French priest, philosopher and writer. He entered the Society of Jesus in 1693, studied theology in Paris, then philosophy at the Collège de Clermont, and he was ordained a priest in 1706. He was a great scholar, who knew Greek, Latin and Hebrew; he devoted himself to philosophical research and poetry, at the same time teaching for the Society of Jesus in numerous institutions of learning in France. A staunch Cartesian, Père André inevitably incurred the hostility of the Society, which was wedded to Scholastic doctrines and Aristotelian philosophy. His innovative philosophical opinions and his suspect theology caused him to suffer various penalties, including imprisonment (...
French, 18th century, male.
Born 1724, in Paris; died 13 April 1806, in Paris.
Painter, draughtsman, writer and administrator. Religious subjects, portraits, animals, still-lifes (including flowers, fruit, game), cats, decorative motifs.
Jean-Jacques Bachelier was a pupil of Jean-Baptiste Pierre. He later became the director of painting at the Manufacture de Sèvres (Sèvres Porcelaine Factory), and founded the École Royale Gratuite de Dessin, an independent school of industrial arts, where he worked very successfully as a painter of flowers and still-lifes. The school, intended for young artisans aspiring to make a living in the applied arts, taught ornamental design, architecture, and the drawing of the human figure, animals and plants. He also tried his hand at biblical subjects. His works include: ...
British, 18th – 19th century, male.
Born 28 November 1757, in London, United Kingdom; died 12 August 1827, in London.
Painter, draughtsman, engraver, illustrator, poet. Religious subjects, figure compositions.
William Blake was the son of a draper. He showed a strong artistic tendency from an early age and, at the age of 10, started to study drawing at Henry Par’s Academy in the Strand. He learnt engraving under Ryland and was then apprenticed to James Basire. During his seven years with Basire (1772–1779), Blake was made to copy the sculptures of Westminster Abbey and of London’s old churches, thus stimulating his fascination with Gothic art. He studied briefly at the Royal Academy in 1779, where he made friends with Barry, Fuseli, Mortimer, Flaxman, and Stodhart. While there, his studies concentrated on Michelangelo....
(b Castelnau-de-Brassac, Tarn, 3 or 4 May 1736; d Paris, 28 March 1806). French writer. He was the son of a lawyer; having been a pupil of the Jesuits, he joined that Order in 1752 but was never ordained priest. He became in his turn a teacher at Jesuit colleges, first at Albi and then at Tournon. When in ...
Italian, 17th – 18th century, male.
Born 28 June 1674, in Rome; died 5 March 1755, in Rome.
Painter, engraver, musician, scholar. Religious subjects, portraits.
Pierleone Ghezzi was the son and pupil of Giuseppe Ghezzi. He was commissioned by Pope Benedict XIV, together with L. Garzi, F. Trevisani and B. Luti, to paint, among other things, a series of ...
German philosopher. He was the first of the philosophers influenced by Johann Christian von Wolff (1679–1754) to establish a place in Wolff’s system for the fine arts. He attended the universities of Königsberg and Leipzig in the early 1720s, where he wrote theses on Wolffian topics. In ...
German philosopher and theologian. After travels that included sojourns in London and Riga, he based himself in his native city from 1759, occupying minor posts and acting as a Christian gadfly to the German Enlightenment. He separated himself from Kant with the esoteric Sokratische Denkwürdigkeiten...
French art historian and writer. He began as a captain in the service of Duke Christian Ludwig of Mecklenburg (d 1756). He mastered numerous languages and travelled in Germany, Spain, Portugal and Italy. Living the life of an adventurer, he was frequently in debt, for which he was imprisoned in ...
German art scholar and collector. At school in Lübeck he became acquainted with the ideas of Leibniz and Christian Wolff; from 1724 he studied law and literature in Leipzig. There he developed an interest in the Enlightenment thinking of Johann Christoph Gottsched and in art, particularly the many private collections. In ...
German cabinetmaker. By 1770 he was established as a master cabinetmaker in Leipzig. An important early patron was the art dealer Karl Christian Heinrich Rost (1742–98), who commissioned furniture closely based on French and English models. In 1788 Hoffman obtained a loan to extend his business in Leipzig and a subsidiary workshop at Eilenburg; his total workforce was 16 tradesmen. In ...
Italian, 18th century, male.
Born 1703, in Pisa, to English parents; died 16 August 1778, in Florence.
Painter, engraver, scholar. Religious subjects, portraits.
Hugford studied art in Florence.
Florence (Church of S Felicità): St Raphael
Florence (Mus.): several paintings
German, 18th – 19th century, male.
Active in Aachen.
Born 1758; died 1834.
Ferdinand Jansen painted views of Aachen and the surrounding area in oils and watercolours. He also painted portraits, including a self-portrait, and religious works. In 1825, he restored paintings in the vault of the cathedral and furnished the west vault with a painting....
Werner Wilhelm Schnabel
German architect, teacher, theorist and landscape designer. He was first taught mathematics and the rudiments of architecture by his uncle, Christian Friedrich Krubsacius (d 1746), a lieutenant-colonel in the engineers’ corps. He received further training from Zacharias Longuelune and Jean de Bodt. In ...
Italian antiquary and art historian. He studied in Jesuit schools in Fermo and later in Rome, where he entered the Order of St Ignatius. His education was mainly classical, although it also included philosophy and mathematics. While in Rome he taught classical literature in Jesuit schools, concurrently absorbing the Neo-classical theories of Johann Joachim Winckelmann and Anton Raphael Mengs. When the Jesuit Order was suppressed in ...
French Jesuit priest, diplomat and writer. Laugier is celebrated in the history of 18th-century taste as the most influential of those who advocated a return to first principles in architecture. In his Essai sur l’architecture (1753) he argued that architects should always have before them the primitive hut as a reminder of the origins of architecture. This programme for a new architecture of radical simplicity was welcomed by those anxious to rid architecture of Baroque ornament, as well as by the supporters of Rousseau’s plea for a return to nature. The ...
Italian architectural theorist, teacher and writer. He was one of the most original Italian theorists of the 18th century, his ideas on functionalism later being viewed as precursors of Modernist principles. He came from a family who had close connections with the Venetian Arsenal and military engineering. After completing his initial studies at the monastery of S Francesco della Vigna, Venice, in ...
Rüdiger an der Heiden
German painter, lithographer and administrator. He received his first training from his father, Konrad Mannlich (1701–58), court painter to Christian IV, Duke of Zweibrücken. In 1758 he was sent to the drawing academy at Mannheim by Christian IV, and in 1762–3 accompanied him to Paris, where he met François Boucher, Carle Vanloo and also Christoph Gluck and Diderot. His work from this period reveals the influence of French Rococo, for example in ...
French monk and writer. After serving in Germany in the French army of Henri de La Tour d’Auvergne, Vicomte de Turenne, he entered the scholarly Maurist community of Benedictines, making his profession in 1676; he went on to specialize in studies of the Greek Fathers, pursuing these in various abbeys and in Paris. Among his many works in this field is an edition of the writings of St Athanasius (...
Ingrid Sattel Bernardini
German painter, engraver, draughtsman, poet and Playwright. From about 1765 he was taught by Daniel Hien (1724–73), court painter to Christian IV, Duke of Zweibrücken, with 17th-century Dutch painting as his model. Müller showed a talent for realistic depiction of animals, especially horses, and landscape, including farm scenes. The Duke gave him an allowance so that, from ...
Gregor M. Lechner
German churchman, writer and patron. He entered the Order of St Benedict in 1688 and studied philosophy and theology at Ottobeuren and at the Benedictine university at Salzburg. He was ordained a priest in 1694 and began pastoral work in Tisis, Vorarlberg. His first theological writings date from ...