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Peter Grossmann

Site of a Christian city and pilgrimage centre in the Maryūt Desert, c. 45 km south-west of Alexandria, Egypt. It grew up around the shrine of St Menas, who was martyred during the persecution of the Christians instigated by Diocletian (reg 285–305). The ancient name of the site is not known, and the position of the saint’s grave had been long forgotten until, according to legend, several miracle cures led to its rediscovery. The place then quickly developed into an increasingly major centre of pilgrimage where, among other things, the so-called Menas ampules were manufactured as pilgrim flasks and achieved particular renown. The first excavations of the site were undertaken by ...

Article

Bawit  

C. Walters

Site on the west bank of the River Nile, c. 16 km west of Daryūt in the province of Asyūt, Egypt. A large monastery with rich sculptural and painted decoration originally lay in the desert 1 km to the west. According to tradition it was founded by the monk ...

Article

Sebastian Wormell

French art and architectural historian. His main interest was in Byzantine art of the medieval period, and he was one of the first Western European scholars to take a serious interest in the art of the Palaiologan period (1261–1453). Most of his original research was based on field work undertaken between ...

Article

Sohag  

C. Walters

Chief town of the province of Sohag, Egypt, situated on the west bank of the River Nile, c. 490 km south of Cairo. To the west of the town are two 5th-century Coptic churches, known as the White Monastery (Dayr al-Abyad) and the Red Monastery (Dayr al-Ahmar). The White Monastery is the more important of the two. Although the surrounding area was investigated briefly by Petrie in ...

Article

In its most general sense, spolia (pl., from Lat. spolium: ‘plunder’) denotes all artifacts re-employed in secondary contexts, from building blocks reused in a wall to pagan gems mounted on a Christian reliquary. It is a matter of debate whether this broad application of the term is justified, or whether it should be restricted to the relatively small subset of reused objects that were taken or ‘stripped’ (like spoils) from their original context, rather than found, purchased, inherited or otherwise acquired by non-violent means. It is likewise debated when the use of spolia should be considered meaningful, if at all. Arnold Esch defined five possible motives for using spolia: convenience, profanation, Christianization, political legitimation and aesthetic attraction. Michael Greenhalgh has argued for reducing the motives to three (at least with regard to marble): pragmatism, aesthetics and ideology; while Finbarr Barry Flood cautioned against reductive interpretations generated by any taxonomy, insisting that reused objects are mutable in meaning and capable of multiple interpretations during their life cycle....