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Stephen T. Clarke, Harley Preston and Lin Barton

English family of silversmiths, industrialists, collectors, and patrons, of French origin. The family originated from the town of St Pierre on the Ile d’Oléron off La Rochelle. They arrived in London a few years after the Revocation of the Edict of Nantes in 1685, and between ...

Article

Linda Whiteley

French dealer, collector, museum official and painter. He studied under Charles Landon and Jean-Baptiste Regnault. In 1793 he began to deal in pictures and until 1812 spent part of his time travelling abroad (mainly in Italy) to increase his knowledge of art. In October 1816...

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French dealer, collector, writer, and painter. He was the son of a painter and picture dealer, Pierre Le Brun (c. 1703–1771), and great-nephew of Charles Le Brun. He studied painting with Jean-Baptiste Deshays, François Boucher, and Jean-Honoré Fragonard before becoming a leading connoisseur and art dealer. In ...

Article

A. Deirdre Robson

American dealer, collector and painter. She came from a wealthy New York family and married Schuyler Parsons, a rich socialite, in 1919. In 1922 she obtained a divorce in Paris. She remained there for ten years, studying with Emile-Antoine Bourdelle and Ossip Zadkine. Financial constraints eventually forced her return to the USA in ...

Article

Noémie Goldman and Kim Oosterlinck

Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....

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Harley Preston and Lin Barton

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Article

Joseph R. Givens

Iranian photographer, curator, and art dealer, active in the USA. Shafrazi introduced graffiti to the mainstream art market and contributed to the contemporary art boom of the 1980s. Raised in Abadan, a small port town that experienced an oil boom in the post-war years, Shafrazi was fascinated by Western popular culture and art. He moved to England in ...