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Meghan E. Grossman

Fashion photography is the use of photography to communicate the latest trends in clothing. It has a long and distinctive history in Europe and the USA, and is now practised around the world. Fashion photography acts as a representation of popular taste and is created to serve a commercial industry, yet it has also served as an avenue for change, pushing the boundaries of acceptability with innovations in style, technique, and the portrayal of fashion. Fashion photography was a democratizing force in the acceptance of photography in the West, as it brought the new form of expression to an audience of every social level, rich or poor, urban or suburban. Via mass media, photography serves to relate changes in fashion over long distances and many cultures, globally disseminating the styles of high fashion....

Article

Lourdes Font

French fashion designer (see figs 1 and 2 ). From 1925 to 1953, Rochas was an innovator in Paris fashion. In the1930s he was known for architectural suits and coats, bold graphic patterns and Surrealist details, and in the post-war period for romantic designs inspired by the 19th century....

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Elizabeth Q. Bryan

Italian-born French fashion designer. Although Schiaparelli began her career with sportswear in the late 1920s, she is remembered for her Surrealism designs of the 1930s, often created in collaboration with such artists as Salvador Dalí, Jean Cocteau and Marcel Vertès. The drama of her original embroideries, vivid colours and strikingly witty accessories overshadows the simplicity of her sharply tailored suits and slender evening dresses (see fig. ...

Article

Joyce Zemans

Canadian painter, draughtsman and writer of English birth. In 1912 his family emigrated to British Columbia. Educated at Victoria College, BC (1926–7), and the Provincial Normal School in Victoria (1929), he studied art at the Euston Road Art School, London (...

Article

Nele Bernheim

Surrealism was a 20th-century international intellectual movement centred in Paris. It was characterized by the belief in the creative powers of the subconscious mind. Initially manifested in literature, from the mid-1920s onwards Surrealism extended to the visual and decorative arts, and from then on Surrealism developed a mutual affinity with fashion. On the one hand, fashion was appropriated by Surrealists as a symbol of the ephemeral and of metamorphosis, and it provided artists with a powerful metaphor. On the other hand, Surrealism, with its disconcerting imagery, its displacement of conventional elements, its quest for convulsive beauty and its propensity to surprise and shock, was exploited by ...