See Pugin family
See Pugin family
Polish group of avant-garde artists that flourished between 1929 and 1936. Its members were the sculptor Katarzyna Kobro, the painters Władysław Strzemiński and Henryk Stażewski, and the poets J. Brzękowski and J. Przyboś. It was founded by Strzemiński after he, Kobro and Stażewski left the ...
Dutch, 20th century, male.
Born 1883; died 1950.
Painter. Urban landscapes.
Amsterdam, 5 June 1990: View of Rome with St Angel Castle and the Tiber (1925, oil on canvas, 25½ × 52¼ ins/65 × 132.5 cm) NLG 1,150
Dutch, 20th century, female.
Born in Cilacap (Java), Indonesia.
Painter. Portraits, still-lifes.
Edith van der Aa exhibited some still-lifes and her Portrait of A.H. Lemaître at the Paris Salon des Indépendants in the 1930s.
Swedish, 19th – 20th century, male.
Born 1 July 1877, in Johannishus.
Having studied at the academy of art in Copenhagen in the last few years of the 19th century, Arvid Aae went on to specialise in painting portraits of children.
Danish painter, sculptor, designer and writer. He studied at the Kunsthåndvaerkerskole (1936–9) and the Kongelige Danske Kunstakademi (1939–46), both in Copenhagen. He experimented with non-figurative forms of expression in numerous media. He was a co-founder of Groupe Espace in 1951, and his work was important for the development of ...
Danish, 20th century, male.
Copenhagen, 26 May 1987: Sculpture (1954, steel, 32¼ × 99½ ins/82 × 253 cm) DKK 6,000
Turkish, 20th century, male.
Born in Constantinople.
He studied at the École des Beaux-Arts in Paris under Ernest Laurent and Léon Galand. Subsequently he showed his works at the Salon des Artistes Français between 1920 and 1930. He is also known as Aali Munib....
Finnish architect and designer, active also in America. His success as an architect lay in the individual nature of his buildings, which were always designed with their surrounding environment in mind and with great attention to their practical demands. He never used forms that were merely aesthetic or conditioned by technical factors but looked to the more permanent models of nature and natural forms. He was not anti-technology but believed that technology could be humanized to become the servant of human beings and the promoter of cultural values. One of his important maxims was that architects have an absolutely clear mission: to humanize mechanical forms....