Article

David Elliott

Mexican photographer and collector. He worked as a reporter for the Catholic newspaper El tiempo during the 1890s, becoming a staff photographer by 1900. He not only recorded the official functions and daily life in Mexico City under President Porfirio Díaz but also began to take an interest in social conditions, despite strict government censorship preventing publication of anything other than the most anodyne of images. He also began to collect the work of other photographers, which with his own work provide an invaluable record of Mexican life before, during and after the Revolution (...

Article

Collection of Latin American art based in New York and Caracas. Founded in the 1970s by Patricia Phelps de Cisneros and her husband, Gustavo A. Cisneros, the mission of the Colección Patricia Phelps de Cisneros (CPPC) is to support art education throughout Latin America, and to promote the region’s vast contributions to the visual arts internationally. To this end, under the auspices of the Fundación Cisneros, the CPPC supports a rich and varied programme of collecting, exhibitions, and publications. The CPPC is organized around five major sub-collections: modern art, contemporary art, colonial art, the work of artists who recorded their travels to Latin America, and the art of the Orinoco region....

Article

American contemporary art museum in Miami, FL. The de la Cruz Collection Contemporary Art Space was built and funded by Rosa and Carlos de la Cruz to house their collection of art. Born in Cuba, Rosa and Carlos moved to the USA in 1960. Carlos subsequently graduated from the University of Pennsylvania’s Wharton School, and by ...

Article

Jorge Luján-Muñoz

Guatemalan painter, collector and writer. He began his artistic studies in Quetzaltenango, where he was fortunate to come into contact with the Spanish painter Jaime Sabartés (1881–1968) and Carlos Mérida, with whom he became friends. He continued his studies in Guatemala City and then in Mexico City at the Real Academia de San Carlos, where his fellow students included Rufino Tamayo, Roberto Montenegro and Miguel Covarrubias. He returned briefly to Guatemala only to leave for Europe. He studied in Madrid at the Academia de Bellas Artes de San Fernando and from ...

Article

Since the 1980s art markets have developed rapidly outside of Europe and the USA. In the so-called BRIC countries (Brazil, Russia, India, and China) this development has been particularly dynamic. With aggregate sales estimated at €11.5 billion, China is the second largest market for art and antiques in the world after the USA (McAndrew ...

Article

Philip Core

(b Chichester, Sussex, 16 Aug 1907; d Xilitla, Mexico, 2 Dec 1984). English patron and collector. He inherited his fortune from his mother and spent it on the arts. He remodelled and redecorated Monkton House (West Dean Estate, Chichester), built for his parents by Sir ...

Article

Ramón Alfonso Méndez Brignardello

Chilean architect, collector and teacher. His family, in which he was the youngest of 14 children, moved from Chile to Europe in 1919 in anticipation of Chilean political and social unrest. He had no formal training but learnt much from travelling around Europe, attending some private classes and being in the company of adults. He knew the works of Proust, Apollinaire, Gide and Picasso, and became interested in the arts and avant-garde thought, familiarizing himself with the Bauhaus, Gropius, Le Corbusier and others. He decided to become an architect, and on returning to Chile studied architecture at the Universidad Católica de Valparaíso (qualified ...

Article

Noémie Goldman and Kim Oosterlinck

Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....